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Master Of The Acquavella Still-Life
The Master of the Acquavella Still-Life was an Italian painter, in the Baroque style, who was active in Rome during the 1610s and 20s and specialized in still-lifes. Works The notname he has been given derives from his work, "Natura morta con vaso di fiori, frutta e frutti del campo" (Still-life with a Flower Vase, Fruit and Fruit of the Fields), which is currently in New York at the Acquavella Galleries. Based on an analysis of style, technique and materials, several other works have been assigned to the same artist. He painted with a remarkable attention to detail and filled his canvases with flowers and fruits until they seem to burst at the frame. His works are a perfect example of the opulent styles developed in Italy during the Baroque period, as opposed to the prevailing still-life style from the Netherlands, which is more restrained, with elements of morbidity related to the transience of life (hence the Italian term for still-life, "natura morta"; dead nature) The fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Acquavella Still Life - Still-Life With A Violinis - C
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player * Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood * Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization * Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel *Master (college), head of a college *Master (form of address), an English honorific for boys and young men * Master (judiciary), a judicial official in the courts of common law jurisdictions * Master mariner, a licensed mariner who is q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Acquavella Still Life - Grapes On The Vine, Pomegranates, Grapes, And Rosehips In A Basket With Other Fruit By A Putto
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player * Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood * Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization * Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel *Master (college), head of a college *Master (form of address), an English honorific for boys and young men * Master (judiciary), a judicial official in the courts of common law jurisdictions * Master mariner, a licensed mariner who is q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still-life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acquavella Galleries
Acquavella Galleries is an art gallery located at 18 East 79th Street between Madison and Fifth Avenues in the Upper East Side neighborhood of Manhattan, New York City. History Acquavella Galleries was founded at 598 Madison Avenue in 1921 by Nicholas Acquavella, a native of Naples who had come to the United States in 1919 and begun a private trade in Italian paintings. The gallery has since been operated by the Acquavella family. It originally specialized in works of the Italian Renaissance. Under Acquavella's leadership, the Acquavella Galleries introduced many leading American museums and collectors to Italian Renaissance and Baroque painting, and later to 19th- and 20th-century European masters. In 1960 William Acquavella joined his father and the focus of the gallery expanded to major works of the 19th and 20th centuries, including masters of Impressionism, Post-Impressionism, Surrealism and Cubism. William Acquavella's first real coup was buying 22 paintings in 1965 fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Forte
Luca Forte () was an Italian painter of the Baroque period, active mainly as a still-life painter in Naples. Born in Naples. Little documentary evidence exists about him. He was a witness to the marriage of Aniello Falcone in 1639, and collaborated on a project with Falcone. He specialized in still lifes, often rich in fruits, as opposed to flowers. Among other contemporary still-life painters active in Naples of his day were Paolo Porpora, Giovanni Battista Ruoppolo, and Pietro Paolo Bonzi Pietro Paolo Bonzi (c. 1576–1636), also known as ''il Gobbo dei Carracci'' (hunchback of the Carracci) or ''il Gobbo dei Frutti'' (of fruits), was an Italian painter, best known for his landscapes and still-lifes. A cartoon of the painter sho .... References Grove encyclopedia of Art abstract. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Caroselli
Angelo Caroselli or Carosèlli (11 February 1585 – 8 April 1652) was an Italian painter of the Baroque period, active mainly in his native Rome. He created religious works, allegories, portraits as well as genre scenes in the vein of the Caravaggisti. He also returned regularly to scenes of witchcraft and sorcery.Attributed to Angelo Caroselli, ''An allegory of love with a singing violinist and a courtesan with coins in her palm'' at Sotheby's His style is eclectic style and shows influences principally from and the painters of 'low-life' scenes active in Rome c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Crescenzi
Giovanni Battista Crescenzi (1577–1635) was an Italian painter and architect of the early- Baroque period, active in Rome and Spain, where he helped decorate the pantheon of the Spanish kings at El Escorial. He rose to prominence as an artist during the reign of Pope Paul V, but by 1617 had moved to Madrid, and from 1620 on, he was active in El Escorial. Philip III of Spain awarded him the title of ''Marchese de la Torre'', ''Knight of Santiago''. His family was a prominent Roman family. His brother, Pier Paolo Crescenzi, was a cardinal. He married Anna Massima, and his son, Alessandro Agostino, became cardinal in 1675, while a distant nephew, Marcello, became cardinal in 1743. Among his pupils were Bartolomeo Cavarozzi, Juan Fernández, and Antonio de Pereda Antonio de Pereda y Salgado ( – January 30, 1678) was a Spanish Baroque-era painter, best known for his still lifes. Biography Pereda was born in Valladolid, the eldest of three brothers from an artistic famil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Paolini
Pietro Paolini, called il Lucchese (3 June 1603 – 12 April 1681) was an Italian painter of the Baroque period. Working in Rome, Venice and finally his native Lucca, he was a follower of Caravaggio to whose work he responded in a very personal manner. He founded an Academy in his hometown, which formed the next generation of painters of Lucca.Mark MacDonnell, ''Pietro Paolini, Portrait of a Young Page'' at Dorotheum Life Pietro Paolini was born in , as the youngest son of Tommaso Paolini and Ginevra Raffaelli. His family was well-off as his mother wa ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zeri
Federico Zeri (12 August 1921 – 5 October 1998) was an Italian art historian specialised in Italian Renaissance painting. He wrote for the Italian newspaper '' La Stampa'', and was a well known television-personality in Italy. Zeri was born in central Rome, and graduated from Sapienza University of Rome in 1945. Not wishing to enter the academic world, he worked in the Ministry of Public Education until 1952. In 1948 he was nominated director of Galleria Spada in Rome. In 1963 Zeri was among the founding members of the Getty Villa's board of trustees. He left in 1984, after his argument that the Getty kouros was a forgery and should not be bought, was rejected. Following this episode, Zeri became notorious for denouncing forgeries and mis-attributions. In 1984, when four students in Livorno hoaxed both the city and Modigliani experts into believing that a group of sculptures they have made were authentic, he was one of the few who called on their amateurish style. Zeri al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Bouquet_of_Flowers_in_a_Ceramic_Vase.jpg "Click for more on -> Still-life")
