Maria Jeritza
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Maria Jeritza
Maria Jeritza (born Marie Jedličková; 6 October 1887 – 10 July 1982) was a dramatic soprano, long associated with the Vienna State Opera (1912–1934 and 1950-1953) and the Metropolitan Opera (1921–1932 and 1951). Her rapid rise to fame, beauty and personality earned her the nickname "The Moravian Thunderbolt". Biography Jeritza was born in Brno, Moravia, then part of the Austro-Hungarian Empire, in 1887 as Marie Jedličková. She was trained at the Brno Conservatory, and later was a pupil of Estelle Liebling in New York City. In 1910, she made her debut as ''Elsa'', in Wagner's ''Lohengrin'', at Olomouc. The Emperor Franz Josef heard her and immediately ordered that she be offered a contract at the Imperial Hofoper, Vienna. She created the roles of ''Blanchefleur'' in Kienzl's opera '' Der Kuhreigen'' (1911), Ariadne in Strauss's ''Ariadne auf Naxos'' (1912), the Empress in his ''Die Frau ohne Schatten'' (1919), and Hariette/Juliette in Korngold's ''Die tote St ...
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Brno
Brno ( , ; german: Brünn ) is a city in the South Moravian Region of the Czech Republic. Located at the confluence of the Svitava and Svratka rivers, Brno has about 380,000 inhabitants, making it the second-largest city in the Czech Republic after the capital, Prague, and one of the 100 largest cities of the EU. The Brno metropolitan area has almost 700,000 inhabitants. Brno is the former capital city of Moravia and the political and cultural hub of the South Moravian Region. It is the centre of the Czech judiciary, with the seats of the Constitutional Court, the Supreme Court, the Supreme Administrative Court, and the Supreme Public Prosecutor's Office, and a number of state authorities, including the Ombudsman, and the Office for the Protection of Competition. Brno is also an important centre of higher education, with 33 faculties belonging to 13  institutes of higher education and about 89,000 students. Brno Exhibition Centre is among the largest exhibition ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Violanta
''Violanta'', Op. 8, is a one-act opera by Erich Wolfgang Korngold. The libretto is by the Austrian playwright Hans Müller-Einigen. It is Korngold's second opera, written when he was seventeen years old. Performance history It was premiered on 28 March 1916 at the National Theatre Munich together with the composer's other one-act opera '' Der Ring des Polykrates'', Op. 7, with Bruno Walter conducting. The North American premiere was given on 5 November 1927 at the Metropolitan Opera in New York City with Maria Jeritza as Violanta, as Alfonso, Clarence Whitehill as Simone, Angelo Badà as Giovanni, and Artur Bodanzky conducting. Roles Synopsis The opera is set in 15th-century Venice, at the house of Simone Trovai, military commander of the Venetian Republic. On the night of the great Carnival, Simone in vain searches his house for his wife Violanta. Ever since her sister Nerina committed suicide (after having been seduced by Alfonso, the Prince of Naples), she has been bent o ...
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I Gioielli Della Madonna
''I gioielli della Madonna'' (English: ''The Jewels of the Madonna'') is an opera in three acts by Ermanno Wolf-Ferrari to an Italian libretto by and Enrico Golisciani, based on news accounts of a real event. It was first performed at the on 23 December 1911 under the title ''Der Schmuck der Madonna''. That performance was in German, but now it is usually given in Italian. (Wolf-Ferrari stated that his operas were often first given in German simply because he had a German publisher.) The opera was given in Budapest in 1913, conducted by Fritz Reiner, who also conducted the first Dresden performance the following year.Philip Hart, Fritz Reiner, Evanston Illinois, 1994, pages 7 & 9 Its controversial themes include love between a brother and his adopted sister, implied criticism of the Catholic Church, and an on-stage orgy. There is an extant recording of the opera, made in 1967, featuring Pauline Tinsley, André Turp and Peter Glossop, conducted by Alberto Erede. It was issued o ...
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Ermanno Wolf-Ferrari
Ermanno Wolf-Ferrari (born Ermanno Wolf) (January 12, 1876 – January 21, 1948) was an Italian composer and teacher. He is best known for his comic operas such as '' Il segreto di Susanna'' (1909). A number of his works were based on plays by Carlo Goldoni, including ''Le donne curiose'' (1903), ''I quatro rusteghi'' (1906) and ''Il campiello'' (1936). Life Ermanno Wolf-Ferrari was born in Venice in 1876, the son of German painter August Wolf and Emilia Ferrari, from Venice. He added his mother's maiden-name, Ferrari, to his surname in 1895. Although he studied piano from an early age, music was not the primary passion of his young life. As a teenager Wolf-Ferrari wanted to be a painter like his father; he studied intensively in Venice and Rome and traveled abroad to study in Munich. It was there that he decided to concentrate instead on music, taking lessons from Josef Rheinberger. He enrolled at the Munich conservatory and began taking counterpoint and composition classes. ...
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Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ...
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Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Die Tote Stadt
' (German for ''The Dead City''), Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel '' Bruges-la-Morte'' by Georges Rodenbach. Origins Rodenbach's novel ' had already been adapted by the author into a play. The play was translated into German by Siegfried Trebitsch under the title ' (''The Silent City''), which he later changed to ' (''The Mirage''). Trebitsch was a friend of Korngold's father, Julius. The two met in the street one day and got into a conversation about a possible operatic adaptation. Trebitsch later met Erich, who was enthusiastic about the project. Trebitsch recalled " met the young master Erich Wolfgang Korngold in search of a scenario or, even better, a mood or operatic background that could be dramatically elaborated. I urged him to take up '."Carroll, Brendan G.; Pauly, Reinhard G., ''The Last Prodigy: A Biography ...
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Erich Wolfgang Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas ''Violanta'' and Der Ring des Polykrates (opera), ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera ''Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera.Michael Kennedy (music critic), Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 4 ...
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Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lo ...
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