Master Polikarp's Dialog With Death
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Master Polikarp's Dialog With Death
Master Polikarp's Dialog with Death ( pl, Rozmowa Mistrza Polikarpa ze Śmiercią, la, De morte prologus, Dialogus inter Mortem et Magistrum Polikarpum) is a late medieval dialog in verse, written probably in the early 15th century. Master Polikarp's Dialog with Death is now regarded as one of the most important examples of medieval poetry in the Polish language. Its author is unknown, but after discovering the complete, printed version from 1542, some historians speculate that Mikołaj Rej rewrote the original text for print. One of the unique features of the work is its use of humour. The dialog mocks monks and priests, inn-keepers, fat women, dishonest physicians and unjust judges. The work is patterned after the 12th century Latin poem ''Dialogus mortis cum homine'', and other such Latin-language publications popular in medieval Europe. Versions The original version of the dialogue has been lost; what remains is an incomplete copy from 1463-1465, belonging to Mikołaj ...
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Master Polikarp's Dialog With Death
Master Polikarp's Dialog with Death ( pl, Rozmowa Mistrza Polikarpa ze Śmiercią, la, De morte prologus, Dialogus inter Mortem et Magistrum Polikarpum) is a late medieval dialog in verse, written probably in the early 15th century. Master Polikarp's Dialog with Death is now regarded as one of the most important examples of medieval poetry in the Polish language. Its author is unknown, but after discovering the complete, printed version from 1542, some historians speculate that Mikołaj Rej rewrote the original text for print. One of the unique features of the work is its use of humour. The dialog mocks monks and priests, inn-keepers, fat women, dishonest physicians and unjust judges. The work is patterned after the 12th century Latin poem ''Dialogus mortis cum homine'', and other such Latin-language publications popular in medieval Europe. Versions The original version of the dialogue has been lost; what remains is an incomplete copy from 1463-1465, belonging to Mikołaj ...
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Poznań
Poznań () is a city on the River Warta in west-central Poland, within the Greater Poland region. The city is an important cultural and business centre, and one of Poland's most populous regions with many regional customs such as Saint John's Fair (''Jarmark Świętojański''), traditional Saint Martin's croissants and a local dialect. Among its most important heritage sites are the Renaissance Old Town, Town Hall and Gothic Cathedral. Poznań is the fifth-largest and one of the oldest cities in Poland. As of 2021, the city's population is 529,410, while the Poznań metropolitan area (''Metropolia Poznań'') comprising Poznań County and several other communities is inhabited by over 1.1 million people. It is one of four historical capitals of medieval Poland and the ancient capital of the Greater Poland region, currently the administrative capital of the province called Greater Poland Voivodeship. Poznań is a center of trade, sports, education, technology and touri ...
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History Of Poland
The history of Poland spans over a thousand years, from medieval tribes, Christianization and monarchy; through Poland's Golden Age, expansionism and becoming one of the largest European powers; to its collapse and partitions, two world wars, communism, and the restoration of democracy. The roots of Polish history can be traced to ancient times, when the territory of present-day Poland was settled by various tribes including Celts, Scythians, Germanic clans, Sarmatians, Slavs and Balts. However, it was the West Slavic Lechites, the closest ancestors of ethnic Poles, who established permanent settlements in the Polish lands during the Early Middle Ages.. The Lechitic Western Polans, a tribe whose name means "people living in open fields", dominated the region and gave Poland - which lies in the North-Central European Plain - its name. The first ruling dynasty, the Piasts, emerged in the 10th century AD. Duke Mieszko I is considered the ''de facto'' creator of the Polish sta ...
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Dialogues
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahabhara ...
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Christian Art About Death
Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term ''mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. Today, about 37% of all Christians live in the Ameri ...
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Biblical Poetry
The ancient Hebrews identified poetical portions in their sacred texts, as shown by their entitling as "songs" or as " chants" passages such as Exodus 15:1-19 and Numbers 21:17-20; a song or chant () is, according to the primary meaning of the term, poetry. The question as to whether the poetical passages of the Old Testament show signs of regular rhythm or meter remains unsolved. Many of the features of Biblical poetry are lost when the poems are translated to English. Characteristics of Ancient Hebrew poetry Unusual forms The employment of unusual forms of language cannot be considered as a sign of ancient Hebrew poetry. In and elsewhere the form occurs. But this form, which represents partly and partly , has many counterparts in Hebrew grammar, as, for example, instead of ; or = "them"; or = "their"; or = "to them"—forms found in passages for which no claim to poetical expressions is made. Then there are found = "beast", = "tying", and = "salvation"—th ...
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Biblical Exegesis
Biblical criticism is the use of critical analysis to understand and explain the Bible. During the eighteenth century, when it began as ''historical-biblical criticism,'' it was based on two distinguishing characteristics: (1) the concern to avoid dogma and bias by applying a neutral, non-sectarian, reason-based judgment to the study of the Bible, and (2) the belief that the reconstruction of the historical events behind the texts, as well as the history of how the texts themselves developed, would lead to a correct understanding of the Bible. This sets it apart from earlier, pre-critical methods; from the anti-critical methods of those who oppose criticism-based study; from later post-critical orientation, and from the many different types of criticism which biblical criticism transformed into in the late twentieth and early twenty-first centuries. Most scholars believe the German Enlightenment () led to the creation of biblical criticism, although some assert that its roots ...
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Santa Muerte
''Nuestra Señora de la Santa Muerte'' (; Spanish for Our Lady of Holy Death), often shortened to Santa Muerte, is a cult image, female deity, and folk saint in folk Catholicism and Religion in Mexico, Mexican Modern Paganism, Neopaganism. A personification of death, she is associated with healing, protection, and safe delivery to the afterlife by her devotees. Despite condemnation by leaders of the Catholic Church, and more recently Evangelicalism, evangelical movements, her Cult (religious practice), following has become increasingly prominent since the turn of the 21st century. Originally appearing as a male figure, Santa Muerte now generally appears as a skeletal female figure, clad in a long robe and holding one or more objects, usually a scythe and a globe. Her robe can be of any color, as more specific images of the figure vary widely from devotee to devotee and according to the rite being performed or the petition being made. The following of Santa Muerte began in Mexico ...
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Morana (goddess)
Marzanna (in Polish), Morė (in Lithuanian), Marena (in Russian), Mara (in Ukrainian), Morana (in Czech, Slovene and Serbo-Croatian), Morena (in Slovak and Macedonian) or Mora (in Bulgarian) is a pagan Slavic goddess associated with seasonal rites based on the idea of death and rebirth of nature. She is an ancient goddess associated with winter's death, rebirth and dreams. In ancient Slavic rites, the death of the Goddess Marzanna at the end of winter becomes the rebirth of Spring of the Goddess Kostroma (Russian), Lada or Vesna representing the coming of Spring. Some medieval Christian sources such as the Czech 13th century Mater Verborum compare her to the Greek goddess Hecate, associating her with sorcery. 15th century Polish chronicler Jan Długosz likened her in his ''Annales'' to Ceres, the Roman goddess of agriculture (together with another Slavic goddess Dziewanna). Lithuanian, Latvian and some Estonian sources, dated between the 13th and 14th century, note the worsh ...
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Death (personification)
Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (usually depicted as a berobed skeleton wielding a scythe) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, or Santa Muerte in Mexico). By region Americas Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, ''muerte,'' is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictl ...
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Danse Macabre
The ''Danse Macabre'' (; ) (from the French language), also called the Dance of Death, is an artistic genre of allegory of the Late Middle Ages on the universality of death. The ''Danse Macabre'' consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and laborer. The effect was both frivolous, and terrifying; beseeching its audience to react emotionally. It was produced as ''memento mori'', to remind people of the fragility of their lives, and how vain were the glories of earthly life. Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now-lost mural at Holy Innocents' Cemetery in Paris dating from 1424 to 1425. Background Historian Francis Rapp (1926–2020) writes that "''Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patro ...
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Old Polish
The Old Polish language ( pl, język staropolski, staropolszczyzna) was a period in the history of the Polish language between the 10th and the 16th centuries. It was followed by the Middle Polish language. The sources for the study of the Old Polish language are the data of the comparative-historical grammar of Slavic languages, the material of Polish dialects, several Latin manuscripts with Polish glosses, as well as – most importantly – monuments written in Old Polish: the Holy Cross Sermons ( pl, Kazania świętokrzyskie), the Florian Psalter (), Bogurodzica (), the Sharoshpatak Bible ( or ) and some others. The Old Polish language was spoken mainly on the territory of modern Poland. It was the main vernacular of medieval Polish states under the Piasts and early Jagiellons, although it was not the state language (that being Latin). History The Polish language started to change after the baptism of Poland, which caused an influx of Latin words, such as ''kościół' ...
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