Mass In G Minor (Vaughan Williams)
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Mass In G Minor (Vaughan Williams)
The Mass in G minor is a choral work by Ralph Vaughan Williams written in 1921. It is the first Mass written in a distinctly English manner since the sixteenth century. The composer dedicated the piece to Gustav Holst and the Whitsuntide Singers at Thaxted in north Essex, but it was first performed by the City of Birmingham Choir on 6 December 1922. Though the first performance was in a concert venue Vaughan Williams intended the Mass to be used in a liturgical setting. R.R Terry directed its first liturgical performance at Westminster Cathedral. It is written for unaccompanied double choir and four soloists, and divided into five movements: # Kyrie # Gloria in excelsis # Credo # Sanctus Osanna I - Benedictus - Osanna II # Agnus Dei The work has been described as spirituality reminiscent of William Byrd and his contemporaries, and might be thought of as a vocal equivalent to the '' Tallis Fantasia'', with its double choir and four soloists mirroring the Fantasia's double st ...
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Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ...
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Masses (music)
Mass is the quantity of matter in a physical body and a measure of the body's inertia. Mass or Maß may also refer to: Arts, entertainment, and media Music *Mass (music), a choral composition that sets liturgical text to music * ''Mass'' (Stravinsky), a composition by Igor Stravinsky * ''Mass'' (Bernstein), a musical theater work by Leonard Bernstein *Mass (English band), a post-punk band * ''Mass'' (Grotus album), 1996 * ''Mass'' (Alastair Galbraith album), 2011 * ''Mass'' (The Gazette album), 2021 * ''The Mass'' (album), by musical project Era Other uses in arts, entertainment, and media * ''Mass'' (2004 film), Indian Telugu-language film * ''Mass'' (2021 film), American drama film * ''Mass'' (novel), a 1973 novel by Filipino author F. Sionil José * Mass media, communication channels which can reach huge numbers of people * ''The Masses'', a socialist magazine published in the US from 1911 to 1917 Military *MASS (decoy system), a naval defence system *M26 Modular Accessory ...
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Compositions By Ralph Vaughan Williams
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Royal Hospital Chelsea
The Royal Hospital Chelsea is a retirement home and nursing home for some 300 veterans of the British Army. Founded as an almshouse, the ancient sense of the word "hospital", it is a site located on Royal Hospital Road in Chelsea. It is an independent charity and relies partly upon donations to cover day-to-day running costs to provide care and accommodation for veterans. Residents are known as Chelsea Pensioners. The gardens of the Royal Hospital are Grade II listed on the Register of Historic Parks and Gardens. History King Charles II founded the Royal Hospital as a retreat for veterans in 1682.Guidebook, p. 3 The initiative is said to have come from Nell Gwyn according to Peter Cunningham's "The Story of Nell Gwyn" 851 The tradition was perpetuated when her portrait was used as a sign for a public house in Grosvenor Row (a thoroughfare which disappeared in the 19th century). The provision of a hostel rather than the payment of pensions was inspired by Les Invalides in P ...
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Maurice Jacobson
Maurice Jacobson Officer of the Order of the British Empire, OBE (1 January 1896 – 2 February 1976) was an English pianist, composer, music publisher and music festival judge. He was also director and later chairman of the music publishing firm Curwen Press, J. Curwen & Sons. Jacobson was born in London on 1 January 1896 into a Judaism, Jewish family. He won a scholarship to study piano at London's Modern School of Music (which led to him receiving lessons from Busoni), then composition at the Royal College of Music under Charles Villiers Stanford and Gustav Holst until 1923. That year Jacobson adapted Ralph Vaughan Williams, Vaughan Williams' Mass in G minor (Vaughan Williams), Mass in G minor (in English) for liturgical use. He married Constance Suzannah Wasserzug (1903-1988) and there was two sons, Michael and Julian. The couple were friendly with the poet Stevie Smith, who they met in Aylesbury while Maurice was conducting the Aylesbury Choral Society. But the friendship en ...
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Fantasia On A Theme By Thomas Tallis
''Fantasia on a Theme by Thomas Tallis'', also known as the ''Tallis Fantasia'', is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries. Background and first performance Vaughan Williams did not achieve wide recognition early in his career as a composer, but by 1910, in his late thirties, he was gaining a reputation. In that year the Three Choirs Festival commissioned a work from him, to be premiered in Gloucester Cathedral; this represented a considerable boost to his standing. He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's". It is based on a tune by ...
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William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ...
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Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ...
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Sanctus
The Sanctus ( la, Sanctus, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' ( el, ἐπινίκιος ὕμνος, "Hymn of Victory") when referring to the Greek rendition. In Western Christianity, the ''Sanctus'' forms part of the Ordinary and is sung (or said) as the final words of the Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Holy Anaphora. ''Tersanctus'' ("Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. Text In Greek ''Hágios, hágios, hágios, Kýrios Sabaṓth; plḗrēs ho ouranós kaí hē gê ...
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Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development. The subsequent inspiration of the English folk music#Folk revivals 1890–1969, English folksong revival of the early 20th century, and the example of such rising modern composers as Maurice Ravel, led Holst to develop and refine an individual style. There were professional musicians in the previous three generations of Holst's family and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father's reservations, he pursued a car ...
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