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Marcus Haddock
Marcus Haddock (born 19 June 1957) is an American opera singer and voice teacher who in the course of his 25-year stage career sang leading tenor roles throughout the United States and Europe. Born in Fort Worth, Texas and trained at the Boston University College of Fine Arts under Phyllis Curtin, Haddock began his career in the United States after winning the Metropolitan Opera National Council Auditions in 1984. From the late 1980s to the late 1990s he was primarily based in Europe where he sang in all the major opera houses, sometimes performing under the name Marcus Jerome-Haddock. He increasingly sang in American opera houses from 1998 and made his Metropolitan Opera debut in 2003 in the title role of ''Faust''. His early roles were those of the ''tenore di grazia'' repertoire, but as his career progressed he also took on heavier lyric and spinto tenor roles such as Rodolfo in ''La bohème'' and Don José in '' Carmen'', both of which he has recorded. Haddock retired from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fort Worth
Fort Worth is the fifth-largest city in the U.S. state of Texas and the 13th-largest city in the United States. It is the county seat of Tarrant County, covering nearly into four other counties: Denton, Johnson, Parker, and Wise. According to a 2022 United States census estimate, Fort Worth's population was 958,692. Fort Worth is the city in the Dallas–Fort Worth–Arlington metropolitan area, which is the fourth most populous metropolitan area in the United States. The city of Fort Worth was established in 1849 as an army outpost on a bluff overlooking the Trinity River. Fort Worth has historically been a center of the Texas Longhorn cattle trade. It still embraces its Western heritage and traditional architecture and design. is the first ship of the United States Navy named after the city. Nearby Dallas has held a population majority as long as records have been kept, yet Fort Worth has become one of the fastest-growing cities in the United States at the beginning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baylor University
Baylor University is a private Baptist Christian research university in Waco, Texas. Baylor was chartered in 1845 by the last Congress of the Republic of Texas. Baylor is the oldest continuously operating university in Texas and one of the first educational institutions west of the Mississippi River in the United States. Located on the banks of the Brazos River next to I-35, between the Dallas–Fort Worth Metroplex and Austin, the university's campus is the largest Baptist university in the world. As of fall, 2021, Baylor had a total enrollment of 20,626 (undergraduate 15,191, graduate 5,435). It is classified among "R1: Doctoral Universities – Very High Research Activity". The university grants undergraduate and graduate degrees, including doctoral and professional degrees. Baylor University's athletic teams, known as the Bears, participate in 19 intercollegiate sports. The university is a member of the Big 12 Conference in the NCAA Division I. History In 1841, 35 d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Bonn
Theater Bonn (also known as the Stadttheater Bonn) is the municipal theatre company of Bonn, North Rhine-Westphalia, Germany. It is an organization that produces operas, musicals, ballets, plays, and concerts. It operates several performance venues throughout the town: for music theatre, the and for plays, and the Choreographisches Theater for ballet and dance. History The history of theatre in Bonn dates back to the time of the electors. End of the 17th century, a court theatre was established at the Electoral Palace, where French and Italian troupes played. In the 18th century, an amateur theatre was established for German plays (''Nationaltheater''), directed by Gustav Friedrich Wilhelm Großmann from 1778 to 1784, who staged the premiere of Schiller's '' Die Verschwörung des Fiesko zu Genua'' on 20 July 1783. The new French government destroyed the court theatre in 1797. In 1826, citizens built their own play house. A new building was opened in 1848, marked by Beeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra National De Bordeaux
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falstaff (Salieri)
''Falstaff, ossia Le tre burle'' (''Falstaff, or The Three Jokes'') is a '' dramma giocoso'' in two acts by Antonio Salieri, set to a libretto by Carlo Prospero Defranceschi after William Shakespeare's '' The Merry Wives of Windsor''. One of the earliest operatic versions of Shakespeare's play, Salieri's ''Falstaff'' is notable for a general compression and streamlining of the original plot, note the absence of the two young lovers, Fenton and Anne, and the addition of a scene in which Mistress Ford pretends to be German to charm Falstaff (actually two such scenes exist, one in a separate score by Salieri was probably omitted from the original Viennese productions). Defranceschi moves the plot and structure away from Elizabethan drama and closer to the standard conventions of late 18th century opera buffa. Highlights include the Sinfonia (overture) in the style of contra dances. The entire opera shows the influence of Mozart's ''Le nozze di Figaro'', which was being successf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Italiana In Algeri
''L'italiana in Algeri'' (; ''The Italian Girl in Algiers'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies. Composition history Rossini wrote ''L'italiana in Algeri'' when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the recitatives as well as the aria "Le femmine d'Italia" to an unknown collaborator. The opera is notable for Rossini's mixing of opera seria style with opera buffa. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet pizzicato basses, leading to a sudden loud burst of sound from the full orchestra. This "surp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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