Mass Of Saint Gregory
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Mass Of Saint Gregory
The Mass of Saint Gregory is a subject in Roman Catholic art which first appears in the late Middle Ages and was still found in the Counter-Reformation. Pope Gregory I (c. 540–604) is shown saying Mass just as a vision of Christ as the ''Man of Sorrows'' has appeared on the altar in front of him, in response to the Pope's prayers for a sign to convince a doubter of the doctrine of transubstantiation. History of the story and the image The earliest version of the story is found in the 8th-century biography of Gregory by Paul the Deacon, and was repeated in the 9th-century one by John the Deacon. In this version, the Pope was saying Mass when a woman present started to laugh at the time of the Communion, saying to a companion that she could not believe the bread was Christ, as she herself had baked it. Gregory prayed for a sign, and the host turned into a bleeding finger. This story is retained in the popular 13th century compilation the ''Golden Legend'', but other versions ...
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Messe Des Hl Papstes Gregor Bode-Museum
Messe is a German word meaning trade fair; a German and a French word meaning mass (liturgy) and mass (music). Places Germany * Messe Erfurt, convention centre in Erfurt, Germany * Messe Frankfurt, convention centre operator in Frankfurt am Main, Germany * Messe München, convention centre operator in Munich, Germany * Hamburg Messe, convention centre operator in Hamburg, Germany * Messe Wien, convention centre in Vienna, Austria ** Messe-Prater station, subway station * Messezentrum Nuremberg, Nuremberg, Germany ** Messe (Nuremberg U-Bahn), subway station * Hannover Messe/Laatzen station, serving Hannover Messe Japan * Makuhari Messe, a convention centre in Chiba City, Chiba * Toki Messe, a convention centre in Niigata, Niigata Prefecture * Osaka Auto Messe, an annual auto show that is held at Intex Osaka Other places * Messé, France * Messe (Greece), a town of ancient Greece Music * Mass (music) * '' Messe I.X–VI.X'', a 2013 album by Norwegian band Ulver * Musikmesse, ...
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Orvieto Cathedral
Orvieto Cathedral ( it, Duomo di Orvieto; Cattedrale di Santa Maria Assunta) is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986, the cathedral in Orvieto has been the episcopal seat of the former Diocese of Todi as well. The building was constructed under the orders of Pope Urban IV to commemorate and provide a suitable home for the Corporal of Bolsena, the relic of miracle which is said to have occurred in 1263 in the nearby town of Bolsena, when a traveling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the Chapel of the Corporal inside the cathedral. Situated in a position dominating the town of Orvieto which sits perched on a volcanic plug, the cathedral's façade is a classic piece of religious construction, containing elements of design from th ...
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Penitential Psalms
The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms Psalm 6, 6, Psalm 32, 31, Psalm 38, 37, Psalm 51, 50, Psalm 102, 101, Psalm 130, 129, and Psalm 143, 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering). *Psalm 6 – Domine, ne in furore tuo arguas me. (Pro octava). (O Lord, rebuke me not in thy indignation. (For the octave.)) *Psalm 31 (32) – Beati quorum remissae sunt iniquitates. (Blessed are they whose iniquities are forgiven.) *Psalm 37 (38) – Domine ne in furore tuo arguas me. (in rememorationem de sabbato). (O Lord, rebuke me not in thy indignation. (For a remembrance of the Sabbath.)) *Psalm 50 (51) – Miserere mei, Deus, secundum magnam misericordiam tuam. (Have mercy on me, O God, according to thy great mercy.) *Psalm 101 (102) – Domine, exaudi orationem meam, et clamor meus ad te veniat. (O Lord, hear my prayer, and let my cry come unto thee.) *Psalm 129 (130) – De profundis clama ...
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Hours Of The Cross
An hour (symbol: h; also abbreviated hr) is a unit of time conventionally reckoned as of a day and scientifically reckoned between 3,599 and 3,601 seconds, depending on the speed of Earth's rotation. There are 60 minutes in an hour, and 24 hours in a day. The hour was initially established in the ancient Near East as a variable measure of of the night or daytime. Such seasonal, temporal, or unequal hours varied by season and latitude. Equal or equinoctial hours were taken as of the day as measured from noon to noon; the minor seasonal variations of this unit were eventually smoothed by making it of the mean solar day. Since this unit was not constant due to long term variations in the Earth's rotation, the hour was finally separated from the Earth's rotation and defined in terms of the atomic or physical second. In the modern metric system, hours are an accepted unit of time defined as 3,600 atomic seconds. However, on rare occasions an hour may incorporate a positive ...
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Books Of Hours
The book of hours is a Christian devotional book used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images. Books of hours were usually written in Latin (the Latin name for them is ''horae''), although there are many entirely or partially written in vernacular European languages, especially Dutch. The closely related p ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Miniature (illuminated Manuscript)
A miniature (from the Latin verb ''miniare'', "to colour with ''minium''", a red lead) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment. The generally small scale of such medieval pictures has led to etymological confusion with minuteness and to its application to small paintings, especially portrait miniatures, which did however grow from the same tradition and at least initially used similar techniques. Apart from the Western, Byzantine and Armenian traditions, there is another group of Asian traditions, which is generally more illustrative in nature, and from origins in manuscript book decoration also developed into single-sheet small paintings to be kept in albums, which are also called miniatures, as the Western equivalents in watercolor and other mediums are not. These include Arabic miniatures, and their Persian, Mughal, Ottoman and ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Arma Christi
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels. History The prime member, the Cross, had been introduced to Christian art in the 4th century as the ''crux invicta'', a symbol of victory. As a group they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller. This reflected an increase in theological interest in the sufferings of Christ at the ...
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Indulgence
In the teaching of the Catholic Church, an indulgence (, from , 'permit') is "a way to reduce the amount of punishment one has to undergo for sins". The '' Catechism of the Catholic Church'' describes an indulgence as "a remission before God of the temporal punishment due to sins whose guilt has already been forgiven, which the faithful Christian who is duly disposed gains under certain prescribed conditions through the action of the Church which, as the minister of redemption, dispenses and applies with authority the treasury of the satisfactions of Christ and all of the saints". The recipient of an indulgence must perform an action to receive it. This is most often the saying (once, or many times) of a specified prayer, but may also include a pilgrimage, the visiting of a particular place (such as a shrine, church or cemetery) or the performance of specific good works. Indulgences were introduced to allow for the remission of the severe penances of the early church and gra ...
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Micromosaic
Micromosaics (or micro mosaics, micro-mosaics) are a special form of mosaic that uses unusually small mosaic pieces (tesserae) of glass, or in later Italian pieces an enamel-like material, to make small figurative images. Surviving ancient Roman mosaics include some very finely worked panels using very small tesserae, especially from Pompeii, but only from Byzantine art are there mosaic icons in micromosaic with tesserae as small as the best from the Modern period. Byzantine examples, which are very rare, were religious icons. They are usually framed and treated like portable paintings. Byzantine survivals Byzantine micromosaics, usually all attributed to Constantinople, apparently all or nearly all come from the Late Byzantine period, from around 1300 until the Fall of Constantinople in 1453. The best known shows the Twelve Great Feasts of the Greek Orthodox Church and is in the Bargello in Florence. It is said to have been given to the Florence Baptistry in 1394 by the wi ...
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Gertrud Schiller
Gertrud Schiller (7 January 1905 – 4 December 1994) was a German art historian, nurse, social pedagogue and Lutheran teacher of religion. Despite not having a doctorate in art history, she wrote what remains a standard work on Christian iconography. Schiller received an honorary doctorate from the Kirchliche Hochschule Berlin in 1979. Life Schiller was born on 7 January 1905 in Beerbach (now part of Lauf an der Pegnitz), the daughter of the pastor and later dean Wilhelm Heinrich Schiller and his wife Elise Anna Margaretha Schiller, née Kübel. She grew up in Beerbach and Augsburg. From 1915 she attended the Anna Barbara von Stettensches Institut, a Höhere Mädchenschule in Augsburg, which did not allow its students to take the Abitur. This meant that she could not study art history at university. During First World War, she suffered the death of cousins and uncles. In 1923, she attended a household school (''Haushaltsschule'') in Munich and then learned nursing care at t ...
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