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Martin Arnold (other)
Martin Arnold may refer to: * Martin Arnold (composer) (born 1959), Canadian composer * Martin Arnold (filmmaker) Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive deconstruction of found footage. Career Arnold's films are intensely cut sequences in which several seconds of old movie clips are taken and stretc ... (born 1959), Austrian experimental filmmaker * Martin Arnold (journalist) (1929–2013), American journalist {{hndis, Arnold, Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Arnold (composer)
Martin Arnold (born 19 August 1959 in Edmonton, Alberta) is a Canadian composer of experimental music. His music has been widely performed and commissioned by ensembles including the BBC Scottish Symphony Orchestra, Quatuor Bozzini, the pianist Eve Egoyan, the violinist Mira Benjamin and the cellist Anton Lukoszievieze. Education and career Arnold studied at the University of Alberta, the Banff Centre for Arts and Creativity (1981-82) and was a guest student at the Royal Conservatory of The Hague (1982-83). He completed a PhD at the University of Victoria in 1995. Arnold currently lives in Toronto, where he lectures at Trent University and York University, besides working as a landscape gardener. He performs regularly within the city’s free improvisation and experimental music communities on melodica, hurdy-gurdy, prepared autoharp, real-time manipulated and processed CD player and banjo. Musical style A formative influence during Arnold's studies was the Czech-Canadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Arnold (filmmaker)
Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive deconstruction of found footage. Career Arnold's films are intensely cut sequences in which several seconds of old movie clips are taken and stretched out into much longer works. The figures on the screen flip back and forth between frames, as the motion is repeated and reversed, and numerous single frame cuts are made. His intent is to create, or possibly unearth, narratives concealed within the mundane films from which he samples. In films such as ''Pièce Touchée'' (1989) and ''Passage à l'acte'' (1993) for example he uses several seconds of the films ''The Human Jungle'' and ''To Kill a Mockingbird'', the latter to create a bizarre story of aggression and tension within a traditional American family. Later works In a later group of short film loops such as ''Soft Palate'' (2010) and ''Whistle Stop'' (2014), Arnold seems to discover psychoanalytic underbellies in the most popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |