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Manuel M. Ponce
Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948) was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and form of traditional songs. Biography Early years Born in Fresnillo, Zacatecas, Manuel Maria Ponce moved with his family to the city of Aguascalientes only a few weeks after his birth and lived there until he was 15 years old. He was famous for being a musical prodigy; according to his biographers, he was barely four years of age when, after having listened to the piano classes received by his sister, Josefina, he sat in front of the instrument and interpreted one of the pieces that he had heard. Immediately, his parents had him receive classes in piano and musical notation. Traveling years In 1901 Ponce entered the Nati ...
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National Science And Arts Prize
The National Prize for Arts and Sciences ( es, Premio Nacional de Ciencias y Artes) is awarded annually by the Government of Mexico in six categories. It is part of the Mexican Honours System and was established in 1945. The prize is a gold medal and 520,000 pesos. Selected winners ''For a complete list of winners in tabular format, see the corresponding article in Spanish.'' Linguistics and literature ''Lingüística y Literatura'' *1935: Gregorio López y Fuentes *1946: Alfonso Reyes *1949: Mariano Azuela González *1958: Martín Luis Guzmán *1964: Carlos Pellicer Cámara *1965: Ángel María Garibay *1966: Jaime Torres Bodet *1967: Salvador Novo López *1968: José Gorostiza *1969: Silvio Zavala Vallado *1970: Juan Rulfo *1971: Daniel Cosío Villegas *1972: Rodolfo Usigli *1973: Agustín Yáñez *1974: Rubén Bonifaz Nuño *1975: Francisco Monterde *1976: ** Antonio Gómez Robledo ** Efraín Huerta *1977: Octavio Paz *1978: Fernando Benítez *1979: Juan José Arr ...
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UNAM
The National Autonomous University of Mexico ( es, Universidad Nacional Autónoma de México, UNAM) is a public research university in Mexico. It is consistently ranked as one of the best universities in Latin America, where it's also the biggest in terms of enrollment. A portion of UNAM's main campus in Mexico City, known as '' Ciudad Universitaria'' (University City), is a UNESCO World Heritage site that was designed by some of Mexico's best-known architects of the 20th century and hosted the 1968 Summer Olympic Games. Murals in the main campus were painted by some of the most recognized artists in Mexican history, such as Diego Rivera and David Alfaro Siqueiros. With acceptance rates usually below 10%, and its research, especially in Artificial Intelligence, being recognized by UNESCO as one of the most impactful globally, UNAM is known for its high quality research and educational level. All Mexican Nobel laureates are either alumni or faculty of UNAM. UNAM was founded, in ...
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Violin Concerto (Ponce)
Manuel Ponce's Violin Concerto was composed in 1943 and premiered on August 20 by Henryk Szeryng and the Mexico Symphony conducted by Ponce's former pupil Carlos Chávez. It was the last of his three concertos (the other ones for guitar, and for piano), written five years before his death. It lasts c. 30 minutes and consists of an eclectic Allegro, a lyrical Andante discreetly quoting his 1910 song ''Estrellita'' and a joyful Vivo. Mexican dance elements are integrated in the first movement's framework and evident in the finale.Review of the Centaur release
by Jonathan Woolf in Musicweb-international.com #''Allegro non troppo'' #''Andante espressivo'' #''Vivo giocoso''


Discography

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Concierto Para Piano No
''Concierto'' is an album by the Jim Hall sextet, featuring Paul Desmond, Chet Baker, Ron Carter, Steve Gadd and Roland Hanna. It was produced by Creed Taylor for his CTI Records label and recorded at Van Gelder Studio in New Jersey on April 16 and 23, 1975. ''Concierto'' is named after the featured 19-minute jazz version of the classical piece for guitar, ''Concierto de Aranjuez'' by Joaquín Rodrigo. Track listing #"You'd Be So Nice to Come Home To" (Cole Porter) – 7:08 #"Two's Blues" (Jim Hall) – 3:51 #"The Answer Is Yes" (Jane Hall) – 7:41 #"Concierto de Aranjuez" (Joaquín Rodrigo) – 19:22 Bonus tracks on CD reissue: #"Rock Skippin'" (Ellington, Strayhorn) – 6:14 #"Unfinished Business" (Andrews, Carter, Chavez, Hall, Von Roth) – 2:37 #"You'd Be So Nice to Come Home To" lternate Take- 7:28 #"The Answer Is Yes" lternate Take- 5:36 #"Rock Skippin'" lternate Take- 6:05 ''Tracks 3, 4 recorded on April 16, 1975; tracks 1, 2, 6, 8 on April 23, 1975.'' Personne ...
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Rafael Puyana
Rafael Antonio Lázaro Puyana Michelsen (14 October 19311 March 2013) was a Colombian harpsichordist. Puyana was born in Bogotá in 1931, and began piano lessons at age 6 with his aunt and at age 13 made his debut at the Teatro Colón in Bogotá. When he was 16, he went to Boston to continue his piano studies at the New England Conservatory. He subsequently studied harpsichord with Wanda Landowska and musical composition with Nadia Boulanger in Paris. Puyana made his harpsichord début in New York in 1957. In 1961, he débuted in Boston in the Peabody Mason Concert series. One reviewer was so impressed by his performance, the sub-headline read: "Without any doubt, Rafael Puyana's recital at Jordan Hall last night was by far the greatest program of harpsichord music I have ever heard". He made his London debut in 1966. Puyana performed with Yehudi Menuhin, Leopold Stokowski and Andrés Segovia. Composers Federico Mompou and Xavier Montsalvatge dedicated compositions to him ...
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Andrés Segovia
Andrés Segovia Torres, 1st Marquis of Salobreña (21 February 1893 – 2 June 1987) was a Spanish virtuoso classical guitarist. Many professional classical guitarists were students of Segovia or their students. Segovia's contribution to the modern-romantic repertoire included not only commissions but also his own transcriptions of classical or baroque works. He is remembered for his expressive performances: his wide palette of tone, and his distinctive musical personality, phrasing and style. Early life Segovia was born on 21 February 1893 in Linares, Jaén. He was sent at a very young age to live with his uncle Eduardo and aunt María. Eduardo arranged for Segovia's first music lessons with a violin teacher after he had recognised that Segovia had an aptitude for music. That proved to be an unhappy introduction to music for the young Segovia because of the teacher's strict methods, and Eduardo stopped the lessons. His uncle decided to move to Granada to allow Segovia to ob ...
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Concierto Del Sur
The ''Concierto del Sur'' (Spanish: ''Concerto of the South'') is a concerto for classical guitar and orchestra written by the Mexican composer Manuel M. Ponce. The concerto was written for the Spanish guitarist Andrés Segovia, who premiered it in 1941. Structure The concerto consists of three movements: # ''Allegro moderato'' # ''Andante'' # ''Allegro moderato e festivo'' Recordings * ''The Segovia Collection, Vol. 2: Ponce, Rodrigo, Torroba''. Andrés Segovia (guitar), Symphony of the Air, Enrique Jordá. BMG, 1987 * ''John Williams: The Great Guitar Concertos''. John Williams (guitar), London Symphony Orchestra, André Previn André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved .... CBS, 1989 * ''Rodrigo: Concierto de Aranjuez / Villa‐Lobos: Concerto for Guitar / Ponce: Concierto d ...
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Sylvius Leopold Weiss
Sylvius Leopold Weiss (12 October 168716 October 1750) was a German composer and lutenist. Born in Grottkau near Breslau, the son of Johann Jacob Weiss, also a lutenist, he served at courts in Breslau, Rome, and Dresden, where he died. Until recently, he was thought to have been born in 1686, but recent evidence suggests that he was in fact born the following year. Weiss was one of the most important and most prolific composers of lute music in history and one of the best-known and most technically accomplished lutenists of his day. He was a teacher to Philip Hyacinth, 4th Prince Lobkowicz, and the prince's second wife Anna Wilhelmina Althan. In later life, Weiss became a friend of Wilhelm Friedemann Bach and met J.S. Bach through him. Bach and Weiss were said to have competed in improvisation, as the following account by Johann Friedrich Reichardt describes: "Anyone who knows how difficult it is to play harmonic modulations and good counterpoint on the lute will be surprise ...
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Duo-Art
Duo-Art was one of the leading reproducing piano technologies of the early 20th century, the others being American Piano Company (Ampico), introduced in 1913 too, and Welte-Mignon in 1905. These technologies flourished at that time because of the poor quality of the early Phonograph (Gramophone in Britain).Daily Telegraph, Gerald Stonehill Obituary 8 Mar 11 Between 1913 and 1925 a number of distinguished classical and popular pianists, such as Ignace Paderewski, Josef Hofmann, Percy Grainger, Teresa Carreño, Aurelio Giorni, Robert Armbruster and Vladimir Horowitz, recorded for Duo-Art, and their rolls are a legacy of 19th-century and early 20th-century aesthetic and musical practice. The recording process – using a piano wired to a perforating machine – was unable to capture the pianist's dynamics automatically. These were added by a recording technician, who manipulated hand controls to notate the dynamics onto the recording 'master'. Thus, post-recording editing was requir ...
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