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Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the devel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the devel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Sacchi
Andrea Sacchi (30 November 159921 June 1661) was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori. Early training Sacchi was born in Rome. His father, Benedetto, was an undistinguished painter. According to the biographer Giovanni Pietro Bellori (who was also a great friend of Sacchi's), Andrea initially entered the studio of Cavalier d'Arpino. These are Bellori's words: Sacchi later entered Francesco Albani's workshop and spent most of his time in Rome where he eventually died. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini. Mature style A contemporary rival of Pietro da Cortona, Sacchi studied the paintings of Raphael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Battista Gaulli
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Clement IX
Pope Clement IX ( la, Clemens IX; it, Clemente IX; 28 January 1600 – 9 December 1669), born Giulio Rospigliosi, was head of the Catholic Church and ruler of the Papal States from 20 June 1667 to his death in December 1669. Biography Early life and education Giulio Rospigliosi was born in 1600 to the Rospigliosi family, a noble family of Pistoia in the Grand Duchy of Tuscany to Giacomo and Caterina Rospigliosi. He studied at the Seminario Romano and later at the University of Pisa as a pupil of the Jesuits, receiving doctorates in theology, philosophy and both canon and civil law in 1623. After receiving his doctorates, he taught theology there as a professor from 1623 to 1625. Episcopate and cardinalate Later Rospigliosi worked closely with Pope Urban VIII (1623–1644) where he worked in the diplomatic corps as the Referendary of the Apostolic Signatura. He was appointed as the Titular Archbishop of Tarsus in 1644 and later received episcopal consecration in the Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Altieri
Palazzo Altieri is a palace in Rome, which was the home of the Altieri family in the city. The palace faces the square in front of the Church of the Gesù. The Altieri The Altieri were one of the prominent families in Rome claiming descendancy from Roman nobility, and included Pope Clement X (reigned 1670-1676). When Giambattista Altieri was elevated to Cardinal by Pope Urban VIII, he decided his existing house was not impressive enough; not befitting his new title so in 1650 he commissioned Giovan Antonio de' Rossi to begin renovations at the site. When Pope Clement ascended to the papal throne in 1670, further renovations were overseen by the pope's Cardinal-Nephew, Paluzzo Paluzzi Altieri degli Albertoni. By 1673, the grand salon was complete. Cardinal Camillo Massimo recommended Carlo Maratta as the artist, and Giovanni Bellori helped with the iconography. ''Clemency'' (punning with pope's name) is surrounded by ''Public Happiness'' and other cardinal virtues. Modern us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Dei Sette Dolori, Rome
Santa Maria dei Sette Dolori is a Baroque church in Rome built attached to a convent in the rione of Trastevere, located on Via Garibaldi, near the intersection with Via dei Panieri. Construction of the church was begun in 1643 with plans by Francesco Borromini, annexed to an Augustinian nunnery that was founded by Camilla-Virginia Savelli Farnese, Duchess of Latera. However, when the fortunes of the House of Farnese declined, so did the funding for the church, and by 1655 the work was stopped. The convent underwent a number of tribulations during the nineteenth century, however, it was not deconsecrated in 1873, as were many other monasteries. Since then, the nunnery has slowly ebbed and most of the convent is now the Hotel Donna Camilla Savelli. The Diocese presently lists the church as being in the care of the few remaining nuns of the order of ''Suore Oblate del Santo Bambino Gesù''. The monastery also served as a place to hide Jews from the fascist authorities active in the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taddeo Barberini
Taddeo Barberini (1603–1647) was an Italian nobleman of the House of Barberini who became Prince of Palestrina and Gonfalonier of the Church; commander of the Papal Army. He was a nephew of Pope Urban VIII and brother of Cardinals Francesco Barberini and Antonio Barberini. Thanks to their uncle's famous nepotism, the brothers shaped 17th-century Italian politics, religion, art, music and architecture. Biography Barberini was born in 1603, the son of Carlo Barberini and Costanza Magalotti. He was the nephew of brothers cardinal Maffeo Barberini (later Pope Urban VIII) and Antonio Marcello Barberini (later also Cardinal) and of Lorenzo Magalotti. He was the brother of Francesco Barberini and Antonio Barberini, both of whom became Cardinals when their uncle became pope. Like his brothers, Taddeo was educated at the ''Collegio Romano''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Pace
Santa Maria della Pace is a church in Rome, central Italy, not far from Piazza Navona. The building lies in rione Ponte. History The current building was built on the foundations of the pre-existing church of Sant'Andrea de Aquarizariis in 1482, commissioned by Pope Sixtus IV. The church was rededicated to the Virgin Mary to commemmorate a miraculous bleeding of a Madonna image there in 1480. The author of the original design is not known, though Baccio Pontelli has been proposed. In 1656–67 Pope Alexander VII commissioned Pietro da Cortona to enlarge the tiny Piazza della Pace in front of the 15th-century church of Santa Maria, to accommodate the carriages of its wealthy parishioners. Several houses had to be demolished. This also involved the design of a new Baroque facade complete with semicircular portico. The newly formed piazza, focused on the church facade even in its architectural detailing, had the additional benefits of facilitating the turning of coaches which ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lateran
250px, Basilica and Palace - side view Lateran and Laterano are the shared names of several buildings in Rome. The properties were once owned by the Lateranus family of the Roman Empire. The Laterani lost their properties to Emperor Constantine who gave them to the Catholic Church in 311. The most famous Lateran buildings are the Lateran Palace, once called the Palace of the Popes, and the Archbasilica of Saint John Lateran, the cathedral of Rome, which although part of Italy is a property of the Holy See, which has extraterritorial privileges as a result of the 1929 Lateran Treaty. As the official ecclesiastical seat of the pope, Saint John Lateran is the papal ''cathedra''. The Lateran is Christendom's earliest basilica. Attached to the basilica is the Lateran Baptistery, one of the oldest in Christendom. Other constituent parts of the Lateran complex are the building of the Scala Sancta with the Sancta Sanctorum and the Triclinium of Pope Leo III. The Pontifical Lateran Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander VII
Pope Alexander VII ( it, Alessandro VII; 13 February 159922 May 1667), born Fabio Chigi, was head of the Catholic Church and ruler of the Papal States from 7 April 1655 to his death in May 1667. He began his career as a vice- papal legate, and he held various diplomatic positions in the Holy See. He was ordained as a priest in 1634, and he became bishop of Nardo in 1635. He was later transferred in 1652, and he became bishop of Imola. Pope Innocent X made him secretary of state in 1651, and in 1652, he was appointed a cardinal. Early in his papacy, Alexander, who was seen as an anti-nepotist at the time of his election, lived simply; later, however, he gave jobs to his relatives, who eventually took over his administration. His administration worked to support the Jesuits. However, his administration's relations with France were strained due to his frictions with French diplomats. Alexander was interested in architecture and supported various urban projects in Rome. He als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
