Margreta Elkins
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Margreta Elkins
Margreta Elkins (born Margaret Ann Enid Geater; 16 October 19301 April 2009) was an Australian mezzo-soprano. She sang at The Royal Opera and with Opera Australia and other companies, but turned down offers to sing at the Metropolitan Opera, Bayreuth and Glyndebourne. She recorded alongside sopranos such as Maria Callas and Joan Sutherland. Early life and career: 1930–1955 Margaret Ann Enid Geater was born in Brisbane, Queensland. She began her vocal studies at a convent school before winning an Australian state scholarship in 1949. That same year, she married Henry ElkinsMark McGinneStatuesque yet steely soprano''The Age'', 9 April 2009 and adopted Margreta Elkins as her stage name. Also that year she competed in the Mobil Quest against Joan Sutherland. In 1950, she toured Queensland and appeared in ''Faust'' as Siébel; ''Il trovatore'' as Azucena; and '' Madama Butterfly'' as Suzuki. In 1952 she joined and toured with the National Opera Company of Australia, making her f ...
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Margreta Elkins
Margreta Elkins (born Margaret Ann Enid Geater; 16 October 19301 April 2009) was an Australian mezzo-soprano. She sang at The Royal Opera and with Opera Australia and other companies, but turned down offers to sing at the Metropolitan Opera, Bayreuth and Glyndebourne. She recorded alongside sopranos such as Maria Callas and Joan Sutherland. Early life and career: 1930–1955 Margaret Ann Enid Geater was born in Brisbane, Queensland. She began her vocal studies at a convent school before winning an Australian state scholarship in 1949. That same year, she married Henry ElkinsMark McGinneStatuesque yet steely soprano''The Age'', 9 April 2009 and adopted Margreta Elkins as her stage name. Also that year she competed in the Mobil Quest against Joan Sutherland. In 1950, she toured Queensland and appeared in ''Faust'' as Siébel; ''Il trovatore'' as Azucena; and '' Madama Butterfly'' as Suzuki. In 1952 she joined and toured with the National Opera Company of Australia, making her f ...
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Carl Rosa Opera Company
The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK". Background Carl Rosa was born Karl August Nikolaus Rose in Hamburg, Germany, the son of a local businessman. A child violin prodigy, Rosa studied at the Conservatorium at Leipzig and in Paris. In 1863 he was appointed Konzertmeister at Hamburg, where he had oc ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ...
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Coventry
Coventry ( or ) is a City status in the United Kingdom, city in the West Midlands (county), West Midlands, England. It is on the River Sherbourne. Coventry has been a large settlement for centuries, although it was not founded and given its city status until the Middle Ages. The city is governed by Coventry City Council. Historic counties of England, Formerly part of Warwickshire until 1451, Coventry had a population of 345,328 at the 2021 census, making it the tenth largest city in England and the 12th largest in the United Kingdom. It is the second largest city in the West Midlands (region), West Midlands region, after Birmingham, from which it is separated by an area of Green belt (United Kingdom), green belt known as the Meriden Gap, and the third largest in the wider Midlands after Birmingham and Leicester. The city is part of a larger conurbation known as the Coventry and Bedworth Urban Area, which in 2021 had a population of 389,603. Coventry is east-south-east of ...
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King Priam
''King Priam'' is an opera by Michael Tippett, to his own libretto. The story is based on Homer's ''Iliad'', except the birth and childhood of Paris, which are taken from the ''Fabulae'' of Hyginus. The premiere was on 29 May 1962, at Coventry. The opera was composed for an arts festival held in conjunction with the reconsecration of the rebuilt Coventry Cathedral, for which Benjamin Britten also wrote his ''War Requiem'', which was first performed in the Cathedral the day after the premiere of ''King Priam''. The first Covent Garden performance was on 5 June, conducted by John Pritchard. It was premiered in Germany at the Badisches Staatstheater in 1963 (in a translation by Walter Bergmann), in Greece at the 1985 Athens Festival, in France at the Opéra de Nancy et de Lorraine in 1988, in Italy at Batignano in 1990, and in the United States San Francisco Opera Center Showcase in 1994. In 2014 the work was revived by English Touring Opera, with a reduced orchestration by ...
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Michael Tippett
Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio ''A Child of Our Time'', the orchestral '' Fantasia Concertante on a Theme of Corelli'', and the opera ''The Midsummer Marriage''. Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes ...
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John Gielgud
Sir Arthur John Gielgud, (; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End theatre, West End before establishing himself at the Old Vic as an exponent of William Shakespeare, Shakespeare in 1929–31. During the 1930s Gielgud was a stage star in the West End and on Broadway theatre, Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Sondheim Theatre, Queen's Theatre, London. He was regarded by many as the finest Prince Hamlet, Hamlet of his era, ...
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A Midsummer Night's Dream (opera)
''A Midsummer Night's Dream'', Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, '' A Midsummer Night's Dream''. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe. Performance history ''A Midsummer Night's Dream'' was first performed on 11 June 1960 at the Jubilee Hall, Aldeburgh, UK as part of the Aldeburgh Festival. Conducted by the composer, it was directed by the choreographer John Cranko. The work re ...
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Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ...
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Malcolm Williamson
Malcolm Benjamin Graham Christopher Williamson, (21 November 19312 March 2003) was an Australian composer. He was the Master of the Queen's Music from 1975 until his death. Biography Williamson was born in Sydney in 1931; his father was an Anglican priest, Rev. George Williamson. He studied composition and horn at the Sydney Conservatorium of Music. His teachers included Eugene Goossens. In 1950 he moved to London where he worked as an organist, a proofreader, and a nightclub pianist. In 1952 he converted to Roman Catholicism. From 1953 he studied with Elisabeth Lutyens and Erwin Stein. His first major success was with his Piano Concerto No. 1, premiered by Clive Lythgoe at the 1958 Cheltenham Festival to a standing ovation. Williamson was a prolific composer at this time, receiving many commissions and often performing his own works, both on organ and piano. In 1975, the death of Arthur Bliss left the title of Master of the Queen's Music vacant. The selection of Williamson ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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