Mann In The Morning
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Mann In The Morning
''Mann in the Morning'' (also released as ''Herbie Mann in Sweden'') is an album by American jazz flautist Herbie Mann featuring tracks recorded in Stockholm in 1956 and released by the Prestige label.Prestige Records Catalog: 7100 series
accessed August 26, 2015


Reception

awarded the album 3 stars.AllMusic listing
accessed August 26, 2015


Track listing

''All compositions by Herbie Mann except as indicated'' # "Cherry Point" (

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Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ...
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I Can't Believe That You're In Love With Me
"I Can't Believe That You're in Love with Me" is a 1926 popular song composed by Jimmy McHugh, with lyrics by Clarence Gaskill. More than 20 recordings were made of "I Can't Believe That You're in Love with Me" in the 16 years following its publication. Early recordings included Roger Wolfe Kahn and His Orchestra (1926), Louis Armstrong (1930), Nat Gonella (1932), Earl Hines (1932), Artie Shaw (1938), Teddy Wilson (1938), and Ella Fitzgerald (1941). It is sung twice by Claudia Drake in Edgar G. Ulmer's low-budget film noir classic ''Detour'' (1945); it is also featured in The Caine Mutiny (1954). In the 1967 film ''Thoroughly Modern Millie'' it is sung by an uncredited male vocalist on the gramophone. Notable recordings *Billie Holiday (1938) *Anita O'Day (1945) *Frankie Laine (1946) *Ames Brothers - this charted briefly in 1953 *Paul Quinichette - '' Moods'' (1954) * Nelson Riddle (1954) - included in the 2CD set ''Let's Face The Music'' (2008) *Tony Bennett for his album ''C ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Georg Riedel (jazz Musician)
Georg Riedel (born 8 January 1934) is a Czech-Swedish double bass player and composer. Riedel migrated to Sweden at the age of four and attended school in Stockholm, including the Adolf Fredrik's Music School. The best known recording featuring Riedel is probably Jan Johansson's '' Jazz på svenska'' ("Jazz in Swedish"), a minimalist-jazz compilation of folk songs recorded in 1962–1963, though Riedel has recorded with other leading Swedish musicians including trumpeter Jan Allan and Arne Domnérus. Riedel's profile as a composer derives almost exclusively from writing music for Astrid Lindgren movies, including the main theme from the ''Emil i Lönneberga'' ("Emil of Maple Hills") movies. He also composed the music for several films by Arne Mattsson in the 1960s as well as for film adaptions of novels by Stig Dagerman. Riedel also played on ''Jazz at the Pawnshop'' in 1977. Early life Riedel was born in Karlovy Vary, Czechoslovakia, to a Sudeten German father and a Czech J ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Arne Domnérus
Sven Arne Domnérus (20 December 1924 – 2 September 2008) was a Swedish jazz saxophonist and clarinetist. Career He began to play the clarinet at the age of 11 but had taken up the saxophone by the time he left school and then turned professional. In 1949 he performed at the Paris Jazz Festival and with Charlie Parker when Parker was on tour in Sweden in 1950. A few years later he recorded with Clifford Brown, Art Farmer, and James Moody. From the middle 1950s to the middle 1960s he was a featured soloist in the Swedish Radio Big Band. He wrote for film and television and recorded with Lars Gullin and Bengt Hallberg. With Bengt-Arne Wallin, Rolf Ericson, and Åke Persson (the latter two were former members of Duke Ellington's Orchestra), he participated in the Jazz Workshops organised for the Ruhrfest in Recklinghausen by Hans Gertberg from the Hamburg radio station. He recorded several times with Quincy Jones in Sweden and is featured throughout "The Midnight Sun Never Sets", ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Ã…ke Persson
Åke Persson (February 25, 1932 – February 5, 1975) was a Swedish bebop jazz trombonist. Biography Persson was born in Hässleholm, southern Sweden and started his music career by playing valve trumper in school. Persson, known as "the Comet" (or "Kometen"), moved to Stockholm in 1951, where he played in Simon Brehm's quintet (1951–1954). Following this Persson worked with Arne Domnérus, Hacke Björksten, Harry Arnold's Radio Band (1956–1961), Quincy Jones, Lars Gullin, the RIAS Berlin band (1961–1975), and the Kenny Clarke-Francy Boland Big Band (1963–1971). Persson played with many American musicians, including George Wallington, Roy Haynes, Benny Bailey, Count Basie, Duke Ellington, and Dizzy Gillespie. He led several sessions for labels such as Metronome, Philips, and EmArcy in the 1950s. Persson drowned in the Djurgården canal in central Stockholm in February 1975; he had driven his car into the canal either accidentally or deliberately. There is a book ''trom ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Bengt-Arne Wallin
Bengt-Arne Wallin (13 July 1926 in Linköping – 23 November 2015) was a Swedish jazz composer, arranger, trumpeter, and flugelhorn player who played jazz influenced by Swedish traditional folk music. He also wrote film scores. Biography Between 1953 and 1965, he worked in the ensembles of Arne Domnérus and Lars Gullin, as well as the ''Radiobandet'' with Harry Arnold. He performed with Lill Lindfors and Svante Thuresson. During this time he also participated in Benny Golson's sessions with Scandinavian musicians. His arrangements of Swedish folklore, which were initially recorded under the title ''Old Folklore in Swedish Modern'' 1962 with a big band, featured soloists such as Domnérus, Idrees Sulieman, Sahib Shihab and Georg Riedel and strings. He returned to this musical area in 1997 with the JazzBaltica ensemble (including Tomasz Stańko, Nils Landgren, Bugge Wesseltoft and Wolfgang Schlüter). From 1972 to 1993, he worked as a lecturer at the Royal College of Music, ...
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