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Marc Vaubourgoin
Jean Joseph Marc Vaubourgoin (19 March 1907 in Caudéran (today a western neighbourhood of Bordeaux) – 1 April 1983 in the 10th arrondissement of Paris) was a 20th-century French composer. Biography Marc Vaubourgoin's father, Julien Fernand Vaubourgoin, a composer and teacher, gave him his first music lessons. Marc entered the Conservatoire de Bordeaux and then completed his studies at the Conservatoire de Paris with André Gedalge, Noël Gallon (counterpoint and fugue), Charles-Marie Widor and Paul Dukas (composition). In 1930, he won the 2nd Grand Prix de Rome for his cantata ''Actéon''. He directed the Conservatoire de Nantes from 1937 to 1943, then became conductor for the Radiodiffusion française. In 1954, he became director of the musicology department of the ORTF. As such, he was interested in exhuming works by composers from the 18th century that had been forgotten until then, such as ''Hippolyte et Aricie'' by Jean-Philippe Rameau, while baroque music was not yet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1907 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix De Rome For Composition
Prix was an American power pop band formed in Memphis, Tennessee, in 1975 by Tommy Hoehn and Jon Tiven. The group ended up primarily as a studio project. Its recordings were produced by Tiven along with former Big Star member Chris Bell, who also played guitar and sang backup vocals. Prix is also famous of Banjo playing. Alex Chilton also participated in the recordings, along with session drummer Hilly Michaels. Although the group generated some major record label interest—notably from Mercury Records and Columbia/CBS Records—it ultimately only released a double A-side single on Ork Records in 1977 and a single on Miracle Records in 1978. Its only live performance came at a CBS Records showcase in 1976. In 1977, just as Ork Records released the first single and booked the group at CBGB, Prix broke up due both to Hoehn's unwillingness to remain in New York and to creative differences. In 1978, two of the songs recorded during the Prix sessions were included on ''Losing You to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Dumesnil
René Dumesnil (19 June 1879 – 24 December 1967) was a French physician, literary critic and musicologist. Dumesnil studied literature at the Sorbonne and became a literary critic. Then he was music critic for '' Le Mercure de France'' and ''Le Monde ''Le Monde'' (; ) is a French daily afternoon newspaper. It is the main publication of Le Monde Group and reported an average circulation of 323,039 copies per issue in 2009, about 40,000 of which were sold abroad. It has had its own website si ...''. He was elected a member of the Académie des beaux-arts in 1965. In addition to his publications in literature (numerous studies on Flaubert, Maupassant and Realism (arts), realism, he has written a number of books on music. Dumesnil wofour prizes awarded by the Académie française Publications His writings were published in Paris (unless otherwise stated). Critics and literary history *1912: ''Autour de Flaubert'', (in collaboration with René Descharmes) *1928: ''En ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Et Aricie
('' Hippolytus and Aricia'') was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy ''Phèdre''. The opera takes the traditional form of a with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work. Background Rameau was almost 50 when he wrote ''Hippolyte et Aricie'' and there was little in his life to suggest he was about to embark on a major new career as an opera composer. He was famous for his works on music theory as well as books of harpsichord pieces. The closest he had come to writing dramatic music was composing a few secular cantatas and some popular pieces for the Paris fairs for his friend Alexis Piron. Yet Rameau's eagerness to write an opera is shown by a letter he wrote in October 1727 to Antoine Houd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radiodiffusion Française
Radiodiffusion Française (RDF) was a French public institution responsible for public service broadcasting. Created in 1944 as a state monopoly (replacing Radiodiffusion Nationale), RDF worked to rebuild its extensive network, destroyed during the war. It was replaced in 1949 by Radiodiffusion-Télévision Française (RTF). RDF managed four radio stations: Le Programme National (''The National Program''), Le Programme Parisien (''The Parisian Program''), Paris-Inter and Radio-Sorbonne (the latter produced by the Sorbonne University). Also, it managed the TV channel RDF Télévision française. All stations are fully run by the French government The Government of France (French: ''Gouvernement français''), officially the Government of the French Republic (''Gouvernement de la République française'' ), exercises executive power in France. It is composed of the Prime Minister, who i .... References Radio in France Television networks in France Public broadcasting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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