Maria Labia
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Maria Labia
Maria Labia (14 February 1880, Verona – 10 February 1953, Malcesine, Lake Garda) was an Italian operatic soprano who was particularly associated with roles of the verismo repertoire. Career Labia studied voice with her mother, Cecilia Labia, who was also an opera singer. She made her professional opera début in Stockholm in 1905 portraying the role of Mimì in Puccini's ''La bohème''. Two years later she joined the Komische Oper Berlin where she sang numerous roles including the title role in Puccini's ''Tosca'', the title role in Bizet's ''Carmen'', Marta in '' Tiefland'' and the title role in Richard Strauss's ''Salome'', among other roles. In 1908 she joined the Manhattan Opera Company in New York City with whom she sang roles for two years at the Manhattan Opera House. She then returned to Italy where she appeared with several theaters under independent contracts for several years. She joined the roster at La Scala in 1912 and joined the Paris Opéra in 1913. In 1916 she wa ...
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Maria Labia As Carmen 1909
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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Italian Operatic Sopranos
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ...
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Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, To ...
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Fausta Labia
Fausta Labia (3 April 1870 – 6 October 1935) was an Italian operatic soprano who was active mainly from 1892 to 1908. She made her debut in Naples in April 1892 as Valentine in Meyerbeer's ''Les Huguenots''. After engagements at the Royal Swedish Opera in Stockholm (1893–95) and Lisbon (1896), she returned to Italy where she performed first in Turin, Rome and Bologna. Thereafter notable performances included the title role in Mascagni's ''Iris'' at La Fenice in Venice (1900) and Sieglinde in Wagner's ''Die Walküre'' at Milan's La Scala (1901). Early life, education and family Born in Verona on 3 April 1870, Fausta Labia was the daughter of the Venetian count Gianfrancesco Labia and his wife Cecilia née Dabalà who was a singer and voice teacher. Her younger sister Maria became a celebrated opera singer. She was trained by her mother and by the soprano Maria Spezia-Aldighieri. In 1907 she married the tenor Emilio Perea with whom she had a daughter, Gianna Perea-Labia ...
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I Quattro Rusteghi
''I quatro rusteghi'' (''The Four Curmudgeons'', ''The Four Ruffians'', in Edward J. Dent's translation ''School for Fathers'', also translated by James Benner as ''Foolish Fathers'' ) is a comic opera in three acts, music by Ermanno Wolf-Ferrari to a libretto by and Giuseppe Pizzolato based on Carlo Goldoni's 18th-century play ''I rusteghi''. The opera is written in Venetian dialect, hence "quatro" instead of "quattro". Performance history The opera was first performed as ''Die vier Grobiane'' in German at the Hoftheater in Munich on 19 March 1906. Its first performance in Italian was on 2 June 1914 at the Teatro Lirico in Milan under Ettore Panizza. The work was first performed in the United States by the New York City Opera on 19 October 1951 with Laszlo Halasz conducting. Wolf-Ferrari's most successful full-length work, it is still regularly performed. Roles Synopsis The action takes place in 18th century Venice Venice ( ; it, Venezia ; vec, Venesia or ) ...
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Ermanno Wolf-Ferrari
Ermanno Wolf-Ferrari (born Ermanno Wolf) (January 12, 1876 – January 21, 1948) was an Italian composer and teacher. He is best known for his comic operas such as '' Il segreto di Susanna'' (1909). A number of his works were based on plays by Carlo Goldoni, including ''Le donne curiose'' (1903), ''I quatro rusteghi'' (1906) and ''Il campiello'' (1936). Life Ermanno Wolf-Ferrari was born in Venice in 1876, the son of German painter August Wolf and Emilia Ferrari, from Venice. He added his mother's maiden-name, Ferrari, to his surname in 1895. Although he studied piano from an early age, music was not the primary passion of his young life. As a teenager Wolf-Ferrari wanted to be a painter like his father; he studied intensively in Venice and Rome and traveled abroad to study in Munich. It was there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He enrolled at the Munich conservatory and began taking counterpoint and composition classes. ...
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Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ...
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Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ...
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Ancona
Ancona (, also , ) is a city and a seaport in the Marche region in central Italy, with a population of around 101,997 . Ancona is the capital of the province of Ancona and of the region. The city is located northeast of Rome, on the Adriatic Sea, between the slopes of the two extremities of the promontory of Monte Conero, Monte Astagno and Monte Guasco. Ancona is one of the main ports on the Adriatic Sea, especially for passenger traffic, and is the main economic and demographic centre of the region. History Greek colony Ancona was populated as a region by Picentes since the 6th century BC who also developed a small town there. Ancona took a more urban shape by Greek settlers from Syracuse, Italy, Syracuse in about 387 BC, who gave it its name: ''Ancona'' stems from the Greek word (''Ankṓn''), meaning "elbow"; the harbour to the east of the town was originally protected only by the promontory on the north, shaped like an elbow. Greek merchants established a Tyrian pur ...
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Opéra National De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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