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Mariano Akerman
Mariano Akerman (Buenos Aires, 1963) is an Argentinean painter, architect and art historian. Working as a researcher and a lecturer, Akerman also develops educational activities that encourage free expression and communitarian involvement of participants while considering their cultural background. Life and education Akerman studied at the School of Architecture of Universidad de Belgrano (Argentina), completing his formation in 1987. In 1995 he received a British Council Grant to research the artwork of Francis Bacon at Marlborough Fine Art and the Tate Gallery in London. Career In Asia, Mariano Akerman developed the educational series of conferences ''The Belgian Contribution to the Visual Arts'' (2005), ''In the Spirit of Linnaeus'' (2007), ''Discovering Belgian Art'' (2008-9), ''Raisons d’être: Art, Freedom and Modernity'' (2010), ''German Art'' (2010), and ''The Gestalt Educational Program'' (2011). In the American continent, the series of lectures ''Art and Identity'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariano Akerman
Mariano Akerman (Buenos Aires, 1963) is an Argentinean painter, architect and art historian. Working as a researcher and a lecturer, Akerman also develops educational activities that encourage free expression and communitarian involvement of participants while considering their cultural background. Life and education Akerman studied at the School of Architecture of Universidad de Belgrano (Argentina), completing his formation in 1987. In 1995 he received a British Council Grant to research the artwork of Francis Bacon at Marlborough Fine Art and the Tate Gallery in London. Career In Asia, Mariano Akerman developed the educational series of conferences ''The Belgian Contribution to the Visual Arts'' (2005), ''In the Spirit of Linnaeus'' (2007), ''Discovering Belgian Art'' (2008-9), ''Raisons d’être: Art, Freedom and Modernity'' (2010), ''German Art'' (2010), and ''The Gestalt Educational Program'' (2011). In the American continent, the series of lectures ''Art and Identity'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centro Cultural General San Martín
The General San Martín Cultural Centre ( es, Centro Cultural General San Martín) is a cultural centre located in Buenos Aires, Argentina near the major thoroughfare Corrientes Avenue. It is run by the city government, and hosts diverse cultural and artistic events. Adjacent to the Teatro General San Martín, theatre of the same name inaugurated in 1960 on Corrientes Avenue, the cultural center was designed by local architect Mario Roberto Álvarez, and was built between 1962 and 1970. The center hosted the Comisión Nacional sobre la Desaparición de Personas, National Commission on the Disappeared (CONADEP) in 1984, as well as the first session of the Buenos Aires City Legislature following the devolution of autonomy to the city in 1996, and an extensive renovation began in 2007. Its annual theatre audiences of nearly 350,000 make it the largest public cultural center nationally, and with similar numbers at the privately operated Paseo La Plaza one block west, the 1500 block of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Art Historians
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architects From Buenos Aires
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin ''architectus'', which derives from the Greek (''arkhi-'', chief + ''tekton'', builder), i.e., chief builder. The professional requirements for architects vary from place to place. An architect's decisions affect public safety, and thus the architect must undergo specialized training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction, though the formal study of architecture in academic institutions has played a pivotal role in the development of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Male Painters
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Painters
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists From Buenos Aires
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1963 Births
Events January * January 1 – Bogle–Chandler case: Commonwealth Scientific and Industrial Research Organisation scientist Dr. Gilbert Bogle and Mrs. Margaret Chandler are found dead (presumed poisoned), in bushland near the Lane Cove River, Sydney, Australia. * January 2 – Vietnam War – Battle of Ap Bac: The Viet Cong win their first major victory. * January 9 – A total penumbral lunar eclipse is visible in the Americas, Europe, Africa, and Asia, and is the 56th lunar eclipse of Lunar Saros 114. Gamma has a value of −1.01282. It occurs on the night between Wednesday, January 9 and Thursday, January 10, 1963. * January 13 – 1963 Togolese coup d'état: A military coup in Togo results in the installation of coup leader Emmanuel Bodjollé as president. * January 17 – A last quarter moon occurs between the penumbral lunar eclipse and the annular solar eclipse, only 12 hours, 29 minutes after apogee. * January 19 – Soviet spy Ghe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestalt Psychology
Gestalt-psychology, gestaltism, or configurationism is a school of psychology that emerged in the early twentieth century in Austria and Germany as a theory of perception that was a rejection of basic principles of Wilhelm Wundt's and Edward Titchener's elementalist and structuralist psychology.Mather, George (2006) Foundations of Perception, Psychology Pressch.1 p.32 As used in Gestalt psychology, the German word ''Gestalt'' ( , ; meaning "form") is interpreted as "pattern" or "configuration". Gestalt psychologists emphasize that organisms perceive entire patterns or configurations, not merely individual components. The view is sometimes summarized using the adage, "the whole is more than the sum of its parts." Gestalt psychology was founded on works by Max Wertheimer, Wolfgang Köhler, and Kurt Koffka. Origin and history Max Wertheimer (1880–1943), Kurt Koffka (1886–1941), and Wolfgang Köhler (1887-1967) founded Gestalt psychology in the early 20th century. The domi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesques
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambiguous Image
Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception. Multistable perception is the occurrence of an image being able to provide multiple, although stable, perceptions. One of the earliest examples of this type is the rabbit–duck illusion, first published in ''Fliegende Blätter'', a German humor magazine. Other classic examples are the Rubin vase, and the "My Wife and My Mother-in-Law" drawing, the latter dating from a German postcard of 1888. Ambiguous images are important to the field of psychology because they are often research tools used in experiments. There is varying evidence on whether ambiguous images can be represented mentally, but a majority of research has theorized that mental images cannot be ambiguous. Identifying and resolving ambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabbit–duck Illusion
The rabbit–duck illusion is a famous ambiguous image in which a rabbit or a duck can be seen. The earliest known version is an unattributed drawing from the 23 October 1892 issue of ', a German humour magazine. It was captioned, in older German spelling, "" ("Which animals are most like each other?"), with "" ("Rabbit and Duck") written underneath. After being used by psychologist Joseph Jastrow, the image was made famous by Ludwig Wittgenstein, who included it in his ''Philosophical Investigations'' as a means of describing two different ways of seeing: "seeing that" versus "seeing as". Correlations Whether one sees a rabbit or a duck, and how often, may correlate with sociological, biological and psychological factors. For example, Swiss, both young and old, tend to see a bunny during Easter, and a bird/duck in October. It may also indicate creativity. A standard test of creativity is to list as many novel uses as one can for an everyday object (e.g. a paper clip) in a limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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