Marie Bryant
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Marie Bryant
Marie Bryant (November 6, 1919 – May 23, 1978) was an American dancer, singer and choreographer, described as "one of the most vivacious black dancers in the United States". Biography Bryant was born in Meridian, Mississippi, moving with her family as a child to New Orleans, Louisiana. By the age of 10, she was performing impersonations of Josephine Baker at her church. In her teens, her dance teacher, Mary Bruce, included her in her annual show at the Regal Theater in Chicago. She made her professional debut with Louis Armstrong at the Grand Terrace Cafe in Chicago in 1934, and became a regular singer and dancer in the venue's floor shows. She then performed in Los Angeles with Lionel Hampton, and at the Cotton Club in New York City with Duke Ellington. By 1939, she was a featured attraction at the Apollo Theater in Harlem, and toured nationally with Duke Ellington. In Los Angeles, she performed in Ellington's 1941 musical revue '' Jump For Joy'', featuring the hit number "B ...
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Los Angeles Herald Examiner
The ''Los Angeles Herald Examiner'' was a major Los Angeles daily newspaper, published in the afternoon from Monday to Friday and in the morning on Saturdays and Sundays. It was part of the Hearst syndicate. It was formed when the afternoon '' Herald-Express'' and the morning ''Los Angeles Examiner'', both of which were published there since the turn of the 20th century, merged in 1962. For a few years after the merger, the ''Los Angeles Herald Examiner'' had the largest afternoon-newspaper circulation in the US. It published its last edition on November 2, 1989. Early years William Randolph Hearst founded the ''Los Angeles Examiner'' in 1903, in order to assist his campaign for the presidential nomination on the Democratic ticket, complement his ''San Francisco Examiner'', and provide a union-friendly answer to the ''Los Angeles Times''. At its peak in 1960, the ''Examiner'' had a circulation of 381,037. It attracted the top newspapermen and women of the day. The ''Examiner' ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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Eugene Loring
Eugene Loring (August 2, 1911 – August 30, 1982) was an American dancer, choreographer, teacher, and administrator. Biography Eugene Loring was born as Le Roy Kerpestein, the son of a saloon-keeper, grew up on a small island in Wisconsin's Milwaukee River. He took gymnastic lessons. His artistic education in Milwaukee was formative. Nine years of piano training developed his musical ability broadly into orchestration, and his work with the Wisconsin Players, particularly under the direction of Russian native Boris Glagolin, developed his strong theatrical sense and gave him an awareness of dance as a theatrical force. With savings from his job as a hardware-store manager, Loring went to New York City near the depth of the Great Depression in 1934, and was taken into George Balanchine's and Lincoln Kirstein's newly formed School of American Ballet. With the Russian Imperial training given by SAB, he danced with Balanchine's first American company, American Ballet, and even aud ...
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Katherine Dunham
Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an American dancer, choreographer, anthropologist, and social activist. Dunham had one of the most successful dance careers of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."Joyce Aschenbenner, ''Katherine Dunham: Dancing a Life'' (Urbana: University of Illinois Press, 2002). While a student at the University of Chicago, Dunham also performed as a dancer, ran a dance school, and earned an early bachelor's degree in anthropology. Receiving a post graduate academic fellowship, she went to the Caribbean to study the African diaspora, ethnography and local dance. She returned to graduate school and submitted a master's thesis to the anthropology faculty. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography. At the height of her career in th ...
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John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ...
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Beggar's Holiday
''Beggar's Holiday'' is a musical with a book and lyrics by John La Touche and music by Duke Ellington. History and background The project originated with black scenic designer Perry Watkins, who envisioned a jazz-driven adaptation of John Gay's The Beggar's Opera. Watkins hired John Latouche, who'd written lyrics for the cantata "Ballad for Americans" and "Cabin in the Sky," and teamed him with Ellington, still best known at the time as a band leader Ellington and Latouche updated the play's locale to a modern American city and turned Macheath into what Bowers calls "a pin-stripe-suited mobster, a singing, dancing Bugsy Siegel." The book itself mixed jazz and blues rhythms with more traditional musical theater, including comedy numbers written for Zero Mostel, making his Broadway debut as Peachum The Broadway theatre, Broadway production, directed by Nicholas Ray and choreographed by Valerie Bettis, opened on December 26, 1946 at The Broadway Theatre, where it ran for 111 p ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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All Media Network
RhythmOne , previously known as Blinkx, and also known as RhythmOne Group, is an American digital advertising technology company that owns and operates the web properties AllMusic, AllMovie, and SideReel. Blinkx was founded in 2004, went public on the AIM market of the London Stock Exchange in 2007, and began trading as RhythmOne in 2017. The company is headquartered in San Francisco, California, and London, England. RhythmOne acquired All Media Network and its portfolio of web properties in April 2015. In April 2019, RhythmOne merged with Taptica International (renamed Tremor International in June 2019), an advertising technology company headquartered in Israel. History Blinkx was named after blinkx.com, an Internet Media platform that connects online video viewers with publishers and distributors, using advertising to monetize those interactions. Blinkx has an index of over 35 million hours of video and 800 media partnerships, as well as 111 patents related to the site's se ...
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Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ...
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Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music. Early life and career Lester Young was born in Woodville, Mississippi, on August 27, 1909. to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana. Lester had two siblings – a brother, Leonidas Raymond, known as Lee Young, who became a drummer, and a sister, Irma ...
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Jammin' The Blues
''Jammin' the Blues'' is a 1944 American short film made by Gjon Mili and Norman Granz in which a number of prominent jazz musicians re-create the jam-session atmosphere of nightclubs and after-hours spots. It features Lester Young, Red Callender, Harry Edison, Marlowe Morris, Sid Catlett, Barney Kessel, Jo Jones, John Simmons, Illinois Jacquet, Marie Bryant and Archie Savage. Cast * Lester Young – Tenor saxophone * Red Callender – Bass * Harry "Sweets" Edison – Trumpet * Marlowe Morris – Piano * "Big" Sid Catlett – Drums (First two songs, and intro of third) * Jo Jones – Drums (for final song) * Barney Kessel – Guitar * John Simmons – Double bass * Illinois Jacquet – Tenor saxophone * Marie Bryant – Vocals and Female Dancer * Archie Savage – Male Dancer Songs * "Midnight Symphony" * "On the Sunny Side of the Street" – Sung by Marie Bryant * "Jammin' the Blues" Production Gjon Mili and Norman Granz, who was credited as technical director, shot th ...
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