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Maria Zankovetska Theatre
Maria Zankovetska Theatre ( uk, Національний академічний український драматичний театр імені Марії Заньковецької, ''Natsionalnyi akademichnyi ukrayinskyi dramatychnyi teatr imeni Mariyi Zankovetskoyi''; pl, Teatr Skarbkowski) is a drama theatre in the centre of Lviv, Ukraine, at the intersection of Lesya Ukrayinka Street and Prospekt Svobody. The building was erected in the mid 19th century and until World War I was used as a theatre stage and a session hall of the regional council. History The theatre was founded by Count Stanisław Marcin Skarbek (pl) (1780–1848) Abdank coat of arms, who as early as 1819 had applied for permission from the Austrian Imperial authorities to build it following the final Partition of Poland. Construction of the theatre’s neoclassical building began in 1837, the project was designed by architects Jan Salzmann and Ludwig Pichl. The complex was built in the location of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Zankovetska
Maria Zankovetska ( uk, Марія Заньковецька, ''Mariia Zankovetska''; Maria Kostyantynivna Adasovska; August 4, 1854 – October 4, 1934) was a Ukrainian theater actress. There are some sources that date her birth to August 3, 1860. Biography Maria was born to an impoverished landowner and nobleman, Kostyantyn Adasovsky, and a Chernihiv city resident (burgess) Maria Nefedova, in Zanky, Nizhyn County, Chernihiv Governorate (present-day Nizhyn Raion). She had many siblings. Maria was a graduate of the Chernihiv City Female Gymnasium. In 1876, she first appeared onstage in Nizhyn. theater. Her professional career began on October 27, 1882 at the Yelizavetgrad City Theater ( Kropyvnytsky) under the management of Marko Kropyvnytsky. Her first role was Natalka from the Kotlyarevsky play " Natalka Poltavka". Later Maria participated among the most popular and professional Ukrainian troupes of Marko Kropyvnytsky, Mykhailo Starytsky, Mykola Sadovsky, and Panas Saksahan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1842 Establishments In The Austrian Empire
__NOTOC__ Year 184 (Roman numerals, CLXXXIV) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Eggius and Aelianus (or, less frequently, year 937 ''Ab urbe condita''). The denomination 184 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place China * The Yellow Turban Rebellion and Liang Province Rebellion break out in China. * The Disasters of the Partisan Prohibitions ends. * Zhang Jue leads the peasant revolt against Emperor Emperor Ling of Han, Ling of Han of the Han dynasty#Eastern Han, Eastern Han Dynasty. Heading for the capital of Luoyang, his massive and undisciplined army (360,000 men), burns and destroys government offices and outposts. * June – Ling of Han places his brother-in-law, He Jin, in command of the imperial army and sends them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Completed In 1842
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Lviv
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marian Hemar
Marian Hemar (1901–1972), born Marian Hescheles (other pen names: Jan Mariański, and Marian Wallenrod), was a Polish poet, journalist, playwright, comedy writer, and songwriter. Hemar himself stated that before the outbreak of World War II he had already written 1,200 songs, including such widely popular hits as ''Może kiedyś innym razem (Maybe Some Other Time)'' and ''Upić się warto (Let's get drunk)''. Hemar was a final pen name (a pseudonym) adopted by Marian in his literary career. It was formed from the first two letters of his last name, Hescheles, and the first three letters of his given name, Marian. Life Marian Hemar was born to a Jewish family on 6 April 1901 in Lwów. He studied medicine and philosophy at the Jan Kazimierz University locally, and took part in the Defense of Lwów in 1918 and 1919 as a volunteer on the Polish side of the Polish–Ukrainian War of independence. At the invitation of Jerzy Boczkowski, director of the legendary '' Qui Pro Quo'' Thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lviv Theatre Of Opera And Ballet
The Solomiya Krushelnytska Lviv State Academic Theatre of Opera and Ballet ( uk, Львівський Національний академічний театр опери та балету імені Соломії Крушельницької) or Lviv Opera ( uk, Львівська оперa, pl, Opera Lwowska) is an opera house located in Lviv, Ukraine's largest western city and one of both Polish and Ukrainian historic cultural centers. Originally built on former marshland of the submerged Poltva River, the Lviv Opera now located on Freedom Avenue ( uk, Проспект Свободи), the tree-lined centerpiece of Lviv's historic Old City, a UNESCO World Heritage Site located in the city's Halych district. According to the inscription in the theater lobby, the building was constructed between 1897 and 1900, and has remained standing throughout several changes in history. Originally built when Lviv was the capital of the autonomous province of Galicia in the Austro-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galicia (Central Europe)
Galicia ()"Galicia" '''' ( uk, Галичина, translit=Halychyna ; pl, Galicja; yi, גאַליציע) is a historical and geographic region spanning what is now southeastern and western , long part of the . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksander Fredro
Aleksander Fredro (20 June 1793 – 15 July 1876) was a Polish poet, playwright and author active during Polish Romanticism in the period of partitions by neighboring empires. His works including plays written in the octosyllabic verse ('' Zemsta'') and in prose (''Damy i Huzary'') as well as fables, belong to the canon of Polish literature. Fredro was harshly criticized by some of his contemporaries for light-hearted humor or even alleged immorality (Seweryn Goszczyński, 1835) which led to years of his literary silence. Many of Fredro's dozens of plays were published and popularized only after his death. His best-known works have been translated into English, French, German, Russian, Czech, Romanian, Hungarian and Slovak. Biography Count Aleksander Fredro, of the Bończa coat of arms, was born in the village of Surochów near Jarosław, then a crown territory of Austria. A landowner's son, he was educated at home. He entered the Polish army at age 16 and saw action in the Napo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Grillparzer
Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century. His plays were and are frequently performed at the famous Burgtheater in Vienna. He also wrote the oration for Ludwig van Beethoven's funeral, as well as the epitaph for his friend Franz Schubert. While writing during the period of Romanticism, Grillparzer's poetic language owes far more to the period of Classicism which reigned during his formative years. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria. Biography Franz Grill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juliusz Kossak
Juliusz Fortunat Kossak (Nowy Wiśnicz, 15 December 1824 – 3 February 1899, Kraków) was an Austrian Polish historical painter and master illustrator who specialized in battle scenes, military portraits and horses. He was the progenitor of an artistic family that spanned four generations,See list of Juliusz Kossak's descendants at " Kossak family", including second-, third- and fourth-generation painters, with links to individual articles. father of painter Wojciech Kossak and grandfather of painter Jerzy Kossak.Jerzy Jan Lerski, Piotr Wróbel, Richard J. Kozicki ''Historical Dictionary of Poland, 966-1945''See: Kossak, Juliusz and Wojciech; Greenwood Publishing Group, 1996, 750 pages, , Life Juliusz Kossak grew up in Lwów in the Austrian Kingdom of Galicia and Lodomeria. He obtained a degree in law at the Lwów University encouraged by his mother. At the same time he studied painting with Jan Maszkowski and Piotr Michałowski.Irena Kossowska, Art Institute of the Polish A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artur Grottger
Artur Grottger (11 November 1837 – 13 December 1867) was a Polish Romantic painter and graphic artist, one of the most prominent artists of the mid 19th century under the foreign partitions of Poland, despite a life cut short by incurable illness. Biography Grottger was born in Ottyniowice, Eastern Galicia (now Otynevychi, Ukraine) to Jan Józef Grottger, a Polish officer commanding the Uhlans' Regiment called ''Warszawskie Dzieci'' (the Warsaw Children) during the failed November Uprising against the Russians (1831); an amateur artist himself, with many areas of passion. At age 11, Artur Grottger was sent from a quiet estate to study painting in Lwów under the apprenticeship of Jan Kanty Maszkowski (1848–1852), (together with Stanisław Tarnowski) and (briefly) Juliusz Kossak. In 1852 he embarked on a journey to Kraków (then in the Austrian Partition) to attend classes at the Jan Matejko Academy of Fine Arts. He studied under Władysław Łuszczkiewicz and Wojciech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
