Marguerite Vaillant
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Marguerite Vaillant
Marguerite Vaillant-Couturier (12 May 1855 – 5 May 1930) was a French soprano who made her debut in Brussels at La Monnaie in 1880 in the title role of Gounod's ''Mireille''. After appearing in Marseille the following year, she sang in operettas in Paris in the early 1880s. On 19 October 1882, she created the role of Micaëla in Lecocq's '' Le cœur et la main'' at the Théâtre des Nouveautés in Paris. In 1888, she gained success in the title role of Bizet's ''Carmen'' at the Opéra-Comique. She also appeared in Buenos Aires and Saint Petersburg. Early life, family and education Born in Paris on 12 May 1855, Marguerite Vaillant was the daughter of the civil engineer Paul Louis Vaillant (1818–74) and his wife Caroline Adèle Emma née Isot (1829–97). One of the family's four children, she attended the Conservatoire de Paris where in 1878 she was awarded first prizes in singing for both opera and comic opera. On 22 February 1879 in Brussels, Marguerite Vaillant marrie ...
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Second French Empire
The Second French Empire (; officially the French Empire, ), was the 18-year Empire, Imperial Bonapartist regime of Napoleon III from 14 January 1852 to 27 October 1870, between the French Second Republic, Second and the French Third Republic, Third Republic of France. Historians in the 1930s and 1940s often disparaged the Second Empire as a precursor of fascism. That interpretation is no longer widely held, and by the late 20th century they were giving it as an example of a modernising regime. Historians have generally given the Empire negative evaluations on its foreign policy, and somewhat more positive evaluations of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a grand History of rail transport in France#Success under the Second Empire, railway network that facilitated commerce and tied the nation together with Paris as its hub. This stimulated economic growth a ...
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Die Schöne Galathée
' (''The Beautiful Galatea'') is an operetta in one act by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg).* In the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. ''Die schöne Galathée'' was Franz von Suppé's first critical success. Performance history The first performance was at the in Berlin on 30 June 1865, with Anna Grobecker of the Vienna Carltheater as a guest star singing the role of Ganymed. It was given in London at the Opera Comique, on 6 November 1871, and in New York at the Stadt Theater on 6 September 1867. Roles and role creators *Galathée (Galatea) ( soprano) Ämilie Kraft *Ganymed ( Ganymede) ( mezzo-soprano) Anna Grobecker *Mydas (Midas) ( baritone) Karl Treumann * Pygmalion (tenor) Telek Synopsi ...
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Opéra De Monte-Carlo
The Opéra de Monte-Carlo is an opera house which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it. During the renovation of the Salle Garnier in 2004–05, the company presented operas at the ''Salle des Princes'' in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform. Salle Garnier The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524 ...
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Philémon Et Baucis
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opér ..., Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupiter's de ...
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Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file)
Population of all municipalities in Belgium, . Retrieved 1 November 2017.
it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metrop ...
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Henry Litolff
Henry Charles Litolff (7 August 1818 – 5 August 1891) was a British virtuoso pianist, composer of Romantic music, and music publisher. A prolific composer, he is today known mainly for a single brief work – the scherzo from his Concerto Symphonique No. 4 in D minor – and remembered as the founder of the ''Collection Litolff'' (today part of Edition Peters), a highly regarded publishing imprint of classical music scores. Biography Litolff was born in London in 1818 to a Scottish mother, Sophie (''née'' Hayes), and a father, Martin Louis Litolff, from the French province of Alsace. The father, a violinist, had been previously taken prisoner of war while serving as a band musician in the Napoleonic army during the Peninsular War. His father taught the boy Henry the rudiments of music, and in 1830, when he was twelve, he played for the renowned virtuoso pianist Ignaz Moscheles, who was so impressed that he gave him free lessons starting that same year. Litolff began to con ...
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Hamlet (Thomas)
''Hamlet'' is a grand opera in five acts of 1868 by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père, and Paul Meurice of William Shakespeare's play ''Hamlet''.Fauser, Annegret. "Hamlet. Ophélie: Shakespeare in Paris" in ''Hamlet'' CD Booklet (1993), pp. 33–41. Background Ophelia mania in Paris The Parisian public's fascination with Ophelia, prototype of the ''femme fragile'', began in the fall of 1827, when an English company directed by William Abbot came to Paris to give a season of Shakespeare in English at the Odéon. On 11 September 1827 the Irish actress Harriet Smithson played the part of Ophelia in ''Hamlet''. Cairns, David (1969), p. 70. Her mad scene appeared to owe little to tradition and seemed almost like an improvisation, with several contemporary accounts remarking on her astonishing capacity for mime. Her performances produced an extraordinary reaction: men w ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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Louis Varney
Louis Varney (; 30 May 1844, New Orleans, Louisiana – 20 August 1908, Cauterets, France) was a French composer. Biography Louis Varney was the son of Alphonse Varney, a French conductor at the Bouffes-Parisiens and at the Grand Théâtre de Bordeaux The Grand Théâtre de Bordeaux is an opera house in Bordeaux, France, first inaugurated on 17 April 1780. It was in this theatre that the ballet '' La fille mal gardée'' premiered in 1789, and where a young Marius Petipa staged some of his fir ..., he was also invited to conduct the "French Opera Season" abroad, notably in New Orleans, Louisiana, and this is how Louis came to be born there in 1844. He studied music with his father, and became first a conductor like him. He was conducting in a small theatre L' Athénée-Comique, while he began composing, he succeeded in having one of his work, ''Il signor Pulcinella'' presented there in 1876 with considerable success. He was then proposed by the director of the Bouffes-P ...
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Théodore Lajarte
Théodore Lajarte (10 July 1826 – 20 June 1890) was a French musicologist, librarian, and composer.Huebner 1992. Early years Lajarte was born in Bordeaux. His full name has been given as Théodore Édouard Dufaure de Lajarte. He studied at the Conservatoire de Paris under Aimé Leborne and soon thereafter composed a large number of operettas, none of which have survived. Librarian and musicologist He is best remembered for his position as an archivist at the Paris Opera. After his appointment in 1873 as second librarian at the Paris Opera Library, he organized the theatre's historical scores and parts, publishing a chronological inventory of scores under the title ''Bibliothèque musicale du théâtre de l'Opéra'' in 1876 with a corrected and completed edition in 1878. He continued working at the library until 1890.Pitou 1990, p. 734. As a musicologist, he contributed articles on music to newspapers and published reductions for piano and singing of old French operas and bal ...
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