Mark Ravenhill
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Mark Ravenhill
Mark Ravenhill (born 7 June 1966) is an English playwright, actor and journalist. Ravenhill is one of the most widely performed playwrights in British theatre of the late-twentieth and twenty-first centuries. His major plays include ''Shopping and Fucking'' (first performed in 1996),Ravenhill, Mark. 2001. ''Plays:1''. Methuen. . p.1-91 ''Some Explicit Polaroids'' (1999), ''Mother Clap's Molly House'' (2000), '' The Cut'' (2006), ''Shoot Get Treasure Repeat'' (2007) and ''The Cane'' (2018). In 1999 he was one of the recipients of the V Europe Prize Theatrical Realities awarded to the Royal Court Theatre (with Sarah Kane, Jez Butterworth, Conor McPherson, Martin McDonagh). He made his professional acting debut in his own monologue ''Product'', at the 2005 Edinburgh Festival Fringe. Early life Ravenhill is the elder of two sons born to Ted and Angela Ravenhill. He grew up in West Sussex, England and cultivated an early interest in theatre, putting on plays with his brother w ...
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Max Stafford-Clark
Maxwell Robert Guthrie Stewart "Max" Stafford-Clark (born 17 March 1941) is a British theatre director. Life and career Stafford-Clark was born in Cambridge, England. the son of David Stafford-Clark, a physician, and Dorothy Crossley (née Oldfield). He was educated at Felsted School, in Essex, England and Riverdale Country School in New York City, followed by Trinity College, Dublin. His directing career began as Associate Director of the Traverse Theatre, Edinburgh, in 1966. He became artistic director there from 1968 to 1970. He was Director of the Traverse Theatre Workshop Company from 1970 to 1974. Stafford-Clark then co-founded the Joint Stock Theatre Company in 1974. Joint Stock worked with writers using company research to inspire workshops. From these workshops, writers such as David Hare, Howard Brenton and Caryl Churchill would garner material to inspire a writing phase before rehearsals began. This methodology is sometimes referred to as The Joint Stock Method. ...
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Life Of Galileo
''Life of Galileo'' (), also known as ''Galileo'', is a play by the 20th century German dramatist Bertolt Brecht and collaborator Margarete Steffin with incidental music by Hanns Eisler. The play was written in 1938 and received its first theatrical production (in German) at the Zurich Schauspielhaus, opening on the 9th of September 1943. This production was directed by Leonard Steckel, with set-design by Teo Otto. The cast included Steckel himself (as Galileo), Karl Paryla and Wolfgang Langhoff. The second (or "American") version was written in English between 1945–1947 in collaboration with Charles Laughton, and opened at the Coronet Theatre in Los Angeles on 30 July 1947. It was directed by Joseph Losey and Brecht, with musical direction by Serge Hovey and set-design by Robert Davison. Laughton played Galileo, with Hugo Haas as Barberini and Frances Heflin as Virginia. This production opened at the Maxine Elliott's Theatre in New York on 7 December of the same year ...
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Marc Almond
Peter Mark Sinclair "Marc" Almond, (born 9 July 1957) is an English singer. Almond first began performing and recording in the synthpop/ new wave duo Soft Cell where he became known for his distinctive soulful voice and androgynous image. He has also had a diverse career as a solo artist. His collaborations include a duet with Gene Pitney on the 1989 UK number one single "Something's Gotten Hold of My Heart". Almond's career spanning over four decades has enjoyed critical and commercial acclaim, and he has sold over 30 million records worldwide. He spent a month in a coma after a near-fatal motorcycle accident in 2004 and later became a patron of the brain trauma charity Headway. He was appointed Officer of the Order of the British Empire (OBE) in the 2018 New Year Honours for services to arts and culture. Early life Almond was born in Southport, Lancashire, the son of Sandra Mary Diesen and Peter John Sinclair Almond, a Second Lieutenant in the King's Liverpool Regiment. He ...
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The Coronation Of Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ...
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Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') of ...
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Young British Artists
The Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art.Blanché, Ulrich (2018). ''Damien Hirst. Gallery Art in a Material World''. Baden-Baden, Tectum Verlag, p. 69. The scene began around a series of artist-led exhibitions held in warehouses and factories, beginning in 1988 with the Damien Hirst-led '' Freeze'' and, in 1990, ''East Country Yard Show'' and ''Modern Medicine''. They are noted for "shock tactics", use of throwaway materials, wild living, and an attitude "both oppositional and entrepreneurial". They achieved considerable media coverage and dominated British art during the 1990s; internationally reviewed shows in the mid-1990s included ''Brilliant!'' and ''Sensation''. Many of the artists we ...
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Frantic Assembly
Frantic Assembly is a theatre production company. They have worked in over 40 countries and are widely studied as practitioners for A-Levels in the UK. Background Frantic Assembly was formed by three students of Swansea University in 1994. None of the three studied drama, but were inspired by theatre and wanted to create their own unique company. They wanted to create non-realistic pieces through the use of much movement and music, although they have always said that this should never stray away from the storyline. Their most notable production, in co-operation with The National Theatre, is ''The Curious Incident Of The Dog In The Night-Time'', which won a Tony award for Best Play in 2015. In 2016, Frantic Assembly collaborated with State Theatre South Australia and Andrew Bovell to create ''Things I Know To Be True.'' This toured both Australia (2016) and the UK (2016 and 2017). In 2018, Frantic Assembly launched a podcast, which has had guest appearances from old school te ...
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Gate Theatre (London)
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Edinburgh Festival
__NOTOC__ This is a list of arts and cultural festivals regularly taking place in Edinburgh, Scotland. The city has become known for its festivals since the establishment in 1947 of the Edinburgh International Festival and the Edinburgh Festival Fringe which runs alongside it. The latter is the largest event of its kind in the world. The term ''Edinburgh Festival'' is commonly used, but there is no single festival; the various festivals are put on by separate, unrelated organisations. However they are widely regarded as part of the same event, particularly the various festivals that take place simultaneously in August each year. The term ''Edinburgh Festival'' is often used to refer more specifically to the Fringe, being the largest of the festivals; or sometimes to the International Festival, being the original "official" arts festival. Within the industry, people refer to all the festivals collectively as the ''Edinburgh Festivals'' (plural). The festivals Listed in ...
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Molly House
Molly-house was a term used in 18th- and 19th-century Britain for a meeting place for homosexual men. The meeting places were generally taverns, public houses, coffeehouses or even private rooms where men could either socialise or meet possible sexual partners. Despite the reputation of molly-houses as places having primarily sexual connotations, rather than as social meeting places, some historians are reluctant to classify them specifically as brothels. Rictor Norton, for example, argues that the regular customers could have been in fact mutual friends, at least at the beginning, since consistent evidence concerning male prostitution seems to be insufficient in Britain until the 1780s. From 1533 onwards, homosexual relations and sexual activities remained illegal and were frequently prosecuted, with homosexual sexual activities being included in the offence categories of buggery and sodomy (the terms which were often used interchangeably), they remained capital offences unti ...
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The Importance Of Being Earnest
''The Importance of Being Earnest, A Trivial Comedy for Serious People'' is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian morality, Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make ''The Importance of Being Earnest'' Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The John Douglas, 9th Marquess of Queensberry, Marquess of Queensberry, whose son Lor ...
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