Margit Schramm
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Margit Schramm
Margit Schramm (21 July 1935 – 12 May 1996) was a German soprano in operetta, opera and song. She also appeared as a film actress and hosted a television show. In the 1960s, she became known as an operetta diva (called "Queen of operetta") on stage, German television, in numerous concerts and in films, where she often appeared together with her favourite stage partner, the tenor Rudolf Schock. Career Born in Dortmund, Schramm studied voice at the conservatory of her hometown. In 1954, she made her stage debut in Benatzky's singspiel ''Meine Schwester und ich''. She made her operatic debut at age 20 as Lucieta in Wolf-Ferrari's opera '' Die vier Grobriane'' at the Stadttheater Saarbrücken. Her first operetta role was the title role of Dostal's ''Clivia''. In 1959, she became a member of the Staatstheater am Gärtnerplatz, focused on operetta. She had a sensational success in Lehár's ''Der Graf von Luxemburg'' alongside Rudolf Schock. Her signature role was Hanna Glawari, th ...
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Dortmund
Dortmund (; Westphalian nds, Düörpm ; la, Tremonia) is the third-largest city in North Rhine-Westphalia after Cologne and Düsseldorf, and the eighth-largest city of Germany, with a population of 588,250 inhabitants as of 2021. It is the largest city (by area and population) of the Ruhr, Germany's largest urban area with some 5.1 million inhabitants, as well as the largest city of Westphalia. On the Emscher and Ruhr rivers (tributaries of the Rhine), it lies in the Rhine-Ruhr Metropolitan Region and is considered the administrative, commercial, and cultural center of the eastern Ruhr. Dortmund is the second-largest city in the Low German dialect area after Hamburg. Founded around 882,Wikimedia Commons: First documentary reference to Dortmund-Bövinghausen from 882, contribution-list of the Werden Abbey (near Essen), North-Rhine-Westphalia, Germany Dortmund became an Imperial Free City. Throughout the 13th to 14th centuries, it was the "chief city" of the Rhine, Westphali ...
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Countess Mariza
''Gräfin Mariza'' (''Countess Maritza'') is an operetta in three acts composed by Hungarian composer Emmerich Kálmán, with a German libretto by Julius Brammer and Alfred Grünwald. It premiered in Vienna on 28 February 1924 at the Theater an der Wien. English adaptations As ''Countess Maritza'', it made its New York City debut on 18 September 1926 at the Shubert Theatre, in an adaptation by Harry B. Smith, and with interpolated music by other composers, playing 318 performances, with Yvonne d'Arle in the title role on opening night. The show was staged by J. C. Huffman. As ''Maritza'', it opened in London at the Palace Theatre on 6 July 1938, with Mary Losseff in the title role. A London revival by New Sadler's Wells Opera opened at Sadler's Wells Theatre in February 1983, with a new English book and lyrics by Nigel Douglas, starring Marilyn Hill Smith (Maritza), Ramon Remedios (Tassilo), Laureen Livingstone (Lisa), Lynn Barber (Manja) and Tudor Davies (Zsupan) con ...
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Paul Henckels
Paul Henckels (9 September 1885 – 27 May 1967) was a German film and stage actor. He appeared in more than 230 films between 1921 and 1965. Paul Henckels had started his acting career on the stage in the 1900s. He was well known for his eccentric, colourful roles and his trademark Rhineland accent. Among his most popular roles were the school teacher Professor Bömmel in ''Die Feuerzangenbowle'' (1944) and the veterinarian Dr. Pudlich in the "Immenhof film series" during the 1950s. He was also notable as a stage actor and appeared at the Schauspielhaus Berlin for many years. His most popular stage role was '' Wibbel the Tailor'', which he played more than 1000 times. Henckel's father was Jewish, and he was thus a "half-Jew" by the rules of the Nazis. As a rare exception, Henckels was nonetheless allowed to work during the Third Reich. He apparently owed this exception to the intervention of his friend Gustaf Gründgens and to his continuing popularity as a character actor. ...
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Willy Schneider
Willy Schneider (5 September 1905, in Cologne – 12 January 1989, in Cologne) was a German schlager singer. Songs *1937: "Auf der Heide blüh'n die letzten Rosen" *1937: "Das kannst Du nicht ahnen" *1937: "Kornblumenblau" *1938: "Grün ist die Heide" *1938: "Blaue Donau, grüner Rhein" (on occasion of the Anschluss) *1939: "Gute Nacht, Mutter" *1940: "Herzliebchen mein unter'm Rebendach" *1942: "Heimat, deine Sterne" *1948: "Heimweh nach Virginia" *1949: "Heimweh nach Köln" *1949: "O Mosella" *1949: "Am Zuckerhut" (together with and René Carol) *1950: "Wenn das Wasser im Rhein gold'ner Wein wär" *1950: "Kleine Kellnerin aus Heidelberg" *1952: "Schütt' die Sorgen in ein Gläschen Wein" *1953: "Man müsste nochmal zwanzig sein" *1956: "" *1968: "Behüt' Dich Gott, es wär' so schön gewesen" *1973: "Alle Tage ist kein Sonntag" Awards * Willi-Ostermann-Medaille * 1973: Order of Merit of the Federal Republic of Germany, 1st class * 1975: * 1983: Hermann-Löns-Medaille ...
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Gunnar Möller
Gunnar Möller (1 July 1928 – 16 May 2017) was a German television and film actor. He appeared in over 160 film and television productions between 1940 and 2016. He was most successful as a leading man in German cinema of the 1950s, especially with his role in ''I Often Think of Piroschka'' (1955) with Liselotte Pulver. He later turned to character roles and worked for a number of years in England, including the supporting role of Hans van Broecken in World War II drama series '' Secret Army'' . He was married to the actress Brigitte Rau until her death in 1979, when he killed her during an argument in London. He was sentenced to five years in prison in England, but served only two and was able to continue his career in Germany. In 2003, he married actress Christiane Hammacher, with whom he had performed in "Loriots Dramatische Werke" ("Loriot's Dramatic Works") at Frankfurt's Fritz Rémond Theater and on tour during the 1980s. Möller died on 16 May 2017 in his hometown Berl ...
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Brigitte Mira
Brigitte Mira (, 20 April 1910 – 8 March 2005) was a German actress. She worked in both theater and film, later in her career with Rainer Werner Fassbinder on many occasions. Believed to have been born in Hamburg, she moved early on to Berlin. Brigitte Mira's mother was German while her father was Russian Jewish. During the Nazi era, Mira took part in the propaganda series ''Liese und Miese''. She played Miese (germ. ''bad one'') – the bad role model according to Nazi ideology—who listened to enemy radio stations and stockpiled rationed food. But her acting skills turned the "bad" character she portrayed into a likeable one. The series was soon cancelled for being counter productive. The propaganda directors did not know that Mira was half-Jewish, for she had false papers. Even though she insisted on her naivete as a young woman and the fact she had to conceal her origins, she was criticized later by some for taking part in these ads at all. Notable performances include E ...
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Johannes Heesters
Johan Marius Nicolaas Heesters (5 December 1903 – 24 December 2011), known professionally as Johannes Heesters, was a Dutch actor of stage, television and film, as well as a vocalist of numerous recordings and performer on the concert stage with a career dating back to the 1920s. He worked as an actor until his death and was one of the oldest performing entertainers in history, performing shortly before his death at the age of 108. Heesters was almost exclusively active in the German-speaking world from the mid-1930s and became a film star in Nazi Germany, which later led to controversy in his native country. He was able to maintain his popularity in Germany in the decades until his death. Early life Heesters was born in Amersfoort, Netherlands, the youngest of four sons. His father Jacobus Heesters (1865–1946) was a salesman and his mother Geertruida Jacoba van den Heuvel (1866–1951), a homemaker. Heesters was fluent in German from an early age, having lived for s ...
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Viktoria Und Ihr Husar
''Viktoria und ihr Husar'' (''Victoria and Her Hussar'' is an operetta in three acts and a prelude by Paul Abraham with a libretto by Alfred Grünwald and Fritz Löhner-Beda, based on a work by the Hungarian playwright Imre Földes. It premiered under the baton of the composer on 21 February 1930 in Budapest. The German premiere was on 7 July 1930 in Leipzig, and it was then given on 23 December 1930 at the Theater an der Wien, Vienna. An adaptation into English by Harry Graham was performed at the Palace Theatre, London, on 17 September 1931. (Leipzig and London premieres; also: detailed plot, cast of the London premiere, musical numbers Roles Synopsis Time and place The operetta takes place after the end of the first world war in a Russian prison camp in Siberia, as well as in the cities Tokyo (Japan), St. Petersburg (Russia) and the Hungarian village Dorozsma near Szeged. Prelude Stefan Koltay, Cavalry Master of the Husars, and his batman Jancsi have become prisoner ...
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Paul Abraham
Paul Abraham ( hu, Ábrahám Pál, links=no; 2 November 1892 – 6 May 1960) was a Jewish-Hungarian composer of operettas, who scored major successes in the German-speaking world. His specialty – and own innovation – was the insertion of jazz interludes into operettas. Abraham was born in Apatin, Austria-Hungary (today Serbia), and studied at the Royal National Hungarian Academy of Music in Budapest from 1910 to 1916. He studied cello with Adolf Schiffer and composition with Viktor Herzfeld. Career Abraham was a son of Jakab Ábrahám (c. 1859–1909) – who was an merchant from Apatin, later head of a small private bank – and Flóra Blau (1872-1943), who came from Mohács (South-Hungary, next to Danube). Like many other composers of operettas, Abraham started with works of a serious nature. During the decade following his studies he wrote, among other things, sacred music, string quartets and a concerto for violoncello. When he was appointed conductor at the ...
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Paul Lincke
Carl Emil Paul Lincke (7 November 1866 – 3 September 1946) was a German composer and theater conductor. He is considered the "father" of the Berlin operetta. His well-known compositions include "" ("Berlin Air"), the unofficial anthem of Berlin, from his operetta ''Frau Luna''; and "The Glow-Worm", from his operetta ''Lysistrata''. Early life Lincke was born on 7 November 1866 in the Jungfernbrücke district of Berlin. He was the son of magistrate August Lincke and his wife Emilie. His father played the violin in several small orchestras. When Paul was only five years old his father died. Emilie moved with her three children to Adalbertstaße, and later to Eisenbahnstraße, near Lausitzer Platz. Lincke's early musical inclinations were towards military music. His mother sent him after the completion of secondary school education to Wittenberge. Here he was trained in the Wittenberg City Band under Rudolf Kleinow as a bassoonist. He also learned to play the tenor horn, the drums ...
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Staatstheater Wiesbaden
The Hessisches Staatstheater Wiesbaden ('Hessian State Theatre Wiesbaden') is a German theatre located in Wiesbaden, in the German state Hesse. The company produces operas, plays, ballets, musicals and concerts on four stages. Known also as the Staatstheater Wiesbaden or ''Theater Wiesbaden'', its orchestra is the Hessisches Staatsorchester. The building was inaugurated in 1894. The theatre is the host for the annual festival Internationale Maifestspiele Wiesbaden, established in 1896 after the Bayreuth Festival. History The building of the theatre was initiated and substantially supported by the German emperor William II who regularly visited the spa in Wiesbaden. A team of architects from Vienna, Ferdinand Fellner and Hermann Helmer, won the competition. They constructed the building from 1892 to 1894 in Baroque Revival style, following models in Prague and Zurich. The inauguration was on 16 October 1894 in the presence of the emperor. The Foyer was built in 1902 by arc ...
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Opernhaus Dortmund
Opernhaus Dortmund is the opera house of Dortmund, Germany, operated by the Theater Dortmund organisation. A new opera house opened in 1966, replacing an earlier facility which opened in 1904 and was destroyed during World War I. It was built on the former site of the Old Synagogue, which was demolished by the Nazi local government in the 1930s. Architects and Edgar Tritthart designed the modernist structure. The design separates the functions of the stage and technical areas in the Bühnenhaus (stage house), which is dominated by straight lines, from the auditorium under a concrete shell roof. Opening season The new house opened on 3 March 1966, to serve as a venue for operas, ballets, concerts, and for plays which require a large stage. The inaugural performance was Richard Strauss's ''Der Rosenkavalier'', an opera first performed in 1911, shortly after its premiere; Wilhelm Schüchter conducted the Dortmunder Philharmoniker. Teresa Żylis-Gara appeared as Octavian, along ...
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