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Marie Litton As Rosalind
Marie may refer to: People Name * Marie (given name) * Marie (Japanese given name) * Marie (murder victim), girl who was killed in Florida after being pushed in front of a moving vehicle in 1973 * Marie (died 1759), an enslaved Cree person in Trois-Rivières, New France * ''Marie'', Biblical reference to Holy Mary, mother of Jesus * Marie Curie, scientist Surname * Jean Gabriel Marie (other) * Peter Marié (1826–1903), American socialite from New York City, philanthropist, and collector of rare books and miniatures * Rose Marie (1923–2017), American actress and singer * Teena Marie (1956–2010), American singer, songwriter, and producer Places * Marie, Alpes-Maritimes, commune of the Alpes-Maritimes department, France * Lake Marie, Umpqua Lighthouse State Park, Winchester Bay, Oregon, U.S. * Marie, Arkansas, U.S. * Marie, West Virginia, U.S. Art, entertainment, and media Music * Marie (Cat Mother and the All Night Newsboys song), "Marie" (Cat Mother and the All Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Brighton
The Theatre Royal, Brighton is a theatre in Brighton, England presenting a range of West End and touring musicals and plays, along with performances of opera and ballet. History In 1806 the Prince of Wales (later George IV) gave Royal Assent for the theatre to be built and it opened on 27 June 1807, with a performance of William Shakespeare's ''Hamlet''. The theatre struggled until it was purchased in 1854 by actor Henry John Nye Chart, who engaged theatre architect Charles J. Phipps to begin a programme of expansion and redevelopment. The theatre improved its reputation and finances, becoming a respected venue. When Henry John Nye Chart died in 1876 his wife, Ellen Elizabeth Nye Chart, took over and continued the success as one of the first female theatre managers. There is a statue to honour her in the Royal Circle bar. The venue used to have a "gulp bar", a backstage bar where actors could get a drink, even mid-performance. In 1920 the financial buoyancy of the Theatre enabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Of Wales's Theatre
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772, and the theatre was demolished in 1969, after being destroyed by fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802, managed by ''The Directors of Concerts and Ancient Music''). In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Taylor
Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of ''Punch'' magazine. Taylor had a brief academic career, holding the professorship of English literature and language at University College, London in the 1840s, after which he practised law and became a civil servant. At the same time he became a journalist, most prominently as a contributor to, and eventually editor of ''Punch''. In addition to these vocations, Taylor began a theatre career and became best known as a playwright, with up to 100 plays staged during his career. Many were adaptations of French plays, but these and his original works cover a range from farce to melodrama. Most fell into neglect after Taylor's death, but ''Our American Cousin'' (1858), which achieved great success in the 19th century, remains famous as the piece that was being performed in the presence of Abraham Lincoln when he was assassinated in 1865. Life and career Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St James's Theatre
The St James's Theatre was in King Street, St James's, London. It opened in 1835 and was demolished in 1957. The theatre was conceived by and built for a popular singer, John Braham; it lost money and after three seasons he retired. A succession of managements over the next forty years also failed to make it a commercial success, and the St James's acquired a reputation as an unlucky theatre. It was not until 1879–1888, under the management of the actors John Hare and Madge and W. H. Kendal that the theatre began to prosper. The Hare-Kendal management was succeeded, after brief and disastrous attempts by other lessees, by that of the actor-manager George Alexander, who was in charge from 1891 until his death in 1918. Under Alexander the house gained a reputation for programming that was adventurous without going too far for the tastes of London society. Among the plays he presented were Oscar Wilde's ''Lady Windermere's Fan'' (1892) and ''The Importance of Being Earn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Cobb
''Tom Cobb or, Fortune's Toy'' is a farce in three-acts (styled "An Entirely Original Farcical Comedy") by W. S. Gilbert. The story concerns Tom, a young debtor who pretends to be a recently deceased man to avoid his debts. A family claims to inherit the dead man's fortune and pays Tom a pound a week to continue to live under an assumed name and keep quiet. He is claimed in marriage by the well-born Caroline Effingham who was jilted by the man whose name he has assumed. After further complications, Tom turns out, in actuality, to be the heir of the deceased and wealthy miser and happily marries Caroline. The play opened at the St. James's Theatre on 24 April 1875. Although it was praised by the critics, the original production of the play ran for only 53 performances. Arthur Sullivan's ''The Zoo'' played as an afterpiece to ''Tom Cobb''. Background Gilbert and Sullivan had already produced their hit one-act comic opera ''Trial by Jury'' by the time ''Tom Cobb'' was written, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen's Theatre, Long Acre
The Queen's Theatre in London was established in 1867 as a theatre on the site of St Martin's Hall, a large concert room that had opened in 1850. It stood on the corner of Long Acre (formerly Charles Street) and Endell Street, with entrances in Wilson Street and Long Acre. The site is within the modern Camden, part of Covent Garden.Walter Thornbury ''Old and New London: A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources.: Volume 3'' accessed 1 April 2008 St Martin's Hall contained a 3,000-seat main hall and a 500-seat lecture hall. It was used for musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wicked World
''The Wicked World'' is a blank verse play by W. S. Gilbert in three acts. It opened at the Haymarket Theatre on 1873 and ran for a successful 145 performances, closing on 1873. The play is an allegory loosely based on a short illustrated story of the same title by Gilbert, written in 1871 and published in Tom Hood's ''Comic Annual'', about how pure fairies cope with a sudden introduction to them of "mortal love." Set in "Fairy Land", the action occurs within the space of 24 hours. Gilbert envisioned the set as resembling John Martin's 1853 painting ''The Plains of Heaven'': vaporous mountains and headlands around ethereal blue and a flowering slope on which sit white-clad angels. Gilbert also specified that the women characters 'in costume & general appearance – should suggest the idea rather of angels than of conventional fairies, and they exhibit an 'overweening sense of righteousness,' arising from their freedom from sin. Background W. S. Gilbert created several blan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haste To The Wedding
''Haste to the Wedding'' is a three-act comic opera with a libretto by W. S. Gilbert and music by George Grossmith, based on Gilbert's 1873 play, ''The Wedding March''. The opera was the most ambitious piece of composition undertaken by Grossmith. The piece was produced under the management of Charles Wyndham at the Criterion Theatre, London, opening on 27 July 1892. It closed on 20 August 1892, after a run of just 22 performances. Although a failure, the opera introduced the 18-year-old George Grossmith, Jr., the composer's son, to the London stage. He would go on to a long career in the theatre. Background ''The Wedding March'' On 15 November 1873, Gilbert's play ''The Wedding March'' debuted at the Court Theatre, written under his pseudonym F. Latour Tomline. It was a free adaptation of Eugène Marin Labiche's '' Un chapeau de paille d'Italie'' ("The Italian Straw Hat"). The play was first to have been called ''Hunting a Hat'', but the title was changed to capitalise on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Happy Land
''The Happy Land'' is a play with music written in 1873 by W. S. Gilbert (under the pseudonym F. Latour Tomline) and Gilbert Arthur à Beckett. The musical play burlesques Gilbert's earlier play, ''The Wicked World''. The blank verse piece opened at the Royal Court Theatre on 3 March 1873 and enjoyed a highly successful run, soon touring, and then being immediately revived at the same theatre in the autumn of 1873.Joseph S Meisel (1999), The Importance of Being Serious: The Unexplored Connection between Gladstone and Humour', History 84 (274), p. 278–300. Rees, Terence. "''The Happy Land'': its true and remarkable history" in ''W. S. Gilbert Society Journal'' vol. 1, no. 8 (1994), pp. 228–37 The play created a scandal by breaking regulations against the portrayal of public characters, parodying William Ewart Gladstone, Robert Lowe, and Acton Smee Ayrton, respectively the Prime Minister, Chancellor of the Exchequer, and First Commissioner of Works. Three characters were mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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