|
Massenet Festival
Massenet Festival (''Festival Massenet'') is a biennale festival of music by French composer, Jules Massenet held in Saint-Étienne, France, close to the area where the composer was born. The first Massenet Festival took place in November 1990 when the opera ''Cléopâtre'' and the oratorio ''La Vierge'' were presented. In recent years, performances have been given in the Grand Théâtre Massenet, one of the theatres of the Opéra Théâtre de Saint-Etienne, and formerly known as L'Esplanade. History Appointed to run the Opéra de Saint-Etienne in 1986, Jean-Louis Pichon invited Jean-Pierre Jacquillat to become musical director. Shortly afterwards, the elderly widow of a chief electrician at the Théâtre Eden handed over a mass of rare vocal scores, which included '' Amadis'' by Massenet. Intrigued, Pichon obtained a conductor's score for Jacquillat, but the conductor was killed in a road accident that August and a replacement was needed urgently. Eventually Pichon found Patrick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biennale
Biennale (), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster). The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival). Characteristics According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as ur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esclarmonde
''Esclarmonde'' () is an opéra (french: opéra romanesque) in four acts and eight tableaux, with prologue and epilogue, by Jules Massenet, to a French libretto by Alfred Blau and Louis Ferdinand de Gramont. It was first performed at the Exposition Universelle on 15 May 1889 by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris. ''Esclarmonde'' is perhaps Massenet's most ambitious work for the stage and is his most ''Wagnerian'' in style and scope. In orchestral coloring and structure of melody, however, it follows French traditions. The opera has been revived sporadically in the modern era, most notably during the 1970s with Joan Sutherland, conducted by Massenet champion Richard Bonynge. The role of Esclarmonde is notoriously difficult to sing, with stratospheric coloratura passages that are possible for only the most gifted of performers. Background The story of the opera is based on the medieval chivalric tale '' Parthénopéus de Blois'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariane (Massenet)
''Ariane'' is an opera in five acts by Jules Massenet to a French libretto by Catulle Mendès after Greek mythology (the tale of Ariadne). It was first performed at the Palais Garnier in Paris on 31 October 1906, with Lucienne Bréval in the title role. History Although not a proper sequel, as Ariane dies in both pieces, Massenet's later opera, ''Bacchus'' is a companion to ''Ariane'', containing a number of common characters and the same librettist. ''Ariane'' has never maintained popularity and belongs to Massenet's later works that were considered outmoded for their date of composition. The piece did, however, inspire this quote from the great French composer Gabriel Fauré: "''Ariane'', a noble, great and moving work..." The opera was performed during Massenet's life-time, then was dropped from the repertoire, receiving only limited revivals in 1937 (21 February and 27 August 1937) at the Paris Opéra. Recently it has received performances in a new production at the Mass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roma (opera)
''Roma'' is an opera in five acts by Jules Massenet to a French libretto by Henri Cain based on the play '' Rome vaincue'' by Dominique-Alexandre Parodi. It was first performed at the Opéra de Monte Carlo on 17 February 1912. ''Roma'' was the last opera by Massenet to premiere in his lifetime. Three operas were subsequently premiered posthumously: '' Panurge'' (1913), ''Cléopâtre'' (1914) and '' Amadis'' (1922). The piece has not survived into the modern operatic repertoire, but has been revived recently and recorded by the Teatro la Fenice in Venice. Roles Synopsis The story takes place in Ancient Rome, following the Carthaginian triumph at the Battle of Cannae. Fausta, daughter of Fabius, has allowed the sacred fires to burn out at the Temple of Vesta The Temple of Vesta, or the aedes (Latin ''Aedes Vestae''; Italian: ''Tempio di Vesta''), is an ancient edifice in Rome, Italy. The temple is located in the Roman Forum near the Regia and the House of the Vestal Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi De Lahore
''Le roi de Lahore'' ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). ''Le roi de Lahore'' is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time. Performance history Within a year of the premiere the opera was performed, for instance, in Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879, and in 1906 it premiered in Monte Carlo. The US premiere took place in 1883 at the French Opera H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaïs (opera)
''Thaïs'' () is an opera, a ''comédie lyrique'' in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel ''Thaïs'' by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898. The work was first performed in Italy at the Teatro Lirico Internazionale in Milan on 17 October 1903 with Lina Cavalieri in the title role and Francesco Maria Bonini as Athanaël. In 1907, the role served as Mary Garden's American debut in New York in the U.S. premiere performance. ''Thaïs'' takes place in Egypt under the rule of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Campellone
Laurent Campellone (born January 23, 1972) is a French Conductor (music), conductor. Known around the world for his expertise in the French opera of the Romantic era music, Romantic era, he is often compared to Michel Plasson. Critics consider him today as "one of the best defenders in the world" of this repertoire. He is currently the General Manager of the Tours Opera, Opéra de Tours. Biography Studies Campellone first studied violin, tuba, percussion and singing. While completing his Philosophy studies, he trained as a conductor at the Conservatoire Frédéric Chopin in Paris. In 2001, he was awarded, by unanimous vote, the First Prize at the 8th edition of the EU Young Conductors international Competition, in Spoleto, Italy. Guest conductor Campellone has conducted over 300 different orchestra and lyric works in prestigious opera houses and with renowned orchestras, amongst which the Bolshoi Theatre, Bolshoi of Moscow, where he made his debut in 2012 with a new prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sapho (Massenet)
("lyric play", an opera in a declamatory style) in five acts. The music was composed by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel (1884) of the same name by Alphonse Daudet. It was first performed on 27 November 1897 by the Opéra Comique at the Théâtre Lyrique on the Place du Châtelet in Paris with Emma Calvé as Fanny Legrand. A charming and effective piece, the success of which is highly dependent on the charisma of its lead soprano, it has never earned a place in the standard operatic repertory. Performance history In its first production in 1897 ''Sapho'' was presented in a heavily truncated form of four tableaux, due to the limited availability of Calvé, as well as the approaching death of Daudet (who was a close friend of Massenet), and the acting deficiencies of the tenor Leprestre, who was playing the romantic lead role of Jean Gaussin. In this initial run at the Opéra-Comique, the opera received 42 performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Cid (opera)
''Le Cid'' is an opera in four acts and ten tableaux by Jules Massenet to a French libretto by Louis Gallet, Édouard Blau and Adolphe d'Ennery. It is based on the play of the same name by Pierre Corneille. It was first performed by a star-studded cast at the Paris Opéra on 30 November 1885 in the presence of President Grévy, with Jean de Reszke as Rodrigue. The staging was directed by Pedro Gailhard, with costumes designed by Comte Lepic, and sets by Eugène Carpezat (act 1), Enrico Robecchi and his student Amable (act 2), Auguste Alfred Rubé, Philippe Chaperon and their students Marcel Jambon (act 3), and Jean-Baptiste Lavastre (act 4). The opera had been seen 150 times by 1919 but faded from the repertory and was not performed again in Paris until the 2015 revival at the Palais Garnier. While ''Le Cid'' is not in the standard operatic repertory, the ballet suite is a popular concert and recording piece which includes dances from different regions of Spain. It was speciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panurge (opera)
''Panurge'' is an opera (titled 'Haulte farce musicale') in three acts by Jules Massenet to a French libretto by Georges Spitzmuller and Maurice Boukay, after ''Pantagruel'' by Rabelais. It was first performed at the Théâtre de la Gaîté in Paris on 25 April 1913, nearly a year after Massenet's death, one of three operas by the composer to have premiered posthumously, the others being ''Cléopâtre'' (1914) and '' Amadis'' (1922). Performance history It is one of Massenet's least known operas, but was revived at the Massenet Festival in St. Etienne in 1994 under conductor Patrick Fournillier. Harding quotes a reaction of Alfred Bruneau who declared that the libretto was not suited to Massenet's temperament and demanded music not of a Massenet, but of a Chabrier.Harding J. ''Massenet.'' J M Dent & Sons Ltd, London, 1970. Roles Synopsis Act 1 A crowd of townspeople have gathered outside the tavern of Alcofibras, the 'Hostellerie du Coq à l’Asne' in Les Halles Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Sapho (Massenet)")
