Manne–That's Gershwin!
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Manne–That's Gershwin!
''Manne–That's Gershwin!'' is an album by drummer Shelly Manne featuring music by George Gershwin, recorded in 1965 and released on the Capitol label.Capitol Records discography
accessed August 18, 2015


Reception

The reviewer stated: "Although not all that memorable, this music generally swings, leaves space for concise solos and is fairly fresh".


Track listing

''All compositions by George and Ira Gershwin, except as indicated'' # "

Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ...
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The Man I Love (song)
"The Man I Love" is a popular standard in AABA form with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy '' Lady, Be Good'', the song was deleted from that show and put into the Gershwins' 1927 government satire '' Strike Up the Band'' (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit '' Rosalie''. Covers Like many songs from George and Ira Gershwin, "The Man I Love" is considered part of the Great American Songbook and was covered on stage and on record by many artists. It was recorded by Kate Bush in 1994 for Larry Adler's '' The Glory of Gershwin'' tribute album and released as a single, which reached number 27 on the British charts. In 2004, the Brazilian singer-songwriter Caetano Veloso who identifies himself as bisexual recorded a gay version of the song for his English-language album ''A Foreign Sound'' ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Frank Strozier
Frank R. Strozier Jr. (born June 13, 1937) is a jazz alto saxophonist. Strozier was born in Memphis, Tennessee, where he learned to play piano. In 1954, he moved to Chicago, where he performed with Harold Mabern, George Coleman, and Booker Little (like Strozier, they were from Memphis). He recorded with the MJT + 3 from 1959 to 1960 and led sessions for Vee-Jay Records. After moving to New York, Strozier was briefly with the Miles Davis Quintet in 1963 (between the tenures of Hank Mobley and George Coleman) and also gigged with Roy Haynes. After moving to Los Angeles, he worked with Chet Baker, Shelly Manne, and the Don Ellis big band. Returning to New York in 1971, he worked with Keno Duke's Jazz Contemporaries, the New York Jazz Repertory Company, Horace Parlan, and Woody Shaw. Discography As leader * ''Fantastic Frank Strozier'' (Vee-Jay, 1960) * '' Long Night'' ( Jazzland, 1961) * ''March of the Siamese Children'' (Jazzland, 1962) * '' Remember Me'' ( SteepleChase, 1977) * ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Mike Barone
Mike Barone (born December 27, 1936) is an American jazz trombonist, composer, arranger and big band leader. Mike was born in Detroit and raised in Cleveland. His brother, Gary Barone, was a trumpeter. Discography As leader * 1981 ''Blues & Other Happy Moments'', Barone Brothers (Palo Alto Jazz) * 1998 ''Live at Donte's 1968'', Mike Barone Big Band (VSOP) * 2005 ''Live 2005!'', Mike Barone Big Band (Rhubarb) * 2006 ''Metropole'', Mike Barone Big Band (Rhubarb) As sideman * Dizzy Gillespie, ''The New Continent'' (Limelight, 1962) * Shelly Manne, ''My Fair Lady with the Un-original Cast'' (Capitol, 1964) * Pete Jolly, ''Pete Jolly and Friends'' ( Äva, 1964) * Oliver Nelson, ''Sound Pieces'' (Impulse!, 1966) * Gerald Wilson Orchestra'', The Golden Sword'' (Pacific Jazz, 1966) * Johnny Hartman, ''I Love Everybody'' (ABC, 1967) * Harvey Mandel, ''Righteous'' (Philips, 1969) * Supersax, ''Supersax Plays Bird'' (Capitol, 1973) * Keith Carradine, ''I'm Easy'' (Asylum Asylum may refer t ...
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Frank Rosolino
Frank Rosolino (August 20, 1926 – November 26, 1978) was an American jazz trombonist. Biography Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray, Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey's Lighthouse All-Stars (1954–1960) in Hermosa Beach. Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as "Trombones Unlimited," recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album ''Grazing in the Grass.'' He can also be seen performing with Shelly Manne's group in the film ''I Want ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Stu Williamson
Stu Williamson (May 14, 1933 – October 1, 1991) was an American jazz trumpeter and valve trombonist. Born in Brattleboro, Vermont, Williamson was the younger brother of jazz pianist Claude Williamson. In 1949, he moved to Los Angeles, where he worked with Stan Kenton, Woody Herman, Billy May, Charlie Barnet, and Shelly Manne. He worked often as a session musician until his retirement in 1968. He battled drug addiction for much of his life and died in Studio City, California in 1991. Discography As leader * ''Sapphire'' (Bethlehem, 1955) * ''Stu Williamson Plays'' (Bethlehem, 1955) * ''A Jazz Band Ball'' with Jack Sheldon (Bethlehem, 1957) * ''Stu Williamson'' (Bethlehem, 1958) As sideman or guest With Pepper Adams *''Pepper Adams Quintet'' (Mode, 1956) With Clifford Brown's All Stars *''Jazz Messages'' *'' Jazz Immortal'' (Pacific Jazz, 1956) With Benny Carter *'' Aspects'' (United Artists, 1959) With Terry Gibbs * ''Dream Band'' recorded 1959 (Contemporary, 1986) * ' ...
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Al Porcino
Al Porcino (May 14, 1925 – December 31, 2013) was an American lead trumpeter. He was born in New York, United States. Porcino began playing professionally in 1943, and played in many of the big bands of the 1940s and 1950s, including those of Georgie Auld, Louis Prima, Jerry Wald, Tommy Dorsey, Gene Krupa, and Chubby Jackson. He played with Woody Herman in 1946, 1949-1950, 1954, and 1972. He also did two stints with Stan Kenton, in 1947-48 and 1954-55. In the 1950s, he played with Pete Rugolo, Count Basie, Elliot Lawrence, and Charlie Barnet. In 1957, he moved to Los Angeles, where he worked as a studio musician. While there he played in the Terry Gibbs Dream band from 1959 to 1962. In the 1960s, he often played in orchestras backing vocalists, and also played with Buddy Rich in 1968, Thad Jones and Mel Lewis in 1969-70. In the 1970s, he formed his own big band, who recorded behind Mel Torme, in addition to their own work. In the 1970s, Porcino moved to Germany, leading big band ...
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