|
Max Ciolek
Max Ciolek is a German tenor, conductor and composer. He is the founder of VokalEnsemble Köln. As a singer, he is noted for his recordings of Bach works, particularly the Evangelist in his Passions, but he has recorded music from all periods of classical music and has appeared internationally. Career Born in Dortmund, Ciolek first studied church music. He was "discovered" as a soloist when he sang in a choir for Bach's Mass in B minor, and stepped in as the tenor soloist for a singer who was ill. He received voice training as a member of The King’s Singers, working with Alastair Thompson. He studied voice formally at the Akademie für Alte Musik Bremen with John Potter and at the Musikhochschule Köln with Mechthild Georg. He took master classes with Emma Kirkby and Christoph Prégardien. His repertory ranges from Gregorian chant to contemporary and avant-garde. Ciolek is noted for interpreting the Evangelist in Bach's Passions and oratorio. In 1999, he performed the part i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vox Christi
Vox (Latin for 'voice') may refer to: Arts, entertainment and media Fictional characters * Vox (DC Universe character), Mal Duncan * Vox, several characters in the anime series '' Lagrange: The Flower of Rin-ne'' * Gleeman Vox, from the ''Ratchet & Clank'' video game series * Vox, a character in the animated web series ''Hazbin Hotel''; see List of Hazbin Hotel and Helluva Boss characters Literature * ''Vox'' (Nicholson Baker novel), 1992 * ''Vox'' (Stewart and Riddell novel), 2003 Music * "Vox" (song), by Sarah McLachlan, 1988 * Vox Records (Germany), a German record label * Vox Records, an American record label Television and radio * VOX (Norwegian TV channel) * VOX (German TV channel) * MAtv, formerly Vox, a Canadian TV channel * Vox, a former satellite radio channel * Radio Vox T, a Romanian radio station * WVOX, a radio station licensed to New Rochelle, New York, U.S. Other uses in arts, entertainment and media * Vox Media, an American digital media company ** ''Vox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midori Suzuki (soprano)
is a Japanese classical soprano, specializing in Baroque music. She has recorded many cantatas by Johann Sebastian Bach with the Bach Collegium Japan, both as a soloist and as a member of the ensemble. Career Born in Kobe, Suzuki studied at the Kyoto City University of Arts. After her graduation, she studied Baroque singing from 1991 at the Academy for Early Music in Amsterdam with Max van Egmond. Suzuki has performed as a member of the Bach Collegium Japan. She appeared as a soloist in several volumes of the recording of all cantatas by Johann Sebastian Bach, conducted by her brother-in-law Masaaki Suzuki. A review of volume 5 said about the final duet of ''Tritt auf die Glaubensbahn'', BWV 152, in which she sang the part of the Soul alongside Peter Kooy as Jesus: "both singers rise to the occasion, delivering characterization that couldn’t be rendered with more humility". A review of her recording of ''Was soll ich aus dir machen, Ephraim'', BWV 89, notes: "She sings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Hermans
Elisabeth Hermans is a Belgian soprano. A graduate of Lemmensinstituut in Leuven and the Antwerp Conservatory, she began performing with ensembles such as Collegium Vocale Gent, La Chapelle Royale, La Petite Bande, the Huelgas Ensemble, and the Netherlands Bach Society, but in more recent years has gained acclaim as a soloist especially singing the cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...s of J.S. Bach. References Belgian women singers Belgian sopranos Living people Belgian opera singers Year of birth missing (living people) {{Belgium-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigiswald Kuijken
Sigiswald Kuijken (; born 16 February 1944) is a Belgian violinist, violist, and conductor known for playing on period and original instruments. Biography Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972. Since 1971 he has taught Baroque violin at the Royal Conservatory of The Hague and the Royal Conservatory of Brussels. He is noted for using the older technique of resting the violin on the shoulder without a shoulder rest, rather than held under the chin. He is a member of the Kuijken String Quartet, which he formed in 1986. In recent years, he has also performed as conductor of symphonies of the Romantic era. His brothers are also known for historically informed performance: Barthold Kuijken is a flutist and recorder player and Wieland Kuijken, also a member of the Kuijken Quartet, is a cellist and gambist. They all have worked extensively with harpsichordist Gustav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Petite Bande
La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart. History The ensemble was brought together in 1972 by Sigiswald Kuijken, originally for the one-off purpose of recording Lully's comédie-ballet, ''Le Bourgeois gentilhomme'', conducted by Gustav Leonhardt for the Deutsche Harmonia Mundi label. The ensemble was given its name from Lully's '' Petite Bande des Violons du Roi'', an orchestra of 21 string players at the court of Louis XIV. The nucleus of the original group was the Leonhardt Consort along with Sigiswald Kuijken and his brothers Wieland and Barthold. Following the recording, the group continued to give concerts throughout Europe and became a permanent ensemble based in Leuven with Kuijken as director. Their initial repertoire concentrated on French Baroque music, but soon bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantorei Barmen-Gemarke
The Kantorei Barmen-Gemarke (Barmen-Gemarke chorale) is a mixed concert choir based in Wuppertal, Germany, focused on sacred music. It was founded by Helmut Kahlhöfer in 1946 and conducted by him for more than four decades. Their repertory includes great classical works as well as premieres of contemporary music. The choir has appeared internationally. History The choir was founded in 1946 by Helmut Kahlhöfer as the church choir of the Protestant reformed parish of the same name. Kahlhöfer was interested early in a small well-trained flexible group which could perform not only Baroque music but also earlier compositions from the 16th and 17th century. In 1957, the broadcaster Westdeutscher Rundfunk began a partnership with the choir which resulted in 123 recordings, from a single chorale to a contemporary oratorio by Ingo Schmitt, a dean of the Musikhochschule. The choir performed motets by Praetorius, Schütz, Bach, Mendelssohn, Brahms, Reger, Pepping and Dallapiccola, amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Kläsener
Wolfgang Kläsener (born 1962) is a German church musician, choral conductor, and academic lecturer. He conducted the choir Kantorei Barmen-Gemarke and he is artistic director of the Kettwiger Bach-Ensemble. Career Born in Dortmund, Kläsener studied organ with Gisbert Schneider from 1979 and Catholic church music at the Folkwang-Hochschule from 1981, graduating in 1987. As an organist, he was recipient of the third prize at the Internationaler Johann-Sebastian-Bach-Wettbewerb in Leipzig in 1988, and of the Walter Gieseking Competition in Saarbrücken in 1989. He took a concert exam with Daniel Roth (organist), Daniel Roth in 1990. Kläsener founded in 1984 the Kettwiger Bach-Ensemble, a chamber ensemble which received several prizes at international competitions. Besides a cappella music from all periods, they try unconventional programming. In October 2017, they performed a program for the Year of the Reformation which combined the last premiere of a work by Thomas Beimel, ''im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aachener Bachverein
Aachener Bachverein (often abbreviated as ABV) is a German oratorio choir of the Evangelical Church in the Rhineland in the city of Aachen that was founded in 1913 by Heinrich Boell. Although the chorus sings a varied repertoire that encompasses music from all historical periods to new compositions, the ensemble is particularly known for their historically informed performances of baroque and classical period music that are often made in conjunction with internationally renowned instrumental ensembles and orchestras. The choir frequently tours, has had several of their performances broadcast on German radio, and has recorded a number of cantatas by J.S. Bach. List of directors * Heinrich Boell (1913–1924) * Rudolf Mauersberger (1924–1925) * Erhard Mauersberger (1925–1928) * Hans Hulverscheidt (1956–1974) * Johannes Geffert (1974–1979) * Heribert Breuer (1979–1983) * Wolfgang Karius Wolfgang Karius (born 4 June 1943) is a German conductor, organist and harpsichordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Karius
Wolfgang Karius (born 4 June 1943) is a German conductor, organist and harpsichordist. Biography Karius was born at Gummersbach. He attended the Hochschule für Musik Köln where he studied organ under Wolfgang Stockmeier and Michael Schneider and the harpsichord under Hugo Ruf. After completing his studies in Cologne, he went to receive further education in Paris through a scholarship provided by the Government of France. Most of these studies were in the area of French organ music with Marie-Claire Alain and Jean Langlais. He pursued further master-classes in Baroque performance practice with Luigi Tagliavini, Anton Heiller and Kenneth Gilbert, and master-classes in conducting with Kurt Thomas and Sergiu Celibidache. He made further graduate studies in musicology and Romanistik studies at the University of Cologne. After working as a church musician for many years, Karius took the position as organist, cantor, and choral conductor at the Annakirche in Aachen in 1983. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
