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Marvin Gaye's Greatest Hits
''Marvin Gaye's Greatest Hits'' is a compilation album released by American R&B/soul singer and Motown legend Marvin Gaye, released on the Motown label in 1976 on LP and 1987 on CD. The hits collection, with the exception of Gaye's signature 1960s hits "Can I Get a Witness", "How Sweet It Is (To Be Loved By You)" and "I Heard It Through the Grapevine", was a review of Gaye's signature 1970s hits including the socially conscious anthems " What's Going On" and "Mercy Mercy Me (The Ecology)", erotically focused material like "Let's Get It On", " I Want You" and " After the Dance", his bluesy and funky autobiographical " Trouble Man" and the live version of his quiet storm classic, "Distant Lover". The album has received a Gold as well as a Platinum Certification by the RIAA The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greatest Hits
A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all. It is also common for greatest hits albums to include new recordings, remixes or unreleased alternate takes of the hit songs, plus other new material as bonus tracks to increase appeal for longtime fans (who might otherwise already own the recordings included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album. History The first greatest hits album was Johnny Mathis's ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Sweet It Is (To Be Loved By You)
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!" Marvin Gaye version Produced by Brian Holland and Lamont Dozier, the song was released as a single in September 1964. It peaked at number six on the US ''Billboard'' Hot 100 chart in January 1965 and at number three on US ''Billboard's'' R&B Singles chart. Up to that point, it was Gaye's most successful single with record sales exceeding 900,000 copies. The song's personnel includes Marvin Gaye on lead vocals; The Andantes on background vocals; and The Funk Brothers on various instruments, including piano and percussion. Gaye also released a German-language version of the song entitled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get It On
''Let's Get It On'' is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP. Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, ''Let's Get It On'' also incorporates smooth soul and doo-wop styles alongside sexually suggestive lyrics, leading to one writer's description of it as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality. Following the breakthrough success of his socially conscious album '' What's Going On'' (1971), ''Let's Get It On'' helped establish Gaye as a sex icon and broadened his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Townsend
Edward Benjamin 'Ed' Townsend (April 16, 1929 – August 13, 2003) was an American singer, songwriter, producer and attorney. He performed and composed "For Your Love", a rhythm and blues doo wop classic, and co-wrote "Let's Get It On" with Marvin Gaye. Biography Townsend was born in Fayetteville, Tennessee, United States, and his family soon moved to Memphis where his father was pastor at an African Methodist Episcopal church. The year Townsend graduated from high school, he was elected to the International American Methodist Episcopal Youth Council (IAMEYC) and traveled worldwide before enrolling in college the next year at the University of Arkansas at Pine Bluff (formerly Arkansas AM&N College). After graduating, he taught for a year. Although he never formally practiced law, he frequently used his law training to assist other entertainers in negotiating their recording and performance contracts. In 1951, Townsend joined the United States Marine Corps and served in Korea. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distant Lover
"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, ''Let's Get It On'' and the B-side of the second single from that album, " Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three-year gap between ''Let's Get It On'' and his following 1976 album, '' I Want You''. _Song_Review_.html" ;"title=" Distant Lover > Song Review "> Distant Lover > Song Review All Media Guide, LLC. Retrieved on 2008-08-17. History Studio version Marvin composed the melody of the song with songwriter Sandra Greene during a 1970 recording session while Gaye was finishing edits of his song, "What's Going On". Recorded on November 3, 1970, Gaye first recorded a rough version simply titled "Head Title". Later in the same recording sessions, with help from his sister-in-law, Gwen Gordy Fuqua, Gaye composed more lyrics and gave it its title, "Distant Lover". Gaye would rework the song sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quiet Storm
Quiet storm is a radio format and genre of R&B, performed in a smooth, romantic, jazz-influenced style. It was named after the title song on Smokey Robinson's 1975 album ''A Quiet Storm''. The radio format was pioneered in 1976 by Melvin Lindsey, while he was an intern at the Washington, D.C. radio station WHUR-FM. It eventually became regarded as an identifiable subgenre of R&B. Quiet storm was marketed to upscale mature African-American audiences during the 1980s, while falling out of favor with young listeners in the age of hip hop. History Origins Melvin Lindsey, a student at Howard University, with his classmate Jack Shuler, began as disc jockeys for WHUR in June 1976, performing as stand-ins for an absentee employee. Lindsey's on-air voice was silky smooth, and the music selections were initially old, slow romantic songs from black artists of the 1950s, 1960s, and 1970s, a form of easy listening which Lindsey called "beautiful black music" for African Americans. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouble Man (Marvin Gaye Song)
"Trouble Man" is a song composed and written by American recording artist Marvin Gaye released on the Motown subsidiary, Tamla, in November 1972. The song became one of Gaye's signature songs for the remainder of his life and would later be the basis of a biography as a sort of nickname for him. The album version of the song was the only one released as a single in November 1972, where it became a top ten hit on the ''Billboard'' Hot 100 reaching number seven on that chart in January 1973. Background The song is the title track and theme for the blaxploitation film of the same name. The song is about the travails of the movie's lead character, "Mister T", and also relates to issues in Gaye's private life. Gaye described the song as one of the most honest recordings he ever made. He played drums and piano on the record and performs all the vocals himself. Gaye sings most of the song in falsetto while reaching a gospel-styled growl during the bridges of the song. The per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After The Dance (song)
"After the Dance" is a slow jam recorded by singer Marvin Gaye and released as the second single off Gaye's 1976 hit album '' I Want You.'' Though it received modest success, the song was widely considered to be one of Marvin's best ballads and served as part of the template for quiet storm and urban contemporary ballads that came afterwards. Overview Written by Gaye and his co-producer Leon Ware, the song narrates a moment where the author noticed a woman on ''Soul Train'' and convinces her to "get together" after the two shared a dance. Throughout the entire ''I Want You'' album, which was dedicated to Marvin's live-in lover Janis Hunter (who wrote a 2015 memoir entitled ''After the Dance: My Life with Marvin Gaye''), the narrator — Gaye — brings up the dance concept in songs such as " Since I Had You". The song also served in a funky instrumental, which included a synthesizer solo performed by GayeRitz (2003) just days before the master for the ''I Want You'' album was due ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Want You (Marvin Gaye Song)
"I Want You" is a song written by songwriters Leon Ware and Arthur "T-Boy" Ross and performed by singer Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name on the Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. Songs such as this gave him a disco audience thanks to Ware, who produced the song alongside Gaye. The song also stood to be one of Marvin's most popular singles during his later Motown period followed by his sabbatical following the release of 1973's ''Let's Get It On''. The song eventually reached number fifteen on the ''Billboard'' Hot 100 and number one on the Hot Selling Soul Singles chart. It also became a disco hit, reaching number ten on the Disco Singles Chart alongside " After the Dance". Background Originally conceived by Motown songwriter Leon Ware and his songwriting partner "T-Boy" Ross, it was originally intended to be included i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get It On (song)
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute. Conception Co-written with producer Ed Townsend, "Let's Get It On" was Gaye's plea for sexual liberation. When originally conceived by Townsend, who was released from a rehab f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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