Maud McCarthy (Omananda Puri)
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Maud McCarthy (Omananda Puri)
Maud MacCarthy (4 July 1882 – 2 June 1967), was an Irish violinist, singer, theosophist, writer, poet, esoteric teacher and authority on Indian music. She was among the first to begin a campaign to abolish the use of the harmonium in Indian music. She noted that keyed instruments and their rigid notes had caused the decline in vocal skills in Western music. Early life MacCarthy was born in Clonmel, County Tipperary, Ireland, the daughter of Dr. Charles William MacCarthy and his wife Marion. Her early years were spent in Sydney, Australia, where the family emigrated in 1885. However, by 1891 she had returned to Britain to study the violin at the Royal College of Music, London, as a pupil of Enrique Fernández Arbós. As a child she performed in standard concertos at the The Crystal Palace, Crystal Palace and Queen's Hall. She also toured with the Boston Symphony Orchestra, and visited South Africa and Australia. In 1905 she was forced to give up her ambitions as a concert ...
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John Foulds
John Herbert Foulds (; 2 November 188025 April 1939) was an English cellist and composer of classical music. He was largely self-taught as a composer, and belongs among the figures of the English Musical Renaissance. A successful composer of light music and theatre scores, his principal creative energies went into more ambitious and exploratory works that were particularly influenced by Indian music. Suffering a setback after the decline in popularity of his '' World Requiem'' (1919–1921), he left London for Paris in 1927, and eventually travelled to India in 1935 where, among other things, he collected folk music, composed pieces for traditional Indian instrument ensembles, and worked in radio and became Director of All India Radio in Delhi in 1937. Foulds was an adventurous figure of great innate musicality and superb technical skill. Among his best works are ''Three Mantras'' for orchestra and wordless chorus (1919–1930), ''Essays in the Modes'' for piano (1920–1927), ...
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