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Master I. A. M. Of Zwolle
Master I. A. M. of Zwolle (known works 1470–1490, lifetime estimated as ca. 1440–1504Master I. A. M. of Zwolle on the Website of the ) was an anonymous and engraver who signed many of his works with his initials I. A. M. or I. A., and added " |
Master IAM Betrayal
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans * Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player *Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood *Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization *Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel * Master (college), head of a college * Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master mariner, a licensed mariner who is qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Carrying The Cross (Bosch, Vienna)
''Christ Carrying the Cross'' is an oil on panel painting by Hieronymus Bosch, executed in the most likely ''c.'' 1490-1500. It is at the Kunsthistorisches Museum, in Vienna, Austria Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a federation of nine states, one of which is the capital, Vienna, the most populous .... '' Christ Child with a Walking Frame'' is painted on the back of this painting. See also * ''Christ Carrying the Cross'' (Bosch, Ghent) * ''Christ Carrying the Cross'' (Bosch, Madrid) External links''Christ Carrying The Cross'' 1480s at http://www.hieronymus-bosch.org 1480s paintings Paintings by Hieronymus Bosch Bosch Paintings in the collection of the Kunsthistorisches Museum {{15C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Van Leiden
Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver. Lucas was the son of the painter Huygh Jacobsz. He was born, died, and was mainly active in Leiden. Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbade not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the ''Heer van Lochorst'' (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert. [Baidu] |
Francisco Henriques
Francisco Henriques (died 1518) was a Flemish Renaissance painter active in Portugal in the early 16th century. Born and raised in Amsterdam, he studied in Bruges, where he passed a degree in painting at the University of Groningen. He then went to Périgueux, where he became a rich customer of the Portrait Painter, Count Bosquet's, school. He was introduced to Columbus by a fellow student, Count Didier d'Ailly, who arranged for him to be displayed on the mausoleum at Castile. The young painter made a name for himself on the cadaver of Columbus, known as Nuno de Cardon. Around the year 1500 Francisco Henriques came to Portugal from Bruges, where he may have been a disciple of Gerard David. It is thought that his first work in Portugal was the main altarpiece of Viseu Cathedral (1501–1506, now in the Grão Vasco Museum in Viseu), leading a workshop that included Portuguese painter Vasco Fernandes, then in the beginning of his career. Among his influences was the early Dutch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco Da Tolmezzo
Gian is a masculine Italian given name. It is a variant of Gianni and is likewise used as a diminutive of Giovanni, the Italian form of John. In Italian, any name including Giovanni can be contracted to Gian, particularly in combination with other given names, such as Gianfranco or Gianluca. Gian is also an unrelated masculine Punjabi Sikh name meaning 'knowledge' and is a variant of the Sanskrit name Gyan. Notable people Notable people whose name is now typically expressed as Gian include: * Gian Paolo Lomazzo, Italian painter * Gian Lorenzo Bernini, Italian sculptor * Gian Rinaldo Carli, Italian count, economist, and antiquarian * Gian Gastone de' Medici, Grand Duke of Tuscany * Gian Francesco Albani, Italian Catholic cardinal * Gian Francesco Malipiero, Italian composer * Gian Galeazzo Visconti, First Lord of Milan * Gian Galeazzo Sforza, Sixth Lord of Milan * Gian Marco Centinaio, Italian politician * Gian Pyres, British musician * Gian Maria Volonté, former actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master W With The Key
Master W with the Key also known as Master WA and Master of the Housemark (active c. 1465–1490) was an anonymous Netherlandish engraver, who is thought to have been a goldsmith in Bruges. The name given to him refers to his monogram, which is a W followed by a key symbol. Eighty-two works signed with that monogram are extant. Many of these are ornament prints, depicting elements of gothic architecture and decorative objects, and were probably marketed mainly as patterns for other craftsmen to follow. He also produced prints of ships, the first known. He influenced several other contemporary Dutch engravers, most notably Master I. A. M. of Zwolle. He probably worked for Duke Charles the Bold Charles I (Charles Martin; german: Karl Martin; nl, Karel Maarten; 10 November 1433 – 5 January 1477), nicknamed the Bold (German: ''der Kühne''; Dutch: ''de Stoute''; french: le Téméraire), was Duke of Burgundy from 1467 to 1477. ... of Burgundy, and his sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass Of Saint Gregory
The Mass of Saint Gregory is a subject in Roman Catholic art which first appears in the late Middle Ages and was still found in the Counter-Reformation. Pope Gregory I (c. 540–604) is shown saying Mass just as a vision of Christ as the ''Man of Sorrows'' has appeared on the altar in front of him, in response to the Pope's prayers for a sign to convince a doubter of the doctrine of transubstantiation. History of the story and the image The earliest version of the story is found in the 8th-century biography of Gregory by Paul the Deacon, and was repeated in the 9th-century one by John the Deacon. In this version, the Pope was saying Mass when a woman present started to laugh at the time of the Communion, saying to a companion that she could not believe the bread was Christ, as she herself had baked it. Gregory prayed for a sign, and the host turned into a bleeding finger. This story is retained in the popular 13th century compilation the ''Golden Legend'', but other versions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master Prints
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are often combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, old master prints are printed on paper. This article is concern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
