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Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione - Beheading Of St John The Baptist - WGA21701
Massimo, also Massimino, and Massimine () is a masculine Italian given name. Notable people with the name include: Given name: *Massimo Agostinelli (Max Agos) (born 1987), Swiss based Italian American artist, entrepreneur and activist *Massimo Agostini (born 1964), Italian football manager and former striker *Massimo Alioto (born 1972), associate professor of Electrical and Computer Engineering at the National University of Singapore *Massimo Allevi (born 1969), former Italian pole vaulter *Massimo Ambrosini Cavaliere OMRI (born 1977), Italian former professional footballer * Massimo De Ambrosis (born 1964), Italian actor and voice actor *Massimo Amfiteatrof (1907–1990), Russian-born Italian cellist * Paolo Massimo Antici (1924–2003), Italian diplomat, founder of the Antici Group *Massimo Aparo (born 1953), Italian nuclear engineer *Massimo Apollonio (born 1970), former Italian racing cyclist *Massimo Ardinghi (born 1971), former professional tennis player from Italy *Massimo Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orders, Decorations, And Medals Of The Holy See
The orders, decorations, and medals of the Holy See include titles, chivalric orders, distinctions and medals honoured by the Holy See, with the Pope as the fount of honour, for deeds and merits of their recipients to the benefit of the Holy See, the Catholic Church, or their respective communities, societies, nations and the world at large. Some of these honours are defunct or currently dormant, while some are still actively conferred. Chivalric orders ''Papal orders of knighthood'' or ''Pontifical orders of knighthood'' are orders of knighthood bestowed in the name of the Pope of the Catholic Church by his authority as head of the Holy See and sovereign of the Vatican City State. Historically, membership in these orders was either conferred by Papal bulls not signed by the Pope or by apostolic letters signed by the Pope himself. Since the reforms of these orders in the beginning of the 20th century, the diplomas have been signed by the Cardinal Secretary of State. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David With The Head Of Goliath (Massimo Stanzione)
''David with the Head of Goliath'' is a painting by Italian artist Massimo Stanzione, created ''c.'' 1642-1643. It is exhibited at the San Diego Museum of Art. History Caravaggio was an important influence in Stanzione’s artistic style and this painting illustrates a combination of styles from Caravaggio’s brutally realistic elements and dramatic lighting to classical 17th-century artistic trends including the lyrical style of Bologna artists. This painting shows David in an elegant posture, which softens the goriness, i.e. the dismembered head of Goliath. The theatrical lighting of this painting is a perfect demonstration of the chiaroscuro interpretation by Stanzione. Guido Reni and Caravaggio can be credited for Stanzione’s interpretation of chiaroscuro; they were supposedly his teachers. It was only after the painting was donated, that experts noticed under gallery lighting some aberrations in the canvas such as unevenness and crackle patterns. Those aberrations, along wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museu Nacional D'Art De Catalunya
The Museu Nacional d'Art de Catalunya (, English: "National Art Museum of Catalonia"), abbreviated as MNAC, is a museum of Catalan visual art located in Barcelona, Catalonia, Spain. Situated on Montjuïc hill at the end of Avinguda de la Reina Maria Cristina, near Pl Espanya, the museum is especially notable for its outstanding collection of romanesque church paintings, and for Catalan art and design from the late 19th and early 20th centuries, including modernisme and noucentisme. The museum is housed in the Palau Nacional, a huge, Italian-style building dating to 1929. The Palau Nacional, which has housed the Museu d'Art de Catalunya since 1934, was declared a national museum in 1990 under the Museums Law passed by the Catalan Government. That same year, a thorough renovation process was launched to refurbish the site, based on plans drawn up by the architects Gae Aulenti and Enric Steegmann, who were later joined in the undertaking by Josep Benedito. The Oval Hall was reopened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Agnes (Massimo Stanzione)
''Saint Agnes'' is a painting currently exhibited at the National Art Museum of Catalonia. Description A three-quarter length depiction of Agnes of Rome shows the saint in direct communication with God. Her head is slightly raised, her mouth half open, and the fingers of her hand are spread open over her heart while with her other hand she caresses the Mystic Lamb. Her neckline shifts sideways to reveal part of her shoulder, the highest degree of eroticism in the work of Stanzione.Museu Nacional d'Art de Catalunya: Guide, Barcelona: MNAC, 2005, P. 180-181 History The work was attributed to Massimo Stanzione ( Frattamaggiore 1585 - Naples 1656) in 1954 by José Milicua, who viewed it in the collection of Tomás Harris at that time.Caravaggio i la pintura realista europea / comissari José Milicua; coordinació científica María Margarita Cuyás. Barcelona: MNAC, 2005. Traducció a l'anglès p. 431-433 The work made its way to the collection of Santiago Espona who bequested i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as ''The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Merisi Da Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buen Retiro Palace
Buen Retiro Palace (Spanish: ''Palacio del Buen Retiro'') in Madrid was a large palace complex designed by the architect Alonso Carbonell (c. 1590–1660) and built on the orders of Philip IV of Spain as a secondary residence and place of recreation (hence its name). It was built in what was then the eastern limits of the city of Madrid. Today, what little remains of its buildings and gardens forms the Retiro Park. History Philip IV used to stay occasionally in some rooms annexed to the monastery of San Jerónimo el Real (close to the current location of the Prado Museum, which received the name of the ''Royal Quarters''. The reason for these frequent visits could be that the so-called ''Planet King'' particularly enjoyed walking in the attached farm, property of the Count-Duke of Olivares, his royal favourite and minister. Olivares, with the intention of pleasing the monarch, planned in 1629 and started in 1630 the construction of a series of offices and pavilions as an ext ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Van Honthorst
Gerard van Honthorst (Dutch: ''Gerrit van Honthorst''; 4 November 1592 – 27 April 1656) was a Dutch Golden Age painting, Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname ''Gherardo delle Notti'' ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Early life Van Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert.Brown (1997), p.62 Italy Having completed his education, Honthorst went to Italy, where he is first recorded in 1616. He was one of the artists from Utrecht who went to Rome at around this time, all of whom were to be deeply influenced by the recent art they encountered there. They were named Utrecht Caravaggism, the Utrecht ''caravaggisti''. The other th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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