|
Mannargudi Sambasiva Bhagavatar
Mannargudi Sambasiva Bhagavathar (also spelt ''Bagavathar'') (1912–2004) was a Carnatic musician, musicologist, Harikatha exponent and composer. He served Carnatic music for over seven decades. He was a disciple of Maharajapuram Viswanatha Iyer in music and Madurai Narayana Bhagavatar and Smt Saraswathy Bai in Harikatha. He performed more than 1000 music concerts and 7000 Harikatha performances all over India. He started composing from his teens and has composed more than 3000 songs in many languages such as Tamil, Telugu and Sanskrit. He composed different musical forms such as Geetham, Varnam, Krithi, Javali, Padam, Thillana, Ragamalika and Harikatha. The first edition of his compositions are published in Tamil in the book 'Sangeetha Ratna Mala'. Sambasiva Bhagavatar's musical discourse of Muthuswami Dikshitar charitram, Ramana Maharshi Charitram, Purandara Dasa charitram and Seetha Kalyanam are brought out in CD's. His compositions (Sahityams) are released in cassettes and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahityam
Sahitya literally means literature in Sanskrit. It is also used to refer to the lyrics of a Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ... composition or lyrics of any song. External links Sahityam Wiki* Telugu Sahityam Carnatic music terminology Indian literature {{India-lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nata (raga)
Nata (nāṭa) is a rāgam in Carnatic music (musical scale of South Indian classical music), sometimes spelled Nattai. It is a ''janya'' rāgam (derived scale) from the 36th ''melakarta'' scale ''Chalanata''. It is a ''janya'' scale, as it does not have all the seven ''swaras'' (musical notes) in the descending scale. It is a combination of the ''sampurna raga'' scale ''Chalanata'' and the pentatonic scale ''Gambhiranata''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is an auspicious raga, which is mostly sung in the early part of the concert. There is a raaga named Nata in Hindusthani music as well, and another raaga named Shuddha Nat. But they are sung rarely, and have no association with the Nattai of Carnatic Music. Structure of Lakshana ''Nata'' is an ASYMMETRIC rāgam that does not contain ''gandharam'' and ''dhaivatam'' in the descending scale. It is an ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsadhvani
Hamsadhvani (meaning "the cry of the swan"), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th). ''Hamsadhvani'' is also extensively used in Hindustani music and said to be borrowed into it from Carnatic music.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It was created by the Carnatic composer Ramaswami Dikshitar (1735–1817), father of Muthuswami Dikshitar (one of the musical trinity of Carnatic music), and brought into Hindustani music by Aman Ali Khan of the Bhendibazaar gharana. It has become popular due to Amir Khan. Structure and lakshana ''Hamsadhvani'' does not contain ''madhyamam'' or ''dhaivatham''. It is a pentatonic scale (''audava-audava'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Tala
Adi tala (Sanskrit: ''ādi tālà'' {{lang, sa, आदि ताळ, Kannada: ಆದಿ ತಾಳ, literally "primary rhythm" also spelled aadi taalam or adi talam) is the name of one of the most popular tala or rhythms used in Carnatic Music. Its full technical name according to the Carnatic Music's tala system is ''Chaturashra-naDe Chaturashra-jaati triputa taLa''. Structure This tala has eight akshara Aksara (also ''akshara'', Devanagari अक्षर, IAST ''akṣara'') is a Sanskrit term translating to "imperishable, indestructible, fixed, immutable" (i.e. from अ, '' a-'' "not" and क्षर्, ''kṣar-'' "melt away, perish"). It h ...s, each being 4 svaras long. Many kritis and around half of the varnams are set to this tala. Carnatic music Carnatic music terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sriranjani
Sriranjani is a ragam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (''shadava'' rāgam, which means "of six"). It is a derived scale ('' janya'' rāgam), as it does not have all the seven '' swaras'' (musical notes). It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a different scale. Aroh: Sa, komal Ga, Ma, Dha, komal Ni, Sa; Avroh: Sa, komal Ni, Dha, Ma, komal Ga, Ré, Sa. Structure and Lakshana ''Shree ranjani'' is a symmetric scale that does not contain ''panchamam''. It is called a ''shadava-shadava'' rāgam,''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras in Carnatic music classification (as it has six notes in both ascending and descending scales). Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : This scale us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madras Music Academy
Madras Music Academy is one of the earliest established music academies in South India. Before the concept of infrastructure was introduced to India in the early 1920s, it was a gathering for elite musicians simply called (and is still more commonly referred to as) Music Academy () It plays an important role in encouraging and promoting primarily the Carnatic Music Indian art form. It played a vital role in the revival of the Indian classical dance form of Bharatnatyam in the 1930s when it faced near extinction due to a negative connotation caused by conservative societal standards. They also run a music school called the Teachers college of Carnatic Music which has many eminent musicians on its faculty. Musicians such as Tiger Varadachariar, Appa Iyer, Valadi Krishnaiyer and Mudicondan Venkatarama Iyer adorned the chair of Principal of the Teacher's College. History In 1927, the Indian National Congress held the All India Music Conference in Madras. At the end of the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaimamani
The Kalaimamani is the highest civilian award in the state of Tamil Nadu, India. These awards are given by the ''Tamil Nadu Iyal Isai Nataka Mandram'' (literature, music and theatre), a unit of the Directorate of Art and Culture, Government of Tamil Nadu, to recognise artists in the state for their achievements. The Tamil Nadu government has appointed dancer Chitra Visweswaran as the secretary of Tamil Nadu Iyal Isai Nataka Manram. Film music director Deva is its chairman. Awardees by year 1958 :Film Personalities: Padmini 1962 :Film Personalities: Sivaji Ganesan 1968 :Film Personalities: K. A. Thangavelu :Music: Sangeetha Kalanidhi Late K.S.Narayanaswamy (Vainika) 1969 :Film Personalities: Sowcar Janaki 1970 Music: M. S. Viswanathan (Composer) 1971 :Music: Madras A. Kannan, classical music (mridangam) 1972 :Film Personalities: J. Jayalalithaa :Music: P. K Subbaiyar 1977 :Film Personalities: Srividya 1979 :Film Personalities: Vyjayanthimala :Music:Manna Dey 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Government Of Tamil Nadu
Government of Tamil Nadu is the subnational government for the Indian state of Tamil Nadu. It is seated at Fort St George, Chennai. The legislature of Tamil Nadu was bicameral until 1986, when it was replaced by a unicameral legislature, like most other states in India. Structure The Governor is the constitutional head of state while the Chief Minister heads the council of ministers. The Chief Justice of the Madras High Court is the ''head of the judiciary''. Officials M. K. Stalin is the Chief Minister of Tamil Nadu. Munishwar Nath Bhandari is the acting Chief Justice of Madras High Court. The Chief Secretary is V. Irai Anbu, IAS. Administrative divisions The state of Tamil Nadu has a population of 72,138,959 as per the 2011 Census and covers an area of 130,058 km2. The major administrative units of the state constitute 38 districts, 76 revenue divisions, 220 taluks, 21 municipal corporations, 150 municipalities, 385 panchayat unions (blocks), 561 town pan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramakrishna Mission
Ramakrishna Mission (RKM) is a Hindu religious and spiritual organisation which forms the core of a worldwide spiritual movement known as the ''Ramakrishna Movement'' or the ''Vedanta Movement''. The mission is named after and inspired by the Indian spiritual Guru Ramakrishna Paramahamsa and founded by Ramakrishna's chief disciple Swami Vivekananda on 1 May 1897. The organisation mainly propagates the Hindu philosophy of Vedanta–Advaita Vedanta and four yogic ideals– Jnana, Bhakti, Karma, and Raja yoga. Apart from religious and spiritual teaching, the organisation carries out extensive educational and philanthropic work in India and abroad. This aspect came to be a feature of many other Hindu movements. The mission bases its work on the principles of karma yoga, the principle of selfless work done with a dedication to God. The Ramakrishna Mission has centres around the world and publishes many important Hindu texts. It is affiliated with the monastic organization. Viveka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Tala (music)")
