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Marco Beasley
Marco Beasley (26 February 1957, Naples) is an Italian tenor, voice-actor and musicologist. With composer and harpsichordist Guido Morini, Beasley was one of the three founding members of the Accordone early music ensemble in 1984; Stefano Rocco was later replaced by violinist Enrico Gatti. Beasley is a notable advocate in baroque performance practice for the revival of the recitar cantando of baroque Italy and the frottole of Naples, though his "folk" touches are not equally appreciated by all classical music critics. Beasley sang the lead role of the Ancient Mariner in Luca Francesconi's opera ''Ballata'' at the Leipzig Opera in 2002. Selected discography * Stradella opera ''Moro per Amore''. Velardi. Bongiovanni * ''Musique Baroque a Naples'', E. Barbella, F. Mancini, sonatas Gaetano Latilla: T'aggio voluto bene Giulio Cesare Rubino: cantata ''Lena'', Giuseppe Porsile: Cantata sopra l' arcicalascione. Marco Beasley, with Bruno Ré, Paolo Capirci, Fabio Menditto, Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Porsile
Giuseppe Porsile (also Persile, Porcile, Porsille; Naples, 5 May 1680 – Vienna, 29 May 1750) was a Neapolitan composer and singing teacher. Giuseppe was son of one Carlo Porsile, composer of an opera ''Nerone'' (Naples, 1686). As a young man Giuseppe was well received for his sacred music at the Spanish Chapel in Naples and in 1707/1708 invited to the principal capilla real in Barcelona. At this time he was one of many Neapolitan Musicians invited to serve the court of Charles III. On July 3, 1707, on the oath of allegiance to the new Austrian Viceroy Georg Adam von Martinitz at Aversa Cathedral, Francesco Mancini and Porsile performed a Te Deum of the previous ''maestro de capella'' Gaetano Veneziano (1665–1716) who had fled Naples with the Spanish Viceroy Juan Manuel Fernández Pacheco, 8th Marquis of Villena. Mancini was awarded Veneziano's job, Porsile was awarded that of the former assistant Domenico Sarro. When Charles III removed to Vienna to become Emperor Charles V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Fasolis
Diego Fasolis (born 19 April 1958) is a Swiss classical organist and conductor, the leader of the ensemble I Barocchisti. He has conducted operas in historically informed performance at major European opera houses and festivals, and has made award-winning recordings. Career Born in Lugano, Fasolis studied in Zurich, at both the Zurich Conservatory and the Musikhochschule, organ with Erich Vollenwyder, piano with Jürg Wintschger, voice with Carol Smith, and conducting with Klaus Knall, achieving all four diplomas with distinction. He further studied organ and organ improvisation with Gaston Litaize in Paris, and historically informed performance (HIP) with Michael Radulescu. In 1985 and 1986, he performed the complete organ works by Johann Sebastian Bach, Felix Mendelssohn and Franz Liszt. He received several international awards such as the Stresa first prize, the first prize and scholarship of the Migros-Göhner Foundation, the Hegar Prize, the Traetta Prize 2020, and he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Wind Ensemble
The Netherlands Wind Ensemble ( nl, Nederlands Blazers Ensemble, NBE) comprises musicians from all the major Dutch symphony orchestras. The NBE is regularly featured in special concert series at Amsterdam’s main venues: the Concertgebouw, Paradiso and the new Muziekgebouw aan 't IJ. The NBE also tours abroad, twice per season on average. The artistic leader of the ensemble is oboist Bart Schneemann. History The ensemble was founded in 1959 by Thom de Klerk (1912–1966), principal bassoonist of the Concertgebouw Orchestra who had formed a student wind quintet at the Amsterdam Conservatory (Martine Bakker (flute), Edo de Waart (oboe), George Pieterson (clarinet), Joep Terwey (bassoon) and Jaap Verhaar (horn)). De Klerk wanted to expand the group in order to perform wind serenades like those by Mozart, Antonín Dvořák, Dvorak and Gounod, and aimed to make the ensemble into the "I Musici" for winds. The core of the NBE was a wind octet (pairs of oboes, clarinets, bassoons, and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cypres Records
:''This page is about the Automatic Activation Device for parachutes. For the tree family, see Cupressaceae. For the Mediterranean island, see Cyprus. For the law doctrine, see Cy-près doctrine.'' CYPRES is an acronym for Cybernetic Parachute Release System. It refers to a specific make and model of an automatic activation device (AAD), a device that automatically activates a parachute (typically as a reserve system for a skydiver) under certain circumstances. A CYPRES is designed to activate the reserve parachute at a preset altitude if the rate of descent is over a certain threshold. The manufacturer of the CYPRES is Airtec. The CYPRES works by using a cutter to cut the reserve container closing loop. A spring-loaded pilot chute A pilot chute is a small auxiliary parachute used to deploy the main or reserve parachute. The pilot chute is connected by a bridle to the deployment bag containing the parachute. Pilot chutes are a critical component of all modern skydiving and B ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frottole
The frottola (; plural frottole) was the predominant type of Italian popular secular song of the late fifteenth and early sixteenth century. It was the most important and widespread predecessor to the madrigal. The peak of activity in composition of frottole was the period from 1470 to 1530, after which time the form was replaced by the madrigal. While "frottola" is a generic term, several subcategories can be recognized, as would be expected of a musical form which was used for approximately a hundred years, maintaining immense popularity for more than half of that time. Most typically, a frottola is a composition for three or four voices (more towards the end of the period), with the uppermost voice containing the melody: instrumental accompaniments may have been used. The poem usually has a rhyme scheme of ''abba'' for a ''ripresa'' (reprise), and a stanza of ''cdcdda'' or ''cdcddeea'', though there is much variation between subtypes of frottola. Most likely the poetic form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Landi
Stefano Landi (baptized 26 February 1587 – 28 October 1639) was an Italian composer and teacher of the early Baroque Roman School. He was an influential early composer of opera, and wrote the earliest opera on a historical subject: ''Il Sant'Alessio'' (1632). Biography Landi was born in Rome, the capital of the Papal States. In 1595 he joined the Collegio Germanico in Rome as a boy soprano, and he may have studied with Asprilio Pacelli. Landi took minor orders in 1599 and began studying at the Seminario Romano in 1602. He is mentioned in the Seminary's records as being the composer and director of a Carnival pastoral in 1607; and in 1611 his name appears as an organist and a singer, though he was already ''maestro di cappella'' at S Maria della Consolazione in 1614. Agostino Agazzari was ''maestro di cappella'' at the Seminario Romano, and he may have been one of Landi's teachers as well. In 1618 he had moved to the north of Italy, and published a book of five-voice m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ORF (broadcaster)
('Austrian Broadcasting Corporation'; ORF) is an Austrian national public broadcaster. Funded from a combination of television licence fee revenue and limited on-air advertising, ORF is the dominant player in the Austrian broadcast media. Austria was the last country in continental Europe after Albania to allow nationwide private television broadcasting, although commercial TV channels from neighbouring Germany have been present in Austria on pay-TV and via terrestrial overspill since the 1980s. History of broadcasting in Austria The first unregulated test transmissions in Austria began on 1 April 1923 by Radio Hekaphon, run by the radio pioneer and enthusiast Oskar Czeija ( de; 1887–1958), who applied for a radio licence in 1921; first in his telephone factory in the Brigittenau district of Vienna, later in the nearby TGM technical college. On 2 September, it aired a first broadcast address by Austrian President Michael Hainisch (1858–1940). One year later, a powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christina Pluhar
Christina Pluhar (Graz, 1965) is an Austrian theorbist, harpist, conductor, and director of L'Arpeggiata ensemble.Herz Europas "Christina Pluhar ist eine der innovativsten Musikerinnen der Alte-Musik-Szene, die in ihren Projekten die Grenzen der Musikstile überschreitet und damit wie kaum ein anderer Künstler überzeugt." After studies at the University of Graz, Christina Pluhar recognised her passion for ancient music. From then on, she devoted herself to playing the lute, theorbo and baroque guitar. She gained her knowledge at the Royal Conservatory of The Hague and at the Schola Cantorum Basiliensis. Her teachers included Toyohiko Satoh, Eugen Dombois, Hopkinson Smith, Paul O'Dette, Pat O'Brian and Jesper Bøje Christensen. She learned to play the baroque Arpa Doppia at the Scuola Civica di Milano with Mara Galassi. In 1992, as a member of the Ensemble La Fenice, she received the first prize at the Festival of Early Music in Malmö. Since then she has been living in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arpeggiata
L'Arpeggiata is a European early music group led by Christina Pluhar, and founded by her in 2000. The group has presented both traditional early music and also several collaged and themed performances and recordings. The group focuses on Italian, French and English music from the 17th century. In their music, they often use instrumental improvisations, in which they work together not only with baroque musicians, but also with jazz musicians. Regular members of the group are: * Christina Pluhar, theorbo * Doron David Sherwin, cornetto * Veronika Skuplik, baroque violin * David Mayoral, percussion * Marcello Vitale, baroque guitar * Boris Schmidt, double bass * Eero Palviainen, archlute and baroque guitar * Sarah Louise Ridy, baroque harp * Margit Übellacker, psalterium * Haru Kitamika, harpsichord and organ * Mira Glodeanu, baroque violin * Rodney Prada, viola da gamba * Josetxu Obregón, baroque cello Discography * Kapsberger: ''La Villanella'' Johannette Zomer, Pino de Vitto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
