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Mass No. 1 (Schubert)
Mass No. 1 in F major, 105, is a mass composed by Franz Schubert in 1814. It is scored for two soprano soloists, two tenor soloists, alto and bass soloists, SATB choir, oboe, clarinet, bassoon, 2 horns, violin I and II, viola, and (cello, double bass and organ). It was the first of Schubert's masses to be performed, and is of the ' type. Background The mass was composed for the centennial celebration of the parish church of Lichtental, now part of Vienna. The Schuberts' family church, it is also known as ' (Schubert church). Schubert received an invitation to compose a mass for the anniversary in May 1814. The premiere was conducted on 25 September with an estimated 62 performers, a large contingent for contemporary performances. The composer's brother Ferdinand played the organ, Michael Holzer served as choirmaster, Joseph Mayseder served as concertmaster, Therese Grob sang the soprano solo, and Schubert conducted. Schubert's teacher Antonio Salieri may have attended th ...
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Lichtental Church
The Lichtental Parish Church () is the Roman Catholic parish church of Lichtental, now part of Vienna, Austria. Officially the ', it is dedicated to the Fourteen Holy Helpers. The church has elements of Baroque and Neoclassical architecture. It is also known as the ' (Schubert Church), because Franz Schubert was baptised there in 1797 and wrote several compositions for use in the church, including his first mass for the centenary, first performed on 25 September 1814. History After the suburb Lichtental was founded at the turn of the 18th century, religious services were first held at the local brewery. In 1711 a chapel consecrated to St. Anna was built in the middle of the new settlement. In 1712, Charles VI laid the foundation for a church. The building was probably designed by Johann Lukas von Hildebrandt and Andrea Pozzo. The first Solemn Mass was held in 1714, although the church was still unfinished. In 1723, Lichtental became an independent parish. The first pastor was ...
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Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ...
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Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ...
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Therese Grob
Therese Grob (16 November 1798 – 17 March 1875) was a singer and is alleged to have been the first love of the composer Franz Schubert. The composer's friend Anselm Hüttenbrenner recalled – twenty-six years after Schubert's death: "From the time I met Schubert, he did not have the least affair of the heart. He was a dry patron towards the fair sex, therefore nothing less than gallant. (...) However, according to his statement, before he met me he had his eye on a teacher's daughter from the countryside, who was also said to be fond of him. She won his heart by singing a soprano solo from a mass by Schubert so well. What her father's name was and where he lived has slipped my mind. - The girl could not marry Schubert because he was too young at the time, without money or employment. She is said to have yielded to her father's will against her inclination and married another man who could provide for her. He had a prevailing antipathy to the daughters of Eve from that tim ...
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Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," " ...
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Joseph Mayseder
Joseph Mayseder (27 October 1789 – 21 November 1863) was an Austrian violin virtuoso and composer. Biography Mayseder showed musical promise from an early age, and was a student of Joseph Suche (1797), Paul Wranitzky (1798) and Ignaz Schuppanzigh. By the age of eleven, he was performing in public concerts at the Augarten in Vienna. He received lessons in composition from Emanuel Aloys Förster. In 1810, he was appointed concertmaster of the Vienna Court Opera. In 1816, he was the violin soloist of the Hofburg Palace chapel orchestra, which he conducted from 1836. He was a major quartet player, as well as a teacher and composer for his instrument. Among his students were the highly esteemed Heinrich Wilhelm Ernst. Mayseder was the recipient of multiple awards and honorary memberships. He was appointed to the in Rome, along with Franz Liszt and others. He was awarded the Knight's Cross of the Order of Franz Joseph The Imperial Austrian Order of Franz Joseph (german: Kaiserl ...
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Choirmaster
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Ferdinand Schubert
Ferdinand Schubert (born 18 October 1794 in Vienna; died 26 February 1859) was an Austrian composer and brother of Franz Schubert. He also designed the grave stone for the grave of Ludwig van Beethoven, which is now at Vienna's Central Cemetery. Early life Ferdinand Lukas Schubert was an Austrian teacher, organist and composer. He is notable for his compositions and for his role in publishing the complete works of his younger brother Franz Schubert. He received training in piano and violin from his father, Franz Theodor Schubert, and his older brother Ignaz, later from Michael Wood, and finally from the public teacher of the choir of St. Anna, Joseph Drechsler. As a boy, Ferdinand played violin in the Schubert family string quartet, with his brothers Franz and Ignaz on viola and violin and his father on cello. Franz Schubert composed many of his early string quartets for this ensemble. Career In 1810, Schubert became organist at the Lichtentaler Parish and was also assistant ...
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Franz Schubert C1827
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gym ...
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Missa Solemnis
{{Audio, De-Missa solemnis.ogg, Missa solemnis is Latin for Solemn Mass, and is a genre of musical settings of the Mass Ordinary, which are festively scored and render the Latin text extensively, opposed to the more modest Missa brevis. In French, the genre is "Messe solennelle". The terms came into use in the classical period. When "Missa solemnis" is used as a name, without referring to a composer, Beethoven's work is generally implied. Some of the greatest compositions in the genre have unique common names other than "Missa solemnis"—namely, Bach's ''Mass in B minor'' and Mozart's ''Great Mass in C minor''. Some works are solemn settings in proportion and scoring, but are not called a "Missa solemnis", for example several late settings of both Haydn and Schubert, and three settings by Anton Bruckner. A solemn mass has been written by well-known composers including: * Bach: ''Mass in B minor'' (1733/1749) * Beethoven: ''Missa solemnis'' in D major (1823) * Berlioz: ''Messe ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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