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Matthaeus Pipelare
Matthaeus Pipelare ( – ) was a Netherlandish composer, choir director, and possibly wind instrument player of the Renaissance. He was from Louvain, and spent part of his early life in Antwerp. Unlike many of his contemporaries, many of whom traveled to Italy, Spain or elsewhere, he seems never to have left the Low Countries. In spring 1498 he became the choir director at the Illustrious Confraternity of Our Lady at 's-Hertogenbosch, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper. Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre motets related to those of Pierre de La Rue, an almost exact contemporary. He wrote 11 complete masses which have survived to modern times (although many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch School (music)
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish Composers
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indicatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1510s Deaths
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1450s Births
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{{Number disambiguation ...
145 may refer to: * 145 (number), a natural number *AD 145, a year in the 2nd century AD * 145 BC, a year in the 2nd century BC *145 (dinghy), a two-person intermediate sailing dinghy * 145 (South) Brigade * 145 (New Jersey bus) See also * List of highways numbered 145 The following highways are numbered 145: Australia * Lower Barrington Road, Paloona Road, Melrose Road, Bellamy Road, Forthside Road (Tasmania) * Inverleigh–Winchelsea Road (Victoria) Canada * Winnipeg Route 145 * New Brunswick Route 145 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Van Nevel
Paul Van Nevel (born 4 February 1946) is a Belgian conductor, musicologist and art historian. In 1971 he founded the Huelgas Ensemble, a choir dedicated to polyphony from the Middle Ages and the Renaissance. Van Nevel is known for hunting out little known polyphonic medieval works to perform. He grew up in a musical family. From the age of 11 to 18 he used to sing four hours a day. His father played violin and encouraged his son to play every instrument in the house. While his father loved Wagner, his son Paul favoured Béla Bartók. His nephew Erik Van Nevel is also a choral conductor. From 1969 to 1971 he studied early music at the Schola Cantorum Basiliensis in Switzerland. There he founded the Huelgas Ensemble, taking the name from the famous Codex Las Huelgas at the Cistercian monastery near Burgos which Van Nevel visited as a 24-year-old. He was able to spend two weeks studying the manuscript with the aid of a recommendation letter from the Belgian authorities. Van Nevel t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huelgas Ensemble
The Huelgas Ensemble is a Belgian early music group formed by the Flemish conductor Paul Van Nevel in 1971. The group's performance and extensive discography focuses on Renaissance polyphony. The name of the ensemble refers to a manuscript of polyphonic music, the Codex Las Huelgas. Van Nevel is noted for his style of performing many pieces with the singers and himself in a large circle, rotating, both in live performances (such as at the Rheingau Musik Festival where the pews had to be unbolted from the floor of the Basilika of Schloss Johannisberg in 2005), and in recordings around the microphone hovering above the center. In 2009, after 8 years with Harmonia Mundi of Bernard Coutaz, the group returned to the Sony Classical Group which celebrated the occasion with the reissue of a 15CD reissue box. Discography * 1977 – '' Johannes Heer et le chansonnier de Paris''. (LP). Alpha 260. * 1978 – ''Musique à la Cour de Chypre 1192-1489''. (LP). Alpha DB 264. * 1978 – Nethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé
Over 40 settings of the Ordinary of the Mass using the tune '' L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' (Antoine Busnois) * '' Missa L'homme armé'' (Guillaume Dufay) * '' Missa L'homme armé'' (Johannes Regis) (two: one lost) * '' Missa L'homme armé'' (Johannes Ockeghem) * '' Missa L'homme armé'' ( Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' (Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' (Jacob Obrecht) * '' Missa L'homme armé super voces musicales'' (Josquin des Prez) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (music)
In music, a sequence is the restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice.Benward and Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.111-12. Seventh Edition. . It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music ( Classical period and Romantic music). Characteristics of sequences: *Two segments, usually no more than three or four *Usually in only one direction: continuingly higher or lower *Segments continue by same interval distance It is possible for melody or harmony to form a sequence without the other participating. There are many types of sequences, each with a unique pattern. Listed below are some examples. Melodic sequences In a melody, a real sequence is a sequence where the subsequent segments are exact transpositions of the first segment, while a tonal sequence is a sequence where the subsequent segments are diatonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Urrede
Juan de Urrede (c.1430-after 1482, Salamanca, Spain) or Juan de Urreda was a Flemish singer and composer active in Spain in the service of the Duke of Alba and King Ferdinand and Queen Isabella. He was born Johannes de Wreede in Bruges. He composed several settings of the ''Pange Lingua Gloriosi Corporis Mysterium'', mostly based on the original Mozarabic melody composed by St. Thomas Aquinas. One of his compositions for four voices was widely performed in the sixteenth century, and became the basis for a number of keyboard works and masses by Spanish composers. Although he wrote sacred songs, he was better known for courtly songs. Works Urrede's music has been recorded and issued on media including: Cancionero de Segovia: ''Pange Lingua'' *''El Cancionero de la Catedral de Segovia'', The Segovia Cathedral Songbook, Ensemble Daedalus, Roberto Festa ''Nunca fue pena mayor'' (Never was there greater sorrow). Chanson. c.1470 for instruments *from the Cancionero de la Colombina 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
