Maurizio Bolognini
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Maurizio Bolognini
Maurizio Bolognini (born July 27, 1952) is a post-conceptual media artist. His installations are mainly concerned with the aesthetics of machines, and are based on the minimal and abstract activation of technological processes that are beyond the artist's control, at the intersection of generative art, public art and e-democracy. Background Maurizio Bolognini was born in Brescia, Italy. Before working as a media artist, he received degrees in Urban studies and Social science from the University of Birmingham, UK, and the Università Iuav di Venezia. He worked extensively as a researcher in the field of structured communication techniques (such as the real-time Delphi method), and electronic democracy, which he later used in some interactive installations. His research interests and a wide range of artworks have focused on three main dimensions of digital technologies: — the possibility of delegating his artistic action to the infinite time of the machine, such as in his ''P ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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Robert C
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Open University Of Catalonia
The Open University of Catalonia ( ca, Universitat Oberta de Catalunya, UOC; ) is a private open university based in Barcelona, Spain. The UOC offers graduate and postgraduate programs in Catalan, Spanish and English in fields such as Psychology, Computer Science, Sciences of Education, Information and Knowledge Society, and Economics. Also, an Information and Knowledge Society Doctoral Program is available that explores research fields such as e-law, e-learning, network society, education, and online communities. It has support centers in a number of cities in Spain, Andorra, Mexico and Colombia. The UOC is also a parent institution of Institut Barcelona d'Estudis Internacionals (IBEI). Organization and administration Chairs * UNESCO Chair in Education and Technology for Social Change * UNESCO Chair on Food, Culture and Development * Miró Chair * UOC-Telefónica Chair in Design and Multimedia Creation * UOC- BSA Chair in Applied Research and Data Analysis in Health * I ...
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Sorbonne University
Sorbonne University (french: Sorbonne Université; la Sorbonne: 'the Sorbonne') is a public research university located in Paris, France. The institution's legacy reaches back to 1257 when Sorbonne College was established by Robert de Sorbon as one of the first universities in Europe. Sorbonne University is considered one of the most prestigious universities in Europe and the world. It has a world-class reputation in academia and industry; as of 2021, its alumni and professors have won 33 Nobel Prizes, six Fields Medals, and one Turing Award. In the 2021 edition of the '' Academic Ranking of World Universities'', Sorbonne University ranked 35th in the world, placing it as the 4th best university in continental Europe, 3rd in Mathematics and Oceanography. In the 2023 edition of ''QS World University Rankings'', the Sorbonne ranked 60th in the world, placing it 8th in continental Europe, 14th in Natural Sciences and Mathematics, and 7th in Classics and Ancient History. K ...
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MIT Press
The MIT Press is a university press affiliated with the Massachusetts Institute of Technology (MIT) in Cambridge, Massachusetts (United States). It was established in 1962. History The MIT Press traces its origins back to 1926 when MIT published under its own name a lecture series entitled ''Problems of Atomic Dynamics'' given by the visiting German physicist and later Nobel Prize winner, Max Born. Six years later, MIT's publishing operations were first formally instituted by the creation of an imprint called Technology Press in 1932. This imprint was founded by James R. Killian, Jr., at the time editor of MIT's alumni magazine and later to become MIT president. Technology Press published eight titles independently, then in 1937 entered into an arrangement with John Wiley & Sons in which Wiley took over marketing and editorial responsibilities. In 1962 the association with Wiley came to an end after a further 125 titles had been published. The press acquired its modern name af ...
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Richard Kriesche
Richard Kriesche (born 28 October 1940 in Vienna) is an Austrian artist. He is considered one of the most productive and influential contemporary artists in Austria. Life and work From 1958 to 1963 he studied at the Academy of Fine Arts and at the University of Vienna. In 1991 Kriesche was appointed to the Hochschule für Gestaltung Offenbach. In 1995-96 he took over a guest professorship at the École des Beaux-Arts in Paris. In 1996 he was appointed deputy head of the science department in the Office of the Styrian Provincial Government and in 1998 was appointed to the culture department. From 2003 to 2005 Kriesche worked at the Landesmuseum Joanneum Graz. His artistic fields of work include photo art, video art, computer art, net art, installations, performance and multimedia art. In his works, Kriesche attempts to bridge the gap between the genetic micro-worlds and the macro-worlds of the universe. With his sculptures and installations, Kriesche has been represented at nume ...
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Roy Ascott
Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetic by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art. Ascott exhibits internationally (including the Biennales of Venice and Shanghai), and is collected by Tate Britain and Arts Council England. He is recognised by Ars Electronica as the "visionary pioneer of media art", and widely seen as a radical innovator in arts education and research, having occupied leading academic roles in England, Europe, North America, and China, and is currently leading his Technoetic Arts studio in Shanghai, and directing the Planetary Collegium. In 2018 he became the subject of ''Cybernetics & Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cybersemiotics'' entitled "A Tribute to the Mess ...
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Sublime (philosophy)
In aesthetics, the sublime (from the Latin '' sublīmis'') is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. Since its first application in the field of rhetoric and drama in ancient Greece it became an important concept not just in philosophical aesthetics but also in literary theory and art history. Digital sublime refers to certain perceptions of information technology. Ancient philosophy The first known study of the ''sublime'' is ascribed to Longinus: Peri Hupsous/Hypsous or ''On the Sublime''. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with ...
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