Manuel Agromayor
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Manuel Agromayor
Manuel Agromayor Santiago (21 March 1900 – ) was an Argentine screenwriter and journalist from Buenos Aires. At the 1944 Argentine Film Critics Association Awards he won the Silver Condor Award for Best Adapted Screenplay with Pedro E. Pico and Alfredo de la Guardia for '' Juvenilia''. He also wrote the script with de la Guardia for '' Inspiración'' (1945) and '' Allá en el setenta y tantos'' (1946). Selected filmography * ''Back in the Seventies ''Back in the Seventies'' (Spanish:''Allá en el setenta y tantos'') is a 1945 Argentine historical drama film directed by Francisco Múgica and starring Silvana Roth, Carlos Cores and Felisa Mary. Roth plays Cecilia Ramos, a fictionalized ve ...'' (1945) References External links * Argentine screenwriters Argentine male screenwriters Argentine male writers 1900 births Year of death missing {{screenwriter-stub ...
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Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ...
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1944 Argentine Film Critics Association Awards
The 1944 Argentine Film Critics Association Awards ceremony was held in Buenos Aires on 4 April 1944 to honour the best films and contributors to Argentine cinema in 1943. Awards given *Best Film (Mejor Película): '' Juvenilia'' *Best Director (Mejor Director): Augusto César Vatteone for ''Juvenilia'' * Best Actor (Mejor Actor): Francisco Petrone for '' Todo un hombre'' *Best Actress (Mejor Actriz): Mecha Ortiz for ''Safo, historia de una pasión'' * Best Supporting Actor (Mejor Actor de Reparto): Eloy Álvarez for ''Juvenilia'' * Best Supporting Actress (Mejor Actriz de Reparto): Leticia Scuri for ''Three Men of the River'' (''Tres hombres del río'') *Best Original Screenplay (Mejor Guión Original): Rodolfo González Pacheco, Hugo Mac Dougall, Eliseo Montaine for ''Three Men of the River'' * Best Adapted Screenplay (Mejor Guión Adaptado): Pedro E. Pico, Manuel Agromayor, Alfredo de la Guardia for ''Juvenilia'' * Best Cinematography (Mejor Fotografía): Fran ...
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Silver Condor Award For Best Adapted Screenplay
The Silver Condor Award for Best Adapted Screenplay ( es, Premio Cóndor de Plata al mejor guion adaptado), given by the Argentine Film Critics Association, awards the best adapted screenplay in film in Argentina each year: {{Argentine Film Critics Association Awards Argentine Film Critics Association ...
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Pedro E
Pedro is a masculine given name. Pedro is the Spanish, Portuguese, and Galician name for ''Peter''. Its French equivalent is Pierre while its English and Germanic form is Peter. The counterpart patronymic surname of the name Pedro, meaning "son of Peter" (compare with the English surname Peterson) is Pérez in Spanish, and Peres in Galician and Portuguese, Pires also in Portuguese, and Peiris in coastal area of Sri Lanka (where it originated from the Portuguese version), with all ultimately meaning "son of Pêro". The name Pedro is derived via the Latin word "petra", from the Greek word "η πέτρα" meaning "stone, rock". The name Peter itself is a translation of the Aramaic ''Kephas'' or '' Cephas'' meaning "stone". An alternate archaic spelling is ''Pêro''. Pedro may refer to: Notable people Monarchs, mononymously *Pedro I of Portugal *Pedro II of Portugal *Pedro III of Portugal *Pedro IV of Portugal, also Pedro I of Brazil *Pedro V of Portugal *Pedro II of Bra ...
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Alfredo De La Guardia
Alfredo de la Guardia was an Argentine screenwriter. At the 1944 Argentine Film Critics Association Awards he won the Silver Condor Award for Best Adapted Screenplay with Pedro E. Pico and Manuel Agromayor for '' Juvenilia''. He also wrote the script with Agromayor for '' Inspiración'' (1945) and ''Back in the Seventies'' (1945). Selected filmography * ''Back in the Seventies ''Back in the Seventies'' (Spanish:''Allá en el setenta y tantos'') is a 1945 Argentine historical drama film directed by Francisco Múgica and starring Silvana Roth, Carlos Cores and Felisa Mary. Roth plays Cecilia Ramos, a fictionalized ve ...'' (1945) References External links * Argentine screenwriters Male screenwriters Argentine male writers Year of birth missing Year of death missing {{screenwriter-stub ...
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Juvenilia (film)
''Juvenilia'' is a 1943 Argentine comedy-drama film directed by Augusto César Vatteone. One of the most critically acclaimed Argentine films of 1943, at the 1944 Argentine Film Critics Association Awards the film won the Silver Condor Award for Best Film, Best Director for Vatteone, Best Supporting Actor for Eloy Álvarez and Best Adapted Screenplay for writers Pedro E. Pico, Manuel Agromayor and Alfredo de la Guardia. Cast * Elisa Christian Galvé * José Olarra *Ernesto Vilches * Eloy Álvarez *Ricardo Passano *Hugo Pimentel *Mario Medrano * Rafael Frontaura *Gregorio Verdi *Domingo Márquez Domingo Márquez was an Argentine actor. He starred in films like '' The Best Father in the World '' (1941), '' Los martes, orquídeas'' (1941), ''Filomena Marturano'' (1950), and '' The Fire Girl'' (1952). He had a minor role in the acclaimed Sil ... References External links * 1943 films 1940s Spanish-language films Argentine black-and-white films Films directed by A ...
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Allá En El Setenta Y Tantos
''Back in the Seventies'' (Spanish:''Allá en el setenta y tantos'') is a 1945 Argentine historical drama film directed by Francisco Múgica and starring Silvana Roth, Carlos Cores and Felisa Mary. Roth plays Cecilia Ramos, a fictionalized version of Élida Paso (1867-1893) an Argentine pharmacist who became the first woman from South America to graduate from a university. The film's sets were designed by Mario Vanarelli. Cast *Silvana Roth as Cecilia Ramos *Carlos Cores *María Armand *Alberto Bello *Carlos Bellucci * Olimpio Bobbio * Dario Garzay *Gloria Grey *José María Gutiérrez *Virginia Luque *Domingo Mania * Federico Mansilla *Felisa Mary * Mario Medrano * Gonzalo Palomero *Matilde Rivera *Jorge Villoldo Jorge is a Spanish and Portuguese given name. It is derived from the Greek name Γεώργιος ('' Georgios'') via Latin ''Georgius''; the former is derived from (''georgos''), meaning "farmer" or "earth-worker". The Latin form ''Georgius'' ... External links ...
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Back In The Seventies
''Back in the Seventies'' (Spanish:''Allá en el setenta y tantos'') is a 1945 Argentine historical drama film directed by Francisco Múgica and starring Silvana Roth, Carlos Cores and Felisa Mary. Roth plays Cecilia Ramos, a fictionalized version of Élida Paso (1867-1893) an Argentine pharmacist who became the first woman from South America to graduate from a university. The film's sets were designed by Mario Vanarelli. Cast *Silvana Roth as Cecilia Ramos *Carlos Cores * María Armand *Alberto Bello *Carlos Bellucci * Olimpio Bobbio *Dario Garzay *Gloria Grey *José María Gutiérrez *Virginia Luque *Domingo Mania *Federico Mansilla *Felisa Mary *Mario Medrano *Gonzalo Palomero *Matilde Rivera *Jorge Villoldo Jorge is a Spanish and Portuguese given name. It is derived from the Greek name Γεώργιος ('' Georgios'') via Latin ''Georgius''; the former is derived from (''georgos''), meaning "farmer" or "earth-worker". The Latin form ''Georgius'' ... External links * ...
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Argentine Screenwriters
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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Argentine Male Screenwriters
Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other imm ...
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Argentine Male Writers
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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