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Mark A. Michaels And Patricia Johnson
Mark A. Michaels (born August 2, 1959) and Patricia Johnson (born May 21, 1964) are authors and lecturers on sexuality and relationships. Their approach is informed by their combined 30 years of Tantric study, practice and teaching. Early life Mark A. Michaels was born and raised in New York City. He attended the Ethical Culture Fieldston School and graduated with honors and distinction from the University of Michigan in 1980. He earned a JD from New York University (1985). Patricia Johnson was born in Kincheloe, Michigan. She graduated from Concordia High School (Missouri). Johnson attended the University of Missouri, where she earned a Bachelor of Music with a concentration in Opera Performance. She was a member of the Houston Grand Opera Studio from 1991 until 1992. Mark A. Michaels Legal and theatrical career 1985–2000 After completing his law degree, Michaels worked as a literary manager/playwright translator. His translation/adaptation of Goldoni's ''The Mistress of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethical Culture Fieldston School
Ethical Culture Fieldston School (ECFS), also referred to as Fieldston, is a private independent school in New York City. The school is a member of the Ivy Preparatory School League. The school serves approximately 1,700 students with 480 faculty and staff. Joe Algrant is the Head of School. The school consists of four divisions: Ethical Culture, Fieldston Lower, Fieldston Middle, and Fieldston Upper. Ethical Culture, located on the Upper West Side of Manhattan, and Fieldston Lower, located on the Fieldston campus in the Riverdale section of the Bronx, serve Pre-K through 5th grade. The two lower schools feed into Fieldston Middle (6th–8th grades) and Fieldston Upper (9th–12th grades)—also located on the Fieldston campus in Riverdale. Ethical Culture is headed by Principal Rob Cousins, Fieldston Lower is headed by Principal Joe McCauley, Fieldston Middle is headed by Principal Jonathan Alschuler, and Fieldston Upper is headed by Principal Stacey Bobo. Tuition and fees for E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Di Chamounix
''Linda di Chamounix'' is an operatic ''melodramma semiserio'' in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842. Performance history ''Linda di Chamounix'' was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at Palmo's Opera House. On 1 March 1934, the opera received its Metropolitan Opera premiere with Lily Pons in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since. The Teatro alla Scala produced the opera in March 1972 conducted by Gianandrea Gavazzeni with Margherita Rinaldi as Linda, Alfredo Kraus as Carlo and Renato Bruson as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983 Wexford Opera Festival. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Rossini)
''Armida'' is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto (''dramma per musica'') by Giovanni Schmidt, based on scenes from ''Jerusalem Delivered, Gerusalemme liberata'' by Torquato Tasso. Performance history ''Armida'' was written to be performed at the Teatro di San Carlo, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year. Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult coloratura passages of every kind during the entire opera. The most notable are to be found in "D'amore al dolce impero" during Act 2, in the duets between Armida and Rinaldo, and in parts of the Act 3 finale. The first modern staging took place at the Teatro Comunale Florence, Teatro Comunale of Florence on 26 April 1952, during the Maggio Musicale Fiorentino, with Maria Callas and Francesco Albanese in the leading role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Orchestra Of New York
The Opera Orchestra of New York (also known as OONY) specializes in the performance of opera in concert form. It is particularly known for its work in presenting rarely performed repertory. Among the numerous American premieres it has presented are Puccini's ''Edgar'', Boito's '' Nerone'', and Smetana's ''Libuše''. History Founded in 1971 by Eve Queler, who remains its conductor and music director, the orchestra presented its first season in 1972 with two operas – Rossini's ''William Tell'' and Meyerbeer's ''L'africaine'' – performed at New York's Carnegie Hall. Since then it has gone on to present more than ninety different operas there, with the season now consisting of three to four operas, which are also broadcast on National Public Radio. In the past, tickets came with a complete libretto of the opera being performed. However, the 2007/2008 season introduced surtitles for the first time. Financial difficulties in early 2007 threatened to close the company or severely cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live From Lincoln Center
''Live from Lincoln Center'' is a seventeen-time Emmy Award-winning series that has broadcast notable performances from the Lincoln Center in New York City on PBS since 1976. The program airs between six and nine times per season. Episodes of ''Live from Lincoln Center'' feature Lincoln Center's resident artistic organizations, most notably the New York Philharmonic. Funding for the series is currently made possible by major grants from the Robert Wood Johnson 1962 Charitable Trust, Thomas H. Lee and Ann Tenenbaum, the Robert and Renee Belfer Family Foundation, the MetLife Foundation, Mercedes T. Bass, and the National Endowment for the Arts. History ''Live from Lincoln Center'' premiered on PBS on January 30, 1976. Since its premiere, the series has presented performances by the world's greatest performing artists. Some of its most notable regular performers include Audra McDonald (the program's official host), Plácido Domingo, Luciano Pavarotti, Leonard Bernstein, Itzhak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merry Widow
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Contes D'Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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