Martino Di Bartolomeo
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Martino Di Bartolomeo
Martino di Bartolomeo or Martino di Bartolomeo di Biago was an Italian painter and manuscript illuminator active between 1389 and 1434. He was one of his generation's principal painters of the Sienese School. From specific aspects of his early style, he is believed to have trained in the studio of Taddeo di Bartolo. As a young man Martino collaborated with Giovanni di Pietro da Napoli (active 1402-1405) in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and the date 1398. He returned permanently to Siena in 1405; there he painted several prominent fresco cycles in the Duomo and the Palazzo Pubblico. Further official commissions for altarpieces and for polychromy of sculptures attest to his versatility and to his prestige as one of the city’s official artists. Martino's early activity as an illuminator of manuscripts is based on Luciano Bellosi's recognition of his hand in the set of choirbooks commissioned ...
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Martino Di Bartolomeo
Martino di Bartolomeo or Martino di Bartolomeo di Biago was an Italian painter and manuscript illuminator active between 1389 and 1434. He was one of his generation's principal painters of the Sienese School. From specific aspects of his early style, he is believed to have trained in the studio of Taddeo di Bartolo. As a young man Martino collaborated with Giovanni di Pietro da Napoli (active 1402-1405) in Pisa. The fresco cycle in the church of San Giovanni Battista di Cascina, outside Pisa, bears Martino’s signature, and the date 1398. He returned permanently to Siena in 1405; there he painted several prominent fresco cycles in the Duomo and the Palazzo Pubblico. Further official commissions for altarpieces and for polychromy of sculptures attest to his versatility and to his prestige as one of the city’s official artists. Martino's early activity as an illuminator of manuscripts is based on Luciano Bellosi's recognition of his hand in the set of choirbooks commissioned ...
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San Gimignano
San Gimignano () is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form "an unforgettable skyline". Within the walls, the well-preserved buildings include notable examples of both Romanesque and Gothic architecture, with outstanding examples of secular buildings as well as churches. The Palazzo Comunale, the Collegiate Church and Church of Sant' Agostino contain frescos, including cycles dating from the 14th and 15th centuries. The "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. The town also is known for saffron, the Golden Ham, and its white wine, Vernaccia di San Gimignano, produced from the ancient variety of Vernaccia grape which is grown on the sandstone hillsides of the area. Territory The municipality ...
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Fresco Painters
Fresco (plural ''frescos'' or ''frescoes'') is a technique of Mural, mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco, fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime pla ...
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Painters From Siena
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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14th-century Italian Painters
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Pinacoteca Nazionale (Siena)
The Pinacoteca Nazionale is a national museum in Siena, Tuscany, Italy. Inaugurated in 1932, it houses especially late medieval and Renaissance paintings from Italian artists. It is housed in the Brigidi and Buonsignori palaces in the city's center: the former, built in the 14th century, it is traditionally identified as the Pannocchieschi family's residence. The Palazzo Bichi-Buonsignori, although built in the 15th century, has a 19th-century neo-medieval façade based on the city's Palazzo Pubblico. The gallery has one of the largest collections of Sienese paintings with gold backgrounds from the 14th and 15th centuries.Mauro Civai, Enrico Toti, ''Siena cuore medievale d'Europa''. Alsaba Edizioni, 2004 page 103 Works in the gallery include: *Duccio di Buoninsegna's Polyptych N. 28 and ''Madonna of the Franciscans'' *Guido da Siena's ''St. Peter Enthroned'' *Simone Martini's ''Blessed Agostino Novello and His Miracles'' (c. 1330) *Ambrogio Lorenzetti's ''Annunciation'' (c. 1344 ...
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Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later inf ...
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National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ...
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