Marrnyula Mununggurr
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Marrnyula Mununggurr
Marrnyula Mununggurr (1964) is an Aboriginal Australian painter of the Djapu clan of the Yolngu people, known for her use of natural ochres on bark and hollow logs, wood carvings, linoleum and screen print productions. Biography Born in North East Arnhem Land, Marrnyula Mununggurr is the daughter of renowned artists Djutadjuta Mununggurr and Nonggirrnga Marawili. Wäṉḏawuy is her official homeland in which she first became an artist, trailblazing in their paths. She is apart of the Dhuwa moiety. Wäṉḏawuy is in an outstation belonging to the Djapu'. It is freshwater, inland, and Mäṉa (the shark) is their totem.Skerritt, Henry, and Kade McDonald. “One Straight Line. An Interview with Marrnyula Munuŋgurr.” ''Kluge Ruhe'', 31 Aug. 2023, madayin.kluge-ruhe.org/one-straight-line-an-interview-with-marrnyula-munungurr/. Accessed 06 May 2024. Although she has no children of her own, Mununggurr was responsible for raising her deceased brother's three children. Marrnyu ...
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Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ...
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Arnhem Land
Arnhem Land is a historical region of the Northern Territory of Australia, with the term still in use. It is located in the north-eastern corner of the territory and is around from the territory capital, Darwin. In 1623, Dutch East India Company captain Willem Joosten van Colster (or Coolsteerdt) sailed into the Gulf of Carpentaria and Cape Arnhem is named after his ship, the ''Arnhem'', which itself was named after the city of Arnhem in the Netherlands. The area covers about and has an estimated population of 16,000, of whom 12,000 are Aboriginal and Torres Strait Islander people. Two regions are often distinguished as East Arnhem (Land) and West Arnhem (Land), and North-east Arnhem Land is known to the local Yolŋu people as Miwatj. The region's service hub is Nhulunbuy, east of Darwin, set up in the early 1970s as a mining town for bauxite. Other major population centres are Yirrkala (just outside Nhulunbuy), Gunbalanya (formerly Oenpelli), Ramingining, and Maningrida. ...
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Gertrude Contemporary Art Spaces
Gertrude Contemporary is a contemporary art complex located in Melbourne, Australia. The organisation was founded in 1985 and is located at 21-31 High St, Preston South. It also has a satellite exhibition space, Gertrude Glasshouse, at 44 Glasshouse Rd, Collingwood. The gallery was previously located in the suburb of Fitzroy. Gertrude Contemporary's programs include exhibitions across the two gallery sites, studio residencies for local and international artists and education and public programs. The Gertrude Contemporary Studio Program hosts 16 artists for a period of two years. The current Co-Directors of Gertrude Contemporary are Mark Feary, Artistic Director, and Tracy Burgess, Executive Director. Previous Directors of the organisation are Alexie Glass-Kantor Alexie Glass-Kantor (née Glass) is an Australian artist and gallery director. she is the Executive Director of Artspace Visual Arts Centre in Sydney. Early life and education Alexie Glass was born in Sydney, New So ...
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Museum And Art Gallery Of The Northern Territory
The Museum and Art Gallery of the Northern Territory (MAGNT) is the main museum in the Northern Territory. The museum is located in the inner Darwin suburb of Fannie Bay. The MAGNT is governed by the Board of the Museum and Art Gallery of the Northern Territory and is supported by the Museums and Art Galleries of the Northern Territory Foundation. Each year the MAGNT presents both internally developed exhibitions and travelling exhibitions from around Australia. It is also the home of the annual Telstra National Aboriginal and Torres Strait Islander Art Award, Australia's longest-running set of awards for Indigenous Australian artists. History In 1964 a bill was introduced into the Northern Territory Legislative Council to start a museum in Darwin by making the Museums and Art Galleries Board of the Northern Territory. The first director, Colin Jack-Hinton, was appointed in 1970. The Old Town Hall in Smith Street in Darwin's CBD was chosen as the Museum's first location. The ...
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National Aboriginal And Torres Strait Islander Art Awards
The National Aboriginal & Torres Strait Islander Art Award (NATSIAA) is Australia's longest running Indigenous art award. Established in 1984 as the National Aboriginal Art Award by the Museum and Art Gallery of the Northern Territory in Darwin, the annual award is commonly referred to as the Telstra National Aboriginal & Torres Strait Islander Art Award, the Telstra Award or Telstra Prize. It is open to all Aboriginal and Torres Strait Islander artists working in all media. the top prize is worth , and the total prize pool , making it as of August 2022 the richest art prize in the country. History The NATSIAA was established in 1984 as the National Aboriginal Art Award. Telstra has sponsored the awards since 1992. The Darwin Aboriginal Art Fair began as a complement to NATSIAA, but is now a separate event under the umbrella of the Darwin Festival. In 2000, the prize money for the main award was doubled from to . It was increased to in 2014, making it the largest prize f ...
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National Aboriginal & Torres Strait Islander Art Award
The National Aboriginal & Torres Strait Islander Art Award (NATSIAA) is Australia's longest running Indigenous art award. Established in 1984 as the National Aboriginal Art Award by the Museum and Art Gallery of the Northern Territory in Darwin, the annual award is commonly referred to as the Telstra National Aboriginal & Torres Strait Islander Art Award, the Telstra Award or Telstra Prize. It is open to all Aboriginal and Torres Strait Islander artists working in all media. the top prize is worth , and the total prize pool , making it as of August 2022 the richest art prize in the country. History The NATSIAA was established in 1984 as the National Aboriginal Art Award. Telstra has sponsored the awards since 1992. The Darwin Aboriginal Art Fair began as a complement to NATSIAA, but is now a separate event under the umbrella of the Darwin Festival. In 2000, the prize money for the main award was doubled from to . It was increased to in 2014, making it the largest prize ...
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Climate Change
In common usage, climate change describes global warming—the ongoing increase in global average temperature—and its effects on Earth's climate system. Climate change in a broader sense also includes previous long-term changes to Earth's climate. The current rise in global average temperature is more rapid than previous changes, and is primarily caused by humans burning fossil fuels. Fossil fuel use, deforestation, and some agricultural and industrial practices increase greenhouse gases, notably carbon dioxide and methane. Greenhouse gases absorb some of the heat that the Earth radiates after it warms from sunlight. Larger amounts of these gases trap more heat in Earth's lower atmosphere, causing global warming. Due to climate change, deserts are expanding, while heat waves and wildfires are becoming more common. Increased warming in the Arctic has contributed to melting permafrost, glacial retreat and sea ice loss. Higher temperatures are also causing m ...
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Art Gallery Of South Australia
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia (after the National Gallery of Victoria). As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east. As well as its permanent collection, which is especially renowned for its collection of Australian art, AGSA hosts the annual Festival of Contemporary Aboriginal and Torres Strait Islander Art known as ''Tarnanthi'', displays a number of visiting exhibitions each year and also contributes travelling exhibitions to regional galleries. European (including British), Asian and North American art are also well represented in its collections. the Director of A ...
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Tarnanthi
Tarnanthi (pronounced tar-nan-dee) is a Festival of Contemporary Aboriginal and Torres Strait Islander Art held in Adelaide, South Australia, annually. Presented by the Art Gallery of South Australia (AGSA) in association with the South Australian Government and BHP. It is curated by Nici Cumpston. History The South Australian Government and BHP initially negotiated funding, before approaching AGSA about hosting the festival. The first edition of the festival was held by AGSA in 2015, which said it was "the most ambitious exhibition of Aboriginal and Torres Strait Islander art in GSA's134-year history". The word ''tarnanthi'' is a Kaurna word from the traditional owners of the Adelaide Plains, the Kaurna people, meaning "to rise, come forth, spring up or appear", or "to emerge", like the sun at first light. It signifies new beginnings. As artistic director since the inaugural event, Nici Cumpston, a Barkindji artist and curator based at AGSA, collaborated with a group of el ...
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Kluge-Ruhe Aboriginal Art Collection
The Kluge-Ruhe Aboriginal Art Collection of the University of Virginia houses one of the finest Indigenous Australian art collections in the world, rivaling many of the collections held in Australia. It is the only museum outside Australia dedicated solely to Indigenous Australian art. The museum houses many important breakthrough paintings of the Papunya Tula movement and Arnhem Land artists. The collection comprises more than 2000 objects in a variety of media, including bark and acrylic paintings, sculpture, photography, prints and artifacts. The director of the Kluge-Ruhe Aboriginal Art Collection is anthropologist Margo Smith . The museum is located at Pantops Farm, a university-owned property once owned by Thomas Jefferson in the Pantops neighborhood of Charlottesville, Virginia. History History of the Kluge-Ruhe Aboriginal Art Collection The Kluge-Ruhe Collection receives its namesake from the two American men who collected the majority of the artwork, media mogul J ...
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Torres Strait Islander
Torres Strait Islanders () are the Indigenous Melanesian people of the Torres Strait Islands, which are part of the state of Queensland, Australia. Ethnically distinct from the Aboriginal people of the rest of Australia, they are often grouped with them as Indigenous Australians. Today there are many more Torres Strait Islander people living in mainland Australia (nearly 28,000) than on the Islands (about 4,500). There are five distinct peoples within broader designation of Torres Strait Islander people, based partly on geographical and cultural divisions. There are two main Indigenous language groups, Kalaw Lagaw Ya and Meriam Mir. Torres Strait Creole is also widely spoken, as a language of trade and commerce. The core of Island culture is Papuo- Austronesian and the people traditionally a seafaring nation. There is a strong artistic culture, particularly in sculpture, printmaking and mask-making. Demographics In June 1875 a measles epidemic killed about 25% of the populat ...
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Bark Painting
Bark painting is an Australian Aboriginal art form, involving painting on the interior of a strip of tree bark. This is a continuing form of artistic expression in Arnhem Land (especially among the Yolngu peoples) and other regions in the Top End of Australia, including parts of the Kimberley region of Western Australia. Traditionally, bark paintings were produced for instructional and ceremonial purposes and were transient objects. Today, they are keenly sought after by collectors and public arts institutions. Origin The designs seen on authentic bark paintings are traditional designs that are owned by the artist, or his "skin", or his clan, and cannot be painted by other artists. In many cases these designs would traditionally be used to paint the body for ceremonies or rituals, and also to decorate logs used in burials ceremonies. While the designs themselves are ancient, the medium of painting them on a piece of flattened bark is a relatively modern phenomenon, although the ...
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