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Mardala Players
Mardala () is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique. The Mardala is used in a wide range of traditional art forms of Odisha, including Gotipua, Mahari, Odissi dance, Bhagabata Tungi, Sakhi Nata, Prahallada Nataka, Ramalila, Krusnalila, Rama Nataka, Sahi Jata, Medha Nacha, Bharata Lila, Bhutakeli Nata, Odisi Kirtana and more. History Odishan musicologists in ancient treatises have mentioned four distinct kinds of instruments or ''vadyas'' : ''tat'' or stringed instruments, ''susira'' or wind instruments, ''anaddha'' or leather instruments / drums & finally ''ghana'' or metallic instruments. Out of these four, the Mardala falls under the category of ''anaddha vadya''s or drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophone
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utkal University Of Culture
Utkal University of Culture is a Public university in Bhubaneswar, Odisha dedicated for research, teaching and education in the field of culture. History Utkal University of Culture established by an ordinance on 9 June 1999, which was later replaced by ''Utkal University of Culture Act 1999''. It was established as a teaching-cum-affiliating university to engage itself to preserve, promote, propagate and protect the richness of Odisha's cultural values. Academics The university offers Postgraduate education, Master of Philosophy, and Doctor of Philosophy courses in following sections. * Faculty of Culture Studies * Faculty of Architecture and Archaeology * Faculty of Language and Literature * Faculty of Visual Arts * Faculty of Performing Art * Certificate Courses (Jaina & Tamil) Affiliated Institutes The university give affiliation to various Art and Craft, Hotel Management institutes in the state of Odisha. Some prominent institutes among them are Utkal Sangeet Mahavidyalay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utkal Sangeet Mahavidyalaya
Utkal Sangeet Mahavidyalaya is a performing arts-cum-educational institution in Bhubaneswar, Odisha, India. History and Accreditation Utkal Sangeet Mahavidyalaya was established by former Chief minister of Odisha Biju Patnaik on 14 April 1964, under Administrative Control of Odisha Sangeet Natak Academi (OSNA) till 1981. Then, from 1981 to 1999 it was affiliated to Utkal University. Presently, Higher secondary course of this institution affiliated to CHSE, Odisha and Bachelor's and Master's Degree are affiliated to Utkal University of Culture since 1999. Academics It has several departments in the performing arts that students can choose to pursue, such as dance, drama, classical vocal, different musical instruments. * Department of Vocal Music * Department of Instrumental Music * Department of Dance * Department of Drama It offers 7 years of education and training, and includes a two year Higher Secondary School Certificate, a three year Bachelor of Arts, and a two year Maste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhubaneswar
Bhubaneswar (; ) is the capital and largest city of the Indian state of Odisha. The region, especially the old town, was historically often depicted as ''Ekamra Kshetra'' (area (''kshetra'') adorned with mango trees (''ekamra'')). Bhubaneswar is dubbed the "Temple City", a nickname earned because of the 700 temples which once stood there. In contemporary times, it has emerged as an education hub and an attractive business destination. Although the modern city of Bhubaneswar was formally established in 1948, the history of the areas in and around the present-day city can be traced to the 7th century BCE and earlier. It is a confluence of Hindu, Buddhist and Jain heritage and includes several Kalingan temples, many of them from 6th–13th century CE. With Puri and Konark it forms the 'Swarna Tribhuja' ("Golden Triangle"), one of Eastern India's most visited destinations. Ramesh Prasad Mohapatra, ''Archaeology in Orissa'', Vol I, Page 47, B. R. Publishing Corporation, Delhi, 1986, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Dhaneswar Swain Playing Mardala (3)
Guru ( sa, गुरु, IAST: ''guru;'' Pali'': garu'') is a Sanskrit term for a " mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or '' shisya'' in Sanskrit, literally ''seeker f knowledge or truth'' or student, with the guru serving as a "counselor, who helps mold values, shares experiential knowledge as much as literal knowledge, an exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown explains that a tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the same potentialities that the ''guru'' has already realized. The oldest references to the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kelucharan Mohapatra
Kelucharan Mohapatra (8 January 1926 – 7 April 2004) was a legendary Indian classical dancer, guru, and exponent of Odissi dance, who is credited with the revival and popularizing of this classical dance form in the 20th century. He is the first person to receive the Padma Vibhushan from Odisha. A noted Sanskrit poet of India writes on this ''Guru'': ''Saango-paanga-subhangi-laasya-madhuram samteerna-nrutyaarnavam'', which translates as - "Each fraction of his dancing body leads to paramount sweetness, through miraculous poses and postures. In fact, Guru Kelucharan Mohapatra crossed the ocean of styles." Early life and history In his youth, Kelucharan Mohapatra performed Gotipua - a traditional dance form of Odisha where young boys dress up as woman to praise Lord Jagannath. Later in his life he did extensive research on Gotipua and Mahari dance, which lead him to restructure Odissi dance. Guru Kelucharan Mohapatra was a master in Percussion instruments - Mardala and Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalicharan Pattnaik
Kalicharan Pattnaik also known by his sobriquet ''Kabichandra'' was an eminent literary and artistic figure of Odisha. He had contributions in the field of Odissi music, Odissi dance and Odia theatre. He had significant contributions to development early Odia cinema as well. He was born on 23rd December 1898 in the then princely state of Badamba. His compositions in various traditional ragas are widely sung in the field of Odissi music and dance. Early life Kalicharan Pattnaik was born on 23rd December 1898 in the then princely state of Badamba. He got his early education from Charchika school of Banki. After his education in Banki, he got into Khurda High School and after matriculation for higher education he went to Ravenshaw College Cuttack, but untimely death of his father in 1919 put a stop to his further educational career.After his end of his forma education he took up a job as a Sub-inspector of Schools at Khandapara , Ganjam. Career Kalicharan had a keen interest in dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deba Prasad Das
Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 Sangeet Natak Akademi Award. and 1974 Odisha Sangeet Natak Akademi Award. Biography Deba Prasad Das was born in 1932 in a Karana family at a small village near Cuttack called Keul Chabi Sua, in the Indian state of Odisha to Indramani Devi and Durga Charan Das, a police officer. He lost his mother at an early age and was brought up by his grandfather who was a local violin player. Das did his early schooling at Puri and started picking up music and dance at the age of six from a nearby traditional school (Pathara Akhara) run by Mohan Chandra Mohapatra. However, he had to move to Behrampur when his father was transferred there. When Das was 14, his father sent him to the music school of Radha Raman Ray, a music director working with ''New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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