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Matthew F. Leonetti
Matthew Frank Leonetti A.S.C. (born July 31, 1941) is an American cinematographer. Accomplished and highly prolific, he has worked on dozens of well-known and acclaimed films spanning numerous genres, including '' Poltergeist'', ''Fast Times at Ridgemont High'', '' Weird Science'', '' Jagged Edge'', '' Strange Days'', and '' Star Trek: First Contact''. He has collaborated with directors such as Tobe Hooper, Walter Hill, John Hughes, Kenneth Branagh, Kathryn Bigelow, Zack Snyder, and The Farrelly Brothers. Life and career Leonetti was born in Los Angeles, California in 1941. His father Frank was a filmmaker and cinematographer who served as a gaffer and lighting technician on low-budget B-movies like ''The Violent Years'', '' Frankenstein's Daughter'', and ''Beyond the Time Barrier''. Leonetti began his career working on a number of projects with his father, serving as a camera operator on films like ''Adam at 6 A.M.'' and ''The Organization''. He soon fell in with Jer ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the List of municipalities in California, largest city in the U.S. state, state of California and the List of United States cities by population, second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Cinema of the United States, Hollywood film industry, and its Greater Los Angeles, sprawling metropolitan area. The city of Los Angeles lies in Los Angeles Basin, a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabri ...
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Kathryn Bigelow
Kathryn Ann Bigelow (; born November 27, 1951) is an American filmmaker. Covering a wide range of genres, her films include '' Near Dark'' (1987), '' Point Break'' (1991), '' Strange Days'' (1995), '' K-19: The Widowmaker'' (2002), ''The Hurt Locker'' (2008), ''Zero Dark Thirty'' (2012), and ''Detroit'' (2017). Bigelow was the first woman to win the Academy Award for Best Director with ''The Hurt Locker'', the Directors Guild of America Award for Outstanding Directing, and the BAFTA Award for Best Direction. She was also the first woman to win the Saturn Award for Best Director, with ''Strange Days''. In addition, ''Time'' magazine named her one of the 100 most influential people in the world in 2010. Early life and education Bigelow was born in San Carlos, California, the only child of Gertrude Kathryn (née Larson; 1917–1994), a librarian, and Ronald Elliot Bigelow (1915–1992), a paint factory manager. Her mother was of Norwegian descent. She attended Sunny Hills High S ...
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Jerry Jameson
Jerry Jameson (born November 26, 1934) is an American television and film director, editor and producer. Biography Highly prolific, he began career in 1964 as an editor on the episode " The Song Festers" of ''The Andy Griffith Show'', soon moving to work as an associate producer or editorial supervisor (sometimes both) on hundreds of episodes of numerous different television series, from 1965 through 1970. Jameson started directing with the 1971 episode " Trackdown" of the series '' Dan August'', before going on to direct over 100 episodes of shows like ''The Six Million Dollar Man,'' '' Ironside,'' ''Dallas,'' ''Murder, She Wrote,'' and ''Walker, Texas Ranger.'' He also directed numerous made-for-TV movies and theatrical motion pictures, including ''Airport '77'', '' Raise the Titanic'', and '' Captive.'' Partial directorial filmography *1970 : ''The Mod Squad'' *1971 : '' Dan August'' *1972 : ''Brute Corps'' (film) *1972 : ''Search'' *1972 : '' The Dirt Gang'' (film) *19 ...
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The Organization (film)
''The Organization'' is a 1971 DeLuxe Color American crime thriller film starring Sidney Poitier and directed by Don Medford. It was the last of the trilogy featuring the police detective Virgil Tibbs that had begun with '' In the Heat of the Night'' (1967), followed by ''They Call Me Mister Tibbs!'' (1970). In ''The Organization'', Tibbs is called in to hunt down a gang of urban revolutionaries, suspected of a series of crimes. The screenplay was penned by James R. Webb, and the film co-stars Barbara McNair, Gerald S. O'Laughlin, Sheree North and Raul Julia. Plot After a break-in at the San Francisco headquarters of a company, the police are called in. One of the executives has been murdered, and the security guard has been bludgeoned. It is not a simple robbery, as the executive was killed by shots from two different guns, nothing was stolen, and there are several other unexplained facts. Virgil Tibbs (Poitier) is contacted by the group which committed the break-in and sto ...
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Adam At 6 A
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism, ...
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Camera Operator
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not imply that a male is performing the task. In filmmaking, the cinematographer or director of photography (DP or DoP) is sometimes called lighting cameraman or first cameraman. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load film, slate scenes, or maintain the camera report (a log of scenes, takes, rolls, photographic filters used, and other production data). A camera operator in a video production may be known by ti ...
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Beyond The Time Barrier
''Beyond the Time Barrier'' is a 1960 American science fiction film. It was released in September 1960 on a double bill with '' The Angry Red Planet''.Warren, Bill (1986). "Keep Watching The Skies Volume 2". McFarland & Co., Inc. . Page 730 It starred Robert Clarke (who also served as producer) and directed by Edgar G. Ulmer. Ulmer's wife Shirley acted as a script editor while their daughter Arianne Arden appeared as a Russian pilot. It was one of two low budget sci-fi films shot back-to-back in Dallas, Texas by Ulmer (the other being ''The Amazing Transparent Man'', released earlier that year). The combined filming schedule for both films was only two weeks. Plot U.S. Air Force test pilot Major Bill Allison flies the X-80 experimental aircraft to sub-orbital spaceflight successfully, though he loses radio contact. When Major Allison returns to the airbase, it appears abandoned, old and deserted. Mystified, he sees a futuristic city on the horizon and heads for it. The major is ...
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Frankenstein's Daughter
''Frankenstein's Daughter'' is an independently made 1958 American black-and-white science fiction/ horror film drama, produced by Marc Frederic and George Fowley, directed by Richard E. Cunha, that stars John Ashley, Sandra Knight, Donald Murphy, and Sally Todd. The film was distributed by Astor Pictures and was released theatrically as a double feature with ''Missile to the Moon''. The film, set in mid-20th century America, tells the story of the creation of the first female "Frankenstein's monster". Plot Teenager Trudy Morton (Sandra Knight), who lives with her uncle Carter Morgan ( Felix Maurice Locher), has nightmares in which she dreams that she is a monster running about the streets at night. Trudy believes the dreams are real. Her boyfriend Johnny Bruder ( John Ashley) does not, nor do her friends Suzie Lawler (Sally Todd) and Don ( Harold Lloyd Jr.). Little does Trudy know, but she actually does turn into a monster at night, thanks to Carter's unpleasant lab assis ...
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The Violent Years
''The Violent Years'' is a 1956 American exploitation film directed by William Morgan and starring Jean Moorhead as Paula Parkins, the leader of a gang of juvenile delinquent high school girls. The film is notable for having an uncredited Ed Wood as the author of its screenplay. It was released in 1956 on a double bill with the German import ''Conchita and the Engineer'' (aka ''Macumba''). Plot The gang's core members—besides Paula—are Georgia, Phyllis, and Geraldine ("George", "Phil", and "Gerry" for short). (The film implies that Sheila is in league with the Communist Party and their anti-American movement.) Gerry and Phil are fatally shot while fleeing the wrecked school; Paula herself guns down one of the cops. Seeking refuge from the police, George and Paula return to Sheila's, where they report their wrecking of the school. But Sheila, who never had any intention of paying the girls, attempts to have them arrested as "loose ends"; as she reaches for the phone, Paul ...
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B Movie
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in the ...
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Lighting Technician
Electrical lighting technicians (ELT), or simply lighting tech, are involved with rigging stage and location sets and controlling artificial, electric lights for art and entertainment venues (theatre or live music venues) or in video, television, or film production. In a theater production, lighting technicians work under the lighting designer and master electrician. In video, television, and film productions, lighting technicians work under the direction of the gaffer or chief lighting technician who takes their direction from the cinematographer. In live music, lighting technicians work under the lighting director. All heads of department report to the production manager. Responsibilities Lighting technicians are responsible for the movement and set up of various pieces of lighting equipment for separation of light and shadow or contrast, depth of field or visual effects. Lighting Technicians may also lay electrical cables, wire fixtures, install color effects or image pattern ...
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Gaffer (filmmaking)
In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production. The gaffer's assistant is the ''best boy electric''. Etymology There are several possible explanations for the history of the term Gaffer. One possibility is that the term originally referred to the moving of overhead equipment, or before electricity and in Shakespeare-era play theatres, lighting louvers to control lighting levels using a long pole with a wide grappling hook on its end, called a gaff. Another potential origin is as a contraction of " godfather", originally applied by country people to an elderly man, or one whose position entitled him to respect; the female equivalent was "gammer", a contraction of "godmother". Both words are found in the comic play '' Gammer Gurton's Needle'', printed in 1575 but possibly written earlier. In this etymology, "gaffer" later became used mo ...
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