Margaret Tracey
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Margaret Tracey
Margaret Tracey (born March 28, 1967) is an American ballet dancer and educator. She joined the New York City Ballet in 1986, was promoted principal dancer in 1991, and retired in 2002. She served as the director of the Boston Ballet School between 2007 and 2021. Early life and training Margaret Tracey was born on March 28, 1967, in Pueblo, Colorado, to a judge father and dance teacher mother. Her younger sister, Kathleen, would also be a New York City Ballet dancer. Tracey has two older brothers. She started dancing at a young age, trained by her mother and other local teachers. At age fourteen, she traveled to Denver to audition for Susan Hendl, for the School of American Ballet's summer program, and was soon offered a scholarship. She moved to New York and started the program in 1982, and remained in the school full-time. Her teachers include Stanley Williams and Suki Schorer. During her training, she had performed in the school workshop performances, dancing Bournonville's ...
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Pueblo, Colorado
Pueblo () is a List of municipalities in Colorado#Home rule municipality, home rule municipality that is the county seat and the List of municipalities in Colorado, most populous municipality of Pueblo County, Colorado, Pueblo County, Colorado, United States. The city population was 111,876 at the 2020 United States Census, making Pueblo the List of municipalities in Colorado, ninth most populous city in Colorado. Pueblo is the principal city of the Pueblo, CO Metropolitan Statistical Area and a major city of the Front Range Urban Corridor. Pueblo is situated at the confluence of the Arkansas River and Fountain Creek, south of the Colorado State Capitol in Denver. The area is considered semi-arid desert land, with approximately of precipitation annually. With its location in the "Banana Belt", Pueblo tends to get less snow than the other major cities in Colorado. Pueblo is one of the largest steel-producing cities in the United States, for which reason Pueblo is referred to ...
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Vienna Waltzes
''Vienna Waltzes'' is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public. Background and production Balanchine had been exposed to Viennese dancing since his youth, and had used the time signature, which is commonly used in waltz, in some of his works, including ''Les Valses de Beethoven'' (1933), ''The Bat'' (1936), ''Waltz Academy'' (1944), ''La Valse'' (1951), ''Valse Fantaisie'' (1953), '' Liebeslieder Walzer'' (1960) and ''Trois Valses Romantiques'' (1967). Balanchine conceived the idea of ''Vienna Waltzes'', a large-scale homage to Austria, over a year before he started working on it, having previously made ''Union Jack'', a tribute to Great Britain. Before he started working on the ballet, he spoke with members of the New York City Ballet ab ...
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Sylvia (ballet)
''Sylvia'', originally ''Sylvia, ou La nymphe de Diane'', is a full-length ballet in two or three act (theatre), acts, first choreography, choreographed by Louis Mérante to music by Léo Delibes in 1876. ''Sylvia'' is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The work is notable for its mythological Arcadia (paradise), Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable Sheet music, score. When ''Sylvia, ou La nymphe de Diane'' premiered on 14 June 1876 at the Palais Garnier, it went largely unnoticed by the critics. The first seven productions of ''Sylvia'' were not commercially successful. The 1952 revival, choreographed by Frederick Ashton, Sir Frederick Ashton, popularized the ballet. The 1997, 2004, 2005 and 2009 productions were all based on Ashton's original choreography. History Preparations The origins of the ballet ''Sylvia'' are in the Italian poet Torquato Tasso, Ta ...
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Herman Schmerman
William Forsythe (born December 30, 1949) is an American dancer and Choreography (dance), choreographer resident in Frankfurt am Main, Germany. He is known for his work with the Ballet Frankfurt (1984–2004) and The Forsythe Company (2005–2015). Recognized for the integration of ballet and visual arts, which displayed both abstraction and forceful theatricality, his vision of choreography as an organizational practice has inspired him to produce numerous installations, films, and web-based knowledge creation, incorporating the spoken word and experimental music. Early life William Forsythe was born in New York in 1949, but only started dancing seriously in his later teenage years in college. He followed his grandfather musically as he was a violin prodigy. Forsythe played bassoon, violin, flute, and sang in choruses. He also choreographed for his high school's musicals. He began his training in Florida and later continued to dance with Joffrey Ballet. It was while attending ...
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Ives, Songs
''Ives, Songs'' is a ballet made by New York City Ballet ballet master Jerome Robbins to songs of Charles Ives: * "The Children's Hour" * "Memories, Part A: Very Pleasant" * "Waltz" * "The Cage" * "The See'r" * "Two Little Flowers" * "At the River and Serenity" * "He is There" * "Tom Sails Away" * "White Gulls"cut from the ballet in June, 1990 * "Songs My Mother Taught Me" * "There is a Lane" * "In Summer Fields" * from the "Incantation" * "Autumn" * "Like a Sick Eagle" * "Elegie" The premiere took place on February 4, 1988 at the New York State Theater, Lincoln Center, with scenery by David Mitchell, costumes by Florence Klotz and lighting by Jennifer Tipton. The singer was Timothy Nolen and the pianist Gordon Boelzner. Other works to the music of Ives in the City Ballet repertory include Peter Martins' ''Calcium Light Night'', George Balanchine's ''Ivesiana'' and Eliot Feld's '' The Unanswered Question''. Original cast *Maria Calegari * Stacy Caddell *Katrina Killian *M ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ...
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Scotch Symphony
''Scotch Symphony'' is a ballet choreographed by George Balanchine to Mendelssohn's Symphony No. 3, "Scottish". The ballet is inspired by Scotland, and evokes the style of the romantic ballet era, particularly ''La Sylphide'', which is set in Scotland. ''Scotch Symphony'' was made for the New York City Ballet, and premiered on November 11, 1952, at the City Center of Music and Drama. Choreography The program for ''Scotch Symphony'' stated, Balanchine ike Mendelssohnwishes to evoke the sweep and freshness, the brilliance and strength inherent in the Highland landscape. He has invented a classic ballet based on atmosphere and music, with an affectionate nod to the romantic tradition that made the hero of ''La Sylphide'' a Highlander. The ballet is set to Mendelssohn's Symphony No. 3, "Scottish". Dance critic Richard Buckle described ''Scotch Symphony'' as "one of those Balanchine ballets ... that hover between romance and comedy or pastiche." Author Nancy Reynolds wrote ...
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Concerto Barocco
''Concerto Barocco'' is a neoclassical ballet made for students at the School of American Ballet by George Balanchine, subsequently ballet master and co-founder of New York City Ballet, to Johann Sebastian Bach's Concerto in D minor for Two Violins, BWV 1043. After an open dress rehearsal on May 29, 1941, in the Little Theatre of Hunter College, New York, the official premiere took place June 27, 1941, at Teatro Municipal in Rio de Janeiro as part of American Ballet Caravan's South American tour. ''Concerto Barocco'' subsequently entered the repertory of the Ballet Russe de Monte Carlo, premiering on September 9, 1945, at New York City Center.Martin, John"THE DANCE: BALLET RUSSE: Monte Carlo Company to Present New Works in City Center Season,"''New York Times'' (August 26, 1945). The New York City Ballet premiere was October 11, 1948, as one of three ballets on the program of its first performance at New York City Center. Three years later, in 1951, Balanchine replaced th ...
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Agon (ballet)
''Agon'' is a 22-minute ballet for twelve dancers with music by Igor Stravinsky. It was choreographed by George Balanchine. Stravinsky began composition in December 1953 but was interrupted the next year; he resumed work in 1956 and concluded on April 27, 1957. The music was premiered in Los Angeles at UCLA's Royce Hall on June 17, 1957, conducted by Robert Craft. Stravinsky himself conducted the sessions for the work's first recording the following day on June 18, 1957. ''Agon'' was first performed on stage by the New York City Ballet at the City Center of Music and Drama on December 1, 1957. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical idiom to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs ...
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Western Symphony
''Western Symphony'' is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to American folk tunes arranged by Hershy Kay. It premiered on September 7, 1954 at the City Center of Music and Drama in New York. The ballet was originally presented in practice clothes without scenery. Scenery by John Boyt and costumes by Karinska were added in 1955. Lighting was originally by Jean Rosenthal and subsequently Mark Stanley. Set in the Western United States, the ballet features cowboys and dance hall girls (or saloon girls). Setting The ballet follows no plot but presents several short stories throughout the ballet (similar to ''Serenade'') outside a saloon. It is almost a satire on classical ballet with imitations of ''Giselle'' and ''Swan Lake'' (second movement). The ballet originally had four movements: Allegro The Allegro is for four cowboys, eight girls (divided into two groups of four) and a lead couple. The lengthy Allegro goes for about ...
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Harlequinade (ballet)
''Les Millions d'Arlequin'' (English: ''Harlequin's Millions'') (Russian: "Миллионы Арлекина", ''Milliony Arlekina'') also known under the title ''Harlequinade'' (Russian: "Арлекинада", ''Arlekinada'') is a ''ballet comique'' in two acts and two tableaux with libretto and choreography by Marius Petipa and music by Riccardo Drigo. It was first presented at the Theatre of the Imperial Hermitage Museum by the Imperial Ballet in Saint Petersburg on . The ballet was given a second premiere with the same cast at the Imperial Mariinsky Theatre on . The ''Sérénade'' from the first act of the ballet became a popular repertory piece that has been arranged for various instruments and recorded on numerous occasions. History Ivan Vsevolozhsky took up the directorship of the Imperial Hermitage Museum in 1899, a post that required supervision over performances given at the museum's theatre. Vsevolozhsky commissioned Marius Petipa—the renowned ''Premier m ...
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