Master Of The Von Groote Adoration
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Master Of The Von Groote Adoration
The Master of the Von Groote Adoration is a notname given to an artist or a number of artists or various workshops active in Antwerp sometime between 1500 and 1520.Meester van de Aanbidding Von Groote
at the
Whereas there are significant variations in the style of the works attributed to the master, the repetitions of certain subjects played an important role in the composition of the oeuvre. The master is considered a representative of the group of Antwerp mannerists who created works in an extravagant style in the early sixteenth century.
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1517 Tryptichon Mit Königsanbetung Und Alttestamentarischen Szenen Anagoria
Year 1517 ( MDXVII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events January–June * January 22 – Battle of Ridaniya: The Holy Ottoman army of the sultan Selim I defeat the Mamluk army in Egypt, under Tuman bay II. * February 3 – Cairo is captured by the Ottoman Empire, and the Mamluk Sultanate falls. * March 16 – The Fifth Council of the Lateran ends. * May 1 – Evil May Day: Xenophobic riots break out in London. July–December * August 15 – Portuguese merchant Fernão Pires de Andrade meets Ming Dynasty Chinese officials through an interpreter, at the Pearl River estuary and lands, at what is now in the jurisdiction of Hong Kong. Although the first European trade expeditions to China took place in 1513 and 1516 by Jorge Álvares and Rafael Perestrello, respectively, Andrade's mission is the first official diplomatic mission of a European power to China, comm ...
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Northern Renaissance
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps. From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renaissance, this period became the German, French, English, Low Countries, Polish Renaissances and in turn other national and localized movements, each with different attributes. In France, King Francis I imported Italian art, commissioned Italian artists (including Leonardo da Vinci), and built grand palaces at great expense, starting the French Renaissance. Trade and commerce in cities like Bruges in the 15th century and Antwerp in the 16th increased cultural exchange between Italy and the Low Countries, however in art, and especially architecture, late Gothic influences remained present until the arrival of Baroque even as painters increasingly drew on Italian models. Universities and the printed book helped spread the spirit of the age ...
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Flemish Renaissance Painters
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indicati ...
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Early Netherlandish Painters
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning See also * Earley (other) Earley is a town in England. Earley may also refer to: * Earley (surname), a list of people with the surname Earley * Earley (given name), a variant of the given name Earlene * Earley Lake, a lake in Minnesota *Earley parser, an algorithm *Earley ...
{{disambiguation, geo ...
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Master Of The Antwerp Adoration
The Master of the Antwerp Adoration (active 1500 – 1520) was a Flemish painter in the style of Antwerp Mannerism, whose compositions are typically filled with agitated figures in exotic, extravagant clothes. His notname is from a triptych showing the Adoration of the Magi, acquired by the Antwerp Museum of Fine Arts. He was active in Antwerp. He was identified by Max J. Friedlander as the same person as the Master of Linnich.Master of the Antwerp Adoration
in the (Netherlands Institute for Art History)
Little else is known. Despite various attempts to match him to recorded names of artists of the time, a leading scholar described the question of his identity in 2007 as "still up in smoke".


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Jan Van Dornicke
Jan van Dornicke was a South Netherlandish painter who was born in Doornik (nowadays also known as Tournai) in about 1470 and died about 1527. His first name is sometimes spelled "Janssone", and his last name is sometimes spelled "van Doornik" or "van Dornick". He was active in Antwerp from about 1509 to about 1525. His paintings are classified stylistically as Antwerp Mannerism, and he may be the same person as the Master of 1518 The Master of 1518 is a Flemish painter belonging to the stylistic school of Antwerp Mannerism. A group of unsigned paintings is attributed to this artist on stylistic grounds, and his name is derived from the date inscribed on the painted wings .... This Jan van Dornicke should not be confused with an eighteenth-century Dutch artist who had the same name. References * Witt Library, " A checklist of painters c. 1200–1976 represented in the Witt Library, Courtauld Institute of Art, London", Mansell Information Publishing, London, 1978. External ...
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Jan Mertens The Younger
Jan Mertens the Younger (died c. 1527) was a South Netherlandish painter, at the end of the period of Early Netherlandish painting. He was born and died in Antwerp. His father was the sculptor Jan Mertens the Elder, whose family is thought to have originated in Tournai. Mertens the Younger was apprenticed to the painter Jan Gossaert in 1505, and he became a master of the Antwerp painters' guild in 1509. He was the father-in-law (and perhaps teacher) of Pieter Coecke van Aelst, who married Mertens’s daughter Anna before 1526, and whose work has been used as the basis for the identification of Mertens with the Master of 1518, an Antwerp painter named after the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church, Lübeck. The sharp focus, lively narrative and exaggerated poses evident in the painted wings in Lübeck are characteristic of Antwerp Mannerism, but Mertens’s work is distinguished by its brilliant color ...
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Master Of 1518
The Master of 1518 is a Flemish painter belonging to the stylistic school of Antwerp Mannerism. A group of unsigned paintings is attributed to this artist on stylistic grounds, and his name is derived from the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church in Lübeck Germany. Although this artist’s identity is not known with certainty, some scholars believe that the Master of 1518 was either Jan Mertens the Younger or Jan van Dornicke Jan van Dornicke was a South Netherlandish painter who was born in Doornik (nowadays also known as Tournai) in about 1470 and died about 1527. His first name is sometimes spelled "Janssone", and his last name is sometimes spelled "van Doornik" o ..., or that all three were the same person. His paintings are primarily crowded depictions of religious scenes combining Gothic and Renaissance styles. He frequently incorporated elaborate clothing and architectural ruins. Referen ...
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Adriaen Van Overbeke
Adriaen van Overbeke, Adrian van Overbeck and Adriaen van Overbeke (''fl'' 1508 – 1529) was a Flemish Renaissance painter in the style of Antwerp Mannerism. He operated a large workshop with an important output of altarpieces, which were mainly exported to Northern France, the Rhineland and Westphalia.Adriaen van Overbeke
at the
His known works were predominantly polychromed wooden altarpieces with painted shutters, which were created through a collaboration between painters and sculptors.
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Jan De Beer (painter)
Jan de Beer, formerly known as the Master of the Milan Adoration (c. 1475 – 1528) was a Flemish painter, draughtsman and glass designer active in Antwerp at the beginning of the 16th century. He is considered one of the most important members of the loose group of painters active in and around Antwerp in the early 16th century referred to as the Antwerp Mannerists. Highly respected in his time, he operated a large workshop with an important output of religious compositions.Judith Niessen, ''Jan de Beer (Antwerpen circa 1475 - Antwerpen 1528)''
at the Boijmans van Beuningen Museum, 27 November 2012


Life

Jan de Beer was born around 1475 as the son of the painter Claes de Beer.
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Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ...
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