Marcel Delannoy
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Marcel Delannoy
Marcel-François-Georges Delannoy (9 July 1898 – 14 September 1962) was a French composer and critic.Hoérrée A. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. He wrote operas, ballets, orchestral works, vocal and chamber works, and film scores. Life and career Marcel Delannoy was born at La Ferté-Alais, Essonne, France. He initially studied painting and architecture and entered the École des Beaux-Arts, but at age 20 he took up music. Having been mobilised during the First World War, he then worked as an artist. However, he was initially self-taught and never attended a conservatory, but he did receive some encouragement from Arthur Honegger (whose biography he wrote in 1953) and some lessons from Alexis Roland-Manuel and André Gedalge. He made his name with the opera ''Le Poirier de misère'' (1927), which attracted favourable commentary from Maurice Ravel, among others. That same year, he was one of ten composers who ...
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La Ferté-Alais
La Ferté-Alais () is a commune in France, commune in the Essonne Departments of France, department in Île-de-France in northern France. It is south of Paris. It used to be a fortress closing the access to the French royal estate from the Essonne valley, then became an industrial village with sand and stones. Its airfield (actually in Cerny, Essonne, Cerny), hosts La Ferté-Alais Air Show, a world-famous air show for vintage World War I and World War II, WWII aircraft and a museum of such aircraft. It even has the aircraft (still airworthy) that Louis Blériot used to cross the English Channel in 1909. Inhabitants of La Ferté-Alais are known as ''Fertois''. Town name history The town name was known under the name Firmitas, Firmitas Aalipdis, Firmitas Adelaidis, Ferte in 1091, Firmitas Balduini, la Ferté Baudouin in the 12th century from the name of its lord in the 11th century, Feritas, Firmitas Aidelaidis around 1200, apud Feritatem Alisie in 1266, la Ferté Aales around 12 ...
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Michel Piguet
Michel may refer to: * Michel (name), a given name or surname of French origin (and list of people with the name) * Míchel (nickname), a nickname (a list of people with the nickname, mainly Spanish footballers) * Míchel (footballer, born 1963), Spanish former footballer and manager * Michel (TV series), ''Michel'' (TV series), a Korean animated series * German auxiliary cruiser Michel, German auxiliary cruiser ''Michel'' * Michel catalog, a German-language stamp catalog * St. Michael's Church, Hamburg or Michel * Mikkeli, S:t Michel, a Finnish town in Southern Savonia, Finland People * Alain Michel (other), several people * Ambroise Michel (born 1982), French actor, director and writer. * André Michel (director), French film director and screenwriter * André Michel (lawyer), human rights and anti-corruption lawyer and opposition leader in Haiti * Anette Michel (born 1971), Mexican actress * Anneliese Michel (1952 - 1976), German Catholic woman undergone exorcism * Ann ...
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Georges Auric
Georges Auric (; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault, France. He was considered one of ''Les Six'', a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer. Early life and education Georges Auric began his musical career at a young age, performing a piano recital at the Société musicale indépendante at the age of 14. Several songs that he had written were then performed in the following year by Société Nationale de Musique. Along with his early successes professionally, Auric studied music at the Paris Conservatoire, as well as composition with Vincent d'Indy at the Schola Cantorum de Paris and Albert Roussel. Having gained recognition as a child prodigy both in composition and piano performance, he became a protégé of Erik Satie durin ...
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Classical Music Written In Collaboration
In classical music, it is relatively rare for a work to be written in collaboration by multiple composers. This contrasts with popular music, where it is common for more than one person to contribute to the music for a song. Nevertheless, there are instances of collaborative classical music compositions. Collaborations The following list gives some details of classical works written by composers working collaboratively. Opera and operetta * In 1656, ''The Siege of Rhodes'' was written in London, and is considered to be the first English opera. The vocal music is by Henry Lawes, Matthew Locke, and Captain Henry Cooke, and the instrumental music is by Charles Coleman and George Hudson. * In 1721, Filippo Amadei, Giovanni Bononcini and George Frideric Handel each wrote one act of the opera ''Muzio Scevola''. * Also in 1721, Michel Richard Delalande and André Cardinal Destouches jointly composed the opera-ballet ''Les élémens''. * Between the 1720s and the 1760s, François Fran ...
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A Midsummer Night's Dream
''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Characters * Theseus—Duke of Athens * Hippolyta—Queen of the Amazons * Egeus—father of Hermia * Hermia—daughter of Egeus, in love with Lysander * Lysander—in love with Hermia * Demetrius—suitor to Hermia * Helena—in love with Demetrius * Philostrate—Master of the Revels * Peter Quince—a carpenter * Nick Bottom—a weaver * Francis Flute—a bellows-mender * Tom Snout—a tinker * ...
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Puck (opera)
''Puck'' is an opéra-féerique in three acts with music by Marcel Delannoy, premiered in 1949. The French libretto was adapted by André Boll from Shakespeare’s '' A Midsummer Night's Dream''. Hoérée, Arthur. Marcel Delannoy. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Background It was first performed at the Opéra Municipal in Strasbourg on 29 January 1949 directed by Roger Lalande with scenery and costumes designed by Boll.Feschotte J. Création à Strasbourg: Puck. In: ''Almanach de la Musique 1950.'' Éditions de Flore, Paris, 128-129. The Strasbourg production was seen at the Théâtre des Champs-Élysées on 17 November 1949 and at the Theater des Westens in Berlin on 22 September 1951. The Paris Conservatoire Orchestra conducted by André Cluytens André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. ...
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Irène Joachim
Irène Joachim (13 March 1913 - 20 April 2001) was a French soprano, and later a vocal teacher. Early life Daughter of German officer Herman Joachim and French violinist Suzanne Chaigneau, and granddaughter of the violinist Joseph Joachim, she learnt violin and piano as a child. She was bilingual in German and French. Just before the outbreak of the First World War she and her parents left Paris for Berlin, staying in a pension in the Lutherstrasse for the remainder of the war. Her father died of tuberculosis in 1917, and due to the hardships of life in the German capital Joachim was sent back to France in the autumn of 1918, living with an aunt before her mother returned in 1920.Massin B. ''Les Joachim – Une famille de musiciens.'' Fayard, Paris, 1999. Due to health problems and her mother’s professional life-style, Joachim was educated privately, firstly by Jeanne Favart. Afternoons were devoted to music studies : violin, piano and solfège. As a child she heard musicians ...
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Nicole Wild
Nicole Wild (20 June 1929 – 29 December 2017) was a French musicologist, chief curator at the Paris Opera Library and Museum, and a specialist in the history and iconography of opera in France in the 19th century. Early life and education Born in Reims, Wild received her musical training at the (music theory, harmony, counterpoint, music history, music teaching certificate in 1953, first organ prize in 1955), where she taught music education in schools, technical college and music school from 1953 to 1962. For the organ, she also received instruction from André Marchal and completed internships at the Saint-Maximin Organ Academy. She was organist of the Temple protestant de Reims from 1955 to 1962, then of the Palaiseau temple from 1967. From 1968 to 1973, she was also chief editor of the magazine "Musique et chant", published by the Federation of music and song of French Protestantism. She studied at the University of Paris, where she obtained a certificate in music histor ...
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Roger Désormière
Roger Désormière () (13 September 1898 – 25 October 1963) was a French conductor. He was an enthusiastic champion of contemporary composers, but also conducted performances of early eighteenth century French music. Life and career Désormière was born in Vichy in 1898. He studied at the Paris Conservatoire, where his professors included Philippe Gaubert (flute), Xavier Leroux and Charles Koechlin (composition), and Vincent d'Indy (conducting). In 1922 he won the Prix Blumenthal and in 1923 became part of the Ecole d’Arcueil. Désormière's early conducting experience was largely with the Ballets suédois and Sergei Diaghilev's Ballets Russes. He was conductor of the Ballets suédois's premiere of '' Relâche'' (1924), a film and music presentation by Francis Picabia and Erik Satie, with the film segment, ''Entr'acte'', directed by René Clair. He then worked for the Diaghilev company from 1925 until the impresario's death, conducting the premieres of ''Barabau'' by Vittorio ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Charles Munch (conductor)
Charles Munch (; born Charles Münch, 26 September 1891 – 6 November 1968) was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra. Life and career Munch was born in 1891 in Strasbourg, Alsace. The son of organist and choir director Ernst Münch, he was the fifth of six children. He was the brother of conductor Fritz Münch and the cousin of conductor and composer Hans Münch. Although his first ambition was to be a locomotive engineer, he studied violin at the Strasbourg Conservatoire. His father, Ernst, was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins. After receiving his diploma in 1912, Charles studied with Carl Flesch in Berlin and Lucien Capet at the Conservatoire de Paris. He was conscripted into the German army in World War I, serving as ...
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