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Masque Of Balliol
A Balliol rhyme is a doggerel verse form with a distinctive metre. It is a quatrain, having two pairs of rhyming couplets (rhyme scheme AABB), each line having four beats. They are written in the voice of the named subject and elaborate on that person's character, exploits or predilections. The form is associated with, and takes its name from, Balliol College, Oxford. Origins In 1880, seven undergraduates of Balliol published 40 quatrains of doggerel lampooning various members of the college under the title ''The Masque of B–ll––l'', now better known as ''The Balliol Masque'', in a format that came to be called the "Balliol rhyme". The college authorities suppressed the publication fiercely. The verses were inspired by the conventions of traditional mummers' plays (at their peak of popularity in the late 19th century), in which the dialogue took the form of simple verses, and in which characters introduced themselves on first entrance with some such formula as: "Here comes I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doggerel
Doggerel, or doggrel, is poetry that is irregular in rhythm and in rhyme, often deliberately for burlesque or comic effect. Alternatively, it can mean verse which has a monotonous rhythm, easy rhyme, and cheap or trivial meaning. The word is derived from the Middle English ''dogerel'', probably a derivative of ''dog''. In English it has been used as an adjective since the 14th century and a noun since at least 1630. Appearing since ancient times in the literatures of many cultures, doggerel is characteristic of nursery rhymes and children's song. Examples The Scottish poet William McGonagall (1825-1902) has become famous for his doggerel, which many remember with affection despite its seeming technical flaws, as in his poem "The Tay Bridge Disaster": Hip hop lyrics have also explored the artful possibilities of doggerel. . Chaucer's Tale of Sir Thopas is written in this format. It irritates the Host of The Tabard so much that he interrupts him and makes him tell a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse Form
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplets
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balliol College, Oxford
Balliol College () is one of the constituent colleges of the University of Oxford in England. One of Oxford's oldest colleges, it was founded around 1263 by John I de Balliol, a landowner from Barnard Castle in County Durham, who provided the foundation and endowment for the college. When de Balliol died in 1268, his widow, Dervorguilla, a woman whose wealth far exceeded that of her husband, continued his work in setting up the college, providing a further endowment and writing the statutes. She is considered a co-founder of the college. The college's alumni include four former Prime Ministers of the United Kingdom (H. H. Asquith, Harold Macmillan, Edward Heath, and Boris Johnson), Harald V of Norway, Empress Masako of Japan, five Nobel laureates, several Lords of Appeal in Ordinary, and numerous literary and philosophical figures, including Shoghi Effendi, Adam Smith, Gerard Manley Hopkins, and Aldous Huxley. John Wycliffe, who translated the Bible into English, was master o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummers' Play
Mummers' plays are folk plays performed by troupes of amateur actors, traditionally all male, known as mummers or guisers (also by local names such as ''rhymers'', ''pace-eggers'', ''soulers'', ''tipteerers'', ''wrenboys'', and ''galoshins''). Historically, mummers' plays consisted of informal groups of costumed community members that visited from house to house on various holidays. Today the term refers especially to a play in which a number of characters are called on stage, two of whom engage in a combat, the loser being revived by a doctor character. This play is sometimes found associated with a sword dance though both also exist in Britain independently. Mumming spread from the British Isles to a number of former British colonies. It is sometimes performed in the street but more usually during visits to houses and pubs. It is generally performed seasonally or annually, often at Christmas, Easter or on Plough Monday, more rarely on Halloween or All Souls' Day, and often wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Jowett
Benjamin Jowett (, modern variant ; 15 April 1817 – 1 October 1893) was an English tutor and administrative reformer in the University of Oxford, a theologian, an Anglican cleric, and a translator of Plato and Thucydides. He was Master of Balliol College, Oxford. Early life Jowett was born in Camberwell, London, the third of nine children. His father was a furrier originally from a Yorkshire family that, for three generations, had been supporters of the Evangelical movement in the Church of England, and an author of a metrical translation of the Old Testament Psalms. His mother, Isabella Langhorne (1790–1869), was related to John Langhorne, the poet and translator of Plutarch. At the age of 12, Jowett was placed on the foundation of St Paul's School (then in St Paul's Churchyard) where he soon gained a reputation as a precocious classical scholar. Aged 18 he was awarded an open scholarship to Balliol College, Oxford, where he remained for the rest of his life. He began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Curzon, 1st Marquess Curzon Of Kedleston
George Nathaniel Curzon, 1st Marquess Curzon of Kedleston, (11 January 1859 – 20 March 1925), styled Lord Curzon of Kedleston between 1898 and 1911 and then Earl Curzon of Kedleston between 1911 and 1921, was a British Conservative statesman who served as Viceroy of India from 1899 to 1905. During the First World War, Curzon was Leader of the House of Lords and from December 1916 served in the small War Cabinet of Prime Minister David Lloyd George and in the War Policy Committee. He went on to serve as Secretary of State for Foreign Affairs at the Foreign Office from 1919 to 1924. In 1923, Curzon was a contender for the office of Prime Minister, but Bonar Law and some other leading Conservatives preferred Stanley Baldwin for the office. Early life Curzon was the eldest son and the second of the eleven children of Alfred Curzon, 4th Baron Scarsdale (1831–1916), who was the Rector of Kedleston in Derbyshire. George Curzon's mother was Blanche (1837–1875), the daugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blenheim Palace
Blenheim Palace (pronounced ) is a country house in Woodstock, Oxfordshire, England. It is the seat of the Dukes of Marlborough and the only non-royal, non- episcopal country house in England to hold the title of palace. The palace, one of England's largest houses, was built between 1705 and 1722, and designated a UNESCO World Heritage Site in 1987. The palace is named after the 1704 Battle of Blenheim. It was originally intended to be a reward to John Churchill, 1st Duke of Marlborough for his military triumphs against the French and Bavarians in the War of the Spanish Succession, culminating in the Battle of Blenheim. The land was given as a gift, and construction began in 1705, with some financial support from Queen Anne. The project soon became the subject of political infighting, with the Crown cancelling further financial support in 1712, Marlborough's three-year voluntary exile to the Continent, the fall from influence of his duchess, and lasting damage to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John William Mackail
John William Mackail (26 August 1859 – 13 December 1945) was a Scottish academic of Oxford University and reformer of the British education system. He is most often remembered as a scholar of Virgil and as the official biographer of the socialist artist William Morris, of whom he was a friend. Mackail was Oxford Professor of Poetry from 1906 to 1911, and president of the British Academy from 1932 to 1936. Life Mackail was born in Ascog on Bute, the second child and only son of the Rev. John Mackail, of the Free Church, and Louisa Irving, who was the youngest daughter of Aglionby Ross Carson FRSE, who was the rector of Edinburgh High School.DNB, 1941–50, Oxford : OUP, 1959, p. 550 Academic career He was educated at Ayr Academy; at Edinburgh University, from 1874 to 1877; and at Balliol College, Oxford, as Warner Exhibitioner, from 1877. At Oxford, he took first classes in classical moderations (1879) and literae humaniores ('Greats') in 1881, and he also obtained the He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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