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Maria Theresa Kemble
Maria Theresa Kemble (1774–1838), née Marie Thérèse Du Camp, was an Austrian-born English actress, singer, dancer and comic playwright on the stage. She was the wife of actor Charles Kemble. Early life She was the daughter of Jeanne Dufour and George De Camp who were both performers. She was born in Vienna 17 January 1774 and brought to England where she appeared as Cupid at the age of six years old in Jean-Georges Noverre.'s ballet at the Opera House. She spoke no English and learned the language herself although she was tutored in other subjects. Two years later she appeared in ''La Colombe'' by Madame de Genlis. After she appeared at the Royal Circus she was employed by George Colman's Haymarket Theatre to appear in ''The Nosegay'' on 14 June 1786 with James Harvey D'Egville in the presence of the royal family. On 21 June she danced in ''The Polonaise'', and on 7 July she appeared in a ballet entitled ''Jamie's Return'' with James Harvey and his brother George D'Egvill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel De Wilde
Samuel De Wilde (1751–19 January 1832), born and died in London, was a portrait painter and etcher of Dutch descent famous for his theatrical paintings. He was the leading painter of actors and actresses between 1770 and 1820. He lived in Clarendon Square, Somers Town. De Wilde was baptised in London on 28 July 1751, the son of a Dutch joiner who had settled there by 1748. He was apprenticed to his godfather, Samuel Haworth, a joiner in London, but left after five years and enrolled at the Royal Academy Schools The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpo ... from 1769. He exhibited small portraits at the Society of Artists (1776–1778) and at the Royal Academy (from 1778). His career in theatrical portraiture began when he was employed by John Bell as portraitist for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Count Of Narbonne
''The Count of Narbonne'' is a 1781 tragedy by the Irish writer Robert Jephson. It was inspired by Horace Walpole's novel ''The Castle of Otranto''. It premiered at the Covent Garden Theatre. The original cast featured John Henderson as Austin, Richard Wroughton as Raymond, William Thomas Lewis as Theodore, James Thompson as Fabian, James Fearon as Officer, Elizabeth Satchell as Adelaide and Elizabeth Younge Elizabeth Younge (1740 – 15 March 1797)Her epitaph in Westminster Abbey states that she died at the age of 52 but ''The New Monthly Magazine'' which gave her d.o.b. as 1940 wrote, "How this error in her age arose there is no possibility of ev ... as Hortensia.Hogan p.476 References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660–1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) ''The London Stage, 1660–1800: Volume V''. Southern Illinois University Press, 1968. 1781 plays Tragedy plays West End plays Plays by Rob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Double Dealer
''The Double Dealer'' is a comic play written by English playwright William Congreve, first produced in 1693. Henry Purcell set it to music. Characters and plot This comedy sees character Mellefont, nephew and prospective heir of Lord Touchwood, about to marry Cynthia, daughter of Sir Paul Plyant. Lady Touchwood, a violent and dissolute woman, is in love with Mellefont, but as he rejects her advances, determines to prevent the match and ruin him in Lord Touchwood's esteem. In this design she finds a confederate in Maskwell, the Double Dealer, who has been her lover, pretends to be Mellefont's friend, and aspires to cheat him of Cynthia and get her for himself. To this end he leads Plyant to suspect an intrigue between Mellefont and Lady Plyant, and Touchwood an intrigue between Mellefont and Lady Touchwood; and contrives that Touchwood shall find Mellefont in the latter's chamber. Mellefont is disinherited and Cynthia is to be made over to Maskwell. The latter's plot, however ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Genest
John Genest (1764–1839) was an English clergyman and theatre historian. Life He was the son of John Genest of Dunker's Hill, Devon. He was educated at Westminster School, entered 9 May 1780 as a pensioner at Trinity College, Cambridge, and graduated B.A. 1784 and M.A. 1787. He took holy orders, and was for many years curate of a Lincolnshire village. Subsequently, he became private chaplain to the Duke of Ancaster Earl of Lindsey is a title in the Peerage of England. It was created in 1626 for the 14th Baron Willoughby de Eresby (see Baron Willoughby de Eresby for earlier history of the family). He was First Lord of the Admiralty from 1635 to 1636 an .... Compelled by ill-health to retire, he went to Bath, Somerset for the benefit of the waters. Here he appears to have remained until his death, which took place, after nine years of illness, at his residence in Henry Street, 15 December 1839. He was buried in St. James's Church. Works During his times in Bath he wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morning Post
''The Morning Post'' was a conservative daily newspaper published in London from 1772 to 1937, when it was acquired by ''The Daily Telegraph''. History The paper was founded by John Bell. According to historian Robert Darnton, ''The Morning Post'' scandal sheet consisted of paragraph-long news snippets, much of it false. Its original editor, the Reverend Sir Henry Bate Dudley, earned himself nicknames such as "Reverend Bruiser" or "The Fighting Parson", and was soon replaced by an even more vitriolic editor, Reverend William Jackson, also known as "Dr. Viper". Originally a Whig paper, it was purchased by Daniel Stuart in 1795, who made it into a moderate Tory organ. A number of well-known writers contributed, including Samuel Taylor Coleridge, Charles Lamb, James Mackintosh, Robert Southey, and William Wordsworth. In the seven years of Stuart's proprietorship, the paper's circulation rose from 350 to over 4,000. From 1803 until his death in 1833, the owner and editor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine And Petruchio
''Catherine and Petruchio'' is a reworking of William Shakespeare's ''The Taming of the Shrew'' by British playwright and actor David Garrick. It was written in 1754 and was performed far more often than the original ''The Shrew'' through the eighteenth and nineteenth centuries. Performance History ''The Taming of the Shrew'' was revived following the English Civil War in the second half of the seventeenth century, but not necessarily in Shakespeare's 'original' version. The seventeenth and eighteenth centuries saw multiple adaptations of Shakespeare's ''The Shrew.'' And, as in Nahum Tate's adaptation of ''King Lear'', which transforms the tragic ending into a happy marriage between Cordelia and Edgar, the idea that Shakespeare's works were sacrosanct and inalterable was not yet established. Of the many versions of ''The Shrew'' that appeared, David Garrick's was the most popular and influential. For example, his was the first production in which Petruchio uses a whip in Act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Heir At Law
''The Heir at Law'' (1797) is a comedic play in five acts by George Colman the Younger that remained popular through the 19th century. It and ''John Bull'' (1803) were Colman's best known comedies.Dabundo, Laura (ed.Encyclopedia of Romanticism (Routledge Revivals): Culture in Britain, 1780s-1830s p. 117 (1992) The piece debuted at the Haymarket in London on 15 July 1797, with John Fawcett playing Dr. Pangloss, and ran for 27 performances.Highfill, Philip H., Jr., et alA Biographical Directory of Actors ... 1660-1800, Vol. 5 p. 201 (1978) It was first performed in the United States at the Park Theatre in New York in April 1799. Many American actors played the role of Pangloss to success, including comedian Joseph Jefferson starting in 1857 at the Olympic Theatre in New York. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garrick Club
The Garrick Club is a gentlemen's club in the heart of London founded in 1831. It is one of the oldest members' clubs in the world and, since its inception, has catered to members such as Charles Kean, Henry Irving, Herbert Beerbohm Tree, Arthur Sullivan, Laurence Olivier, Raymond Raikes, Stephen Fry and John Gielgud. From the literary world came writers such as Charles Dickens, H. G. Wells, J. M. Barrie, A. A. Milne, and Kingsley Amis. The visual arts have been represented by painters such as John Everett Millais, Lord Leighton and Dante Gabriel Rossetti. In 1956 the rights to A. A. Milne's Pooh books were left to four beneficiaries: his family, the Royal Literary Fund, Westminster School and the Garrick Club. , the club has around 1,400 members (with a seven-year waiting list) including many actors and men of letters in the United Kingdom. New candidates must be proposed by an existing member before election in a secret ballot, the original assurance of the committee be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches Part
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Colman The Younger
George Colman (21 October 1762 – 17 October 1836), known as "the Younger", was an English dramatist and miscellaneous writer. He was the son of George Colman the Elder. Life He passed from Westminster School to Christ Church, Oxford, and King's College, University of Aberdeen, and was finally entered as a student of law at Lincoln's Inn, London. While in Aberdeen, he published a poem satirizing Charles James Fox, called ''The Man of the People.'' In 1782 he produced his first play, ''The Female Dramatist'',at his father's playhouse in the Haymarket. The failing health of the elder Colman obliged him to relinquish the management of the Haymarket theatre in 1789, when the younger George succeeded him, at a yearly salary of £600. On the death of the father the patent was continued to the son; however, difficulties arose, as he was involved in litigation with Thomas Harris and was unable to pay the expenses of the performances at the Haymarket. He was forced to take sanctuar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Crouch
Anna Maria Crouch (20 April 1763 – 2 October 1805), often referred to as Mrs Crouch, was a singer and stage actress in the London theatre. She was (briefly) a mistress of George, Prince of Wales. Biography Born Anna Maria Phillips, she first went on stage as a child, acting and singing. Articled to Thomas Linley, she made her debut at Drury Lane theatre in 1780 as Mandane in Thomas Arne's '' Artaxerxes'', and became a principal in the regular company of the theatre under the management of Sheridan and Linley. In 1781 she made a great success as the heroine in Charles Dibdin's ''Lionel and Clarissa''. She was a notable Ophelia, Olivia and Celia. Her Polly Peachum in ''The Beggar's Opera'' was well known. In 1787 her stage partnership began with the Irish actor and singer, Michael Kelly, on his arrival in London with Stephen and Nancy Storace from the Viennese court. Marriage and affair In 1784 she had married a naval lieutenant named Crouch. In 1790 she was at Brighton to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
