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Marion Hood
Marion Hood (1 April 1854 – 14 August 1912) was an English soprano who performed in opera and musical theatre in the last decades of the 19th century. She is perhaps best remembered for creating the role of Mabel in Gilbert and Sullivan's ''The Pirates of Penzance'' in London. Early life and career Born Sarah Ann Isaac in Liverpool. Hood was a music hall performer as a child by the age of 11 under the name Marion Isaac. She married a Mr. Hunt of the Alhambra Palace Music Hall in Kingston upon Hull. In 1876, she had moved to London to study singing at the Royal Academy of Music. Her husband had died by 1880."''The Pirates'' in London" '''', 20 April 1880 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Marion Hood
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Duval (opera)
''Claude Duval – or Love and Larceny'' is a comic opera with music by Edward Solomon to a libretto by Henry Pottinger Stephens. The plot is loosely based on supposed events in the life of the seventeenth century highwayman, Claude Duval. The piece was first produced at the Olympic Theatre, London, on 24 August 1881, under the management of Michael Gunn. It ran until the end of October.''The Era'', 27 August 1881, p. 6 From January to March 1882, a D'Oyly Carte Opera Company, D'Oyly Carte touring company played the work in the British provinces. Another D'Oyly Carte company played it in New York in March and April 1882 under Richard D'Oyly Carte's personal supervision, in tandem with Gilbert and Sullivan's ''Patience (opera), Patience''. In New York, a few local references were interpolated into Blood-red Bill's comic song, "William's Sure to Be Right." Roles and early casts *Claude Duval – F. H. Celli *Charles Lorrimore – Sir George Power, 7th Baronet, George Power * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Jack Sheppard
''Little Jack Sheppard'' is a Victorian burlesque, burlesque melodrama written by Henry Pottinger Stephens and William Yardley (cricketer), William Yardley, with music by Meyer Lutz, with songs contributed by Florian Pascal,Florian Pascal was a pseudonym for Joseph Williams, Jr. (1847-1923), a music publisher and composer. SeFlorian Pascal profile at the Gilbert and Sullivan Archiveand [http://catalogue.nla.gov.au/Search/Home?lookfor=author:%22Pascal,%20Florian,%201847-1923%22&iknowwhatimean=1 Songs by Florian Pascal] Richard Corney Grain, Corney Grain, Arthur Cecil, Michael Watson, Henry J. Leslie, Alfred Cellier and Hamilton Clarke. The comedy lampooned the serious plays based on the life of Jack Sheppard, especially the popular 1839 play by John Buckstone, which was in turn based on Jack Sheppard (novel), the novel of that year by William Harrison Ainsworth. The piece opened at the Gaiety Theatre, London, Gaiety Theatre in London on 26 December 1885 and initially ran for 155 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaiety Theatre, London
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy. Under the management of John Hollingshead until 1886, the theatre had early success with ''Robert the Devil'', by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque ''Little Jack Sheppard'' (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, ''Dorothy'', became a long-running hit. In the 1880s and 90s, the theatre had further success with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billee Taylor
''Billee Taylor, or The Reward of Virtue'' is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens. The piece was first produced at the Imperial Theatre in London on 30 October 1880, starring Arthur Williams as Sir Mincing Lane and Frederick Rivers as Billee. It played at the Standard Theatre in New York later that year, starring J. H. Ryley and Alice Burville. ''Billee Taylor'' was a strong success on both sides of the Atlantic and enjoyed many revivals both in Britain and in the United States. Early revivals included The Gaiety Theatre, London (1885, with Marion Hood as Phoebe and Arthur Roberts as Barnacle) and Toole's Theatre (1886).Adams, p. 159 The satiric, cynical risqué story is based on the nautical poem and song of the same title by Richard Brinsley Sheridan. A version of this adult-themed story was created for children and published in 1881. Roles and original cast *Billee Taylor ("a virtuous gardener", in love with Phoebe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Doug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar Student
''Der Bettelstudent'' (''The Beggar Student'') is an operetta in three acts by Carl Millöcker with a German libretto by Camillo Walzel (under the pseudonym of F. Zell) and Richard Genée, based on ''Les noces de Fernande'' by Victorien Sardou and ''The Lady of Lyons'' by Edward Bulwer-Lytton. However, the librettists added the element of combining love and politics to the French comedy plots. It premiered in Vienna in 1882. Performance history The work was performed first at the Theater an der Wien, Vienna, on 6 December 1882. It was a success and allowed Millöcker to retire from conducting. Johann Strauss II rejected the libretto in favor of '' A Night in Venice'', but Millöcker's work turned out to be an enduringly popular operetta, with over 5,000 productions. The piece played at the Thalia Theatre in New York City in 1883 and then in English at the Casino Theatre in 1883. It was revived in New York at least three times: in 1898 and 1899 at the Thalia Theatre, and in 191 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Millöcker
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea * KARL, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, Thomas William Robertson, T. W. Robertson, Robert Reece and George Robert Sims, G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End theat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
