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Master Of The Housebook
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibitionThe majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausbuch Wolfegg 35r Bergwerk
Master of the Housebook and Master of the Amsterdam Cabinet are two names used for an engraver and painter working in South Germany in the last quarter of the 15th century. He is apparently the first artist to use drypoint, a form of engraving, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of drawings with watercolour, called the Medieval Housebook, which belonged to the German noble family of Waldburg-Wolfegg from the 17th century until 2008, when they were reported to have sold it for €20 million to a Swiss buyer; however, the legality of its sale for export has been challenged and, for the moment, it remains with the family. In 1999, the book was lent to the National Gallery of Art in Washington, D.C., for an exhibitionThe majority of his surviving prints are in the print room at the Rijksmuseum in Amsterdam, hence his second name. Most, but not all, art historians still agree that the Housebook and the prints are by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alloy
An alloy is a mixture of chemical elements of which at least one is a metal. Unlike chemical compounds with metallic bases, an alloy will retain all the properties of a metal in the resulting material, such as electrical conductivity, ductility, opacity (optics), opacity, and lustre (mineralogy), luster, but may have properties that differ from those of the pure metals, such as increased strength or hardness. In some cases, an alloy may reduce the overall cost of the material while preserving important properties. In other cases, the mixture imparts synergistic properties to the constituent metal elements such as corrosion resistance or mechanical strength. Alloys are defined by a metallic bonding character. The alloy constituents are usually measured by mass percentage for practical applications, and in Atomic ratio, atomic fraction for basic science studies. Alloys are usually classified as substitutional or interstitial alloys, depending on the atomic arrangement that forms the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhard Reuwich
Erhard Reuwich ( nl, Reeuwijk) was a Dutch artist, as a designer of woodcuts, and a printer, who came from Utrecht but then worked in Mainz. His dates and places of birth and death are unknown, but he was active in the 1480s. He came from a family of painters in Utrecht, and his father may have been Hildebrand Reuwich, who was Dean of the painters' guild there in 1470. He traveled on a pilgrimage to Jerusalem, which gave rise to his most famous work. It has been suggested that he was the Master of the Housebook, but this has not been generally accepted. Perhaps more likely is his identification as an engraver known as the ''Master of the Book of Reason''. ''Peregrinatio in Terram Sanctam'' The ''Peregrinatio in Terram Sanctam'' or ''Sanctae Peregrinationes'', an incunabulum account of a pilgrimage to Jerusalem, by Bernhard von Breydenbach, was published in 1486, with the illustrations drawn by Reuwich. Breydenbach was a wealthy canon of Mainz Cathedral who made the pilgrimage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanisches Nationalmuseum
The Germanisches National Museum is a museum in Nuremberg, Germany. Founded in 1852, it houses a large collection of items relating to German culture and art extending from prehistoric times through to the present day. The Germanisches National Museum is Germany's largest museum of cultural history. Out of its total holding of some 1.3 million objects (including the holdings of the library and the Department of Prints and Drawings), approximately 25,000 are exhibited. The museum is situated in the south of the historic city center between Kornmarkt and Frauentormauer along the medieval city wall. Its entrance hall is situated on Kartäusergasse which was transformed by the Israeli sculptor Dani Karavan to the Way of Human Rights (german: Straße der Menschenrechte). Name, establishment, guiding principles The Germanisches Museum, as it was named initially, was founded by a group of individuals led by the Franconian baron Hans von und zu Aufsess, whose goal was to assemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiburg Im Breisgau
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic German, Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the List of cities in Baden-Württemberg by population, fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the Southern Germany, south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg (Freiburg), Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and Roman Catholic Archdiocese of Freiburg, archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustiner Museum
The Augustiner Museum is a museum in Freiburg im Breisgau, Germany located in the former Augustinian Monastery building. It is undergoing an extensive renovation and expansion, the first phase of which ended in 2010.Augustinermuseum in Freiburg: Eine schöne Maschine Volker Bauermeister, '''', 24 March 2010. Retrieved 24 September 2010. The museum The museum is located in a former monastery which was rebuilt between 191 ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Städel
The Städel, officially the ''Städelsches Kunstinstitut und Städtische Galerie'', is an art museum in Frankfurt, with one of the most important collections in Germany. The Städel Museum owns 3,100 paintings, 660 sculptures, more than 4,600 photographs and more than 100,000 drawings and prints. It has around 4,000 m2 of display and a library of 115,000 books. The Städel was honoured as "Museum of the Year 2012" by the German art critics association AICA. In the same year the museum recorded the highest attendance figures in its history, of 447,395 visitors. In 2020 the museum had 318,732 visitors, down 45 percent from 2019, due to the COVID-19 pandemic. It ranked 71st on the list of most-visited art museums in 2020. History The Städel was founded in 1817, and is one of the oldest museums in Frankfurt's Museumsufer, or museum embankment. The founding followed a bequest by the Frankfurt banker and art patron Johann Friedrich Städel (1728–1816), who left his house, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotha (town)
Gotha () is the fifth-largest city in Thuringia, Germany, west of Erfurt and east of Eisenach with a population of 44,000. The city is the capital of the district of Gotha and was also a residence of the Ernestine Wettins from 1640 until the end of monarchy in Germany in 1918. The House of Saxe-Coburg and Gotha originating here spawned many European rulers, including the royal houses of the United Kingdom, Belgium, Portugal (until 1910) and Bulgaria (until 1946). In the Middle Ages, Gotha was a rich trading town on the trade route ''Via Regia'' and between 1650 and 1850, Gotha saw a cultural heyday as a centre of sciences and arts, fostered by the dukes of Saxe-Gotha. The first duke, Ernest the Pious, was famous for his wise rule. In the 18th century, the ''Almanach de Gotha'' was first published in the city. The publisher Justus Perthes and the encyclopedist Joseph Meyer made Gotha a leading centre of German publishing around 1800. In the early 19th century, Gotha was a bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Print
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concerned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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