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Mangareva Statue
The Mangareva Statue or Deity Figure from Mangareva is a wooden sculpture of a male god that was made on the Pacific island of Mangareva in French Polynesia. The cult image was given to English missionaries in the early nineteenth century as the local population converted to Christianity. It was eventually bought by the British Museum in 1911. Provenance The wooden figure was made on the island of Mangareva in the late eighteenth century or early nineteenth century. The first Europeans to land on the island were from HMS Blossom under Captain Beechey in 1824. Soon afterwards, French missionaries converted the local population to Christianity. In 1835, Father Honoré Laval and Father François d'Assise Caret, with support of the reigning King Maputeoa and the former high priest Matua, destroyed most of what remained of the indigenous artwork, although Caret sent a few pieces to Europe. At that time, British missionaries were also active in the area and this idol was probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Image
In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and modern Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple. The term idol is a pejorative term for a cult image, except in Indian English, where it is widely accepted as a neutral English term for a murti or cult image. Idolatry is a pejorative term for the worship or excessive veneration of (mainly) cult im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Gods
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oceanian Sculpture
Oceania (, , ) is a geographical region that includes Australasia, Melanesia, Micronesia, and Polynesia. Spanning the Eastern and Western hemispheres, Oceania is estimated to have a land area of and a population of around 44.5 million as of 2021. When compared with (and sometimes described as being one of) the continents, the region of Oceania is the smallest in land area and the second least populated after Antarctica. Its major population centres are Sydney, Melbourne, Brisbane, Perth, Auckland, Adelaide, Honolulu, and Christchurch. Oceania has a diverse mix of economies from the developed country, highly developed and globally competitive market economy, financial markets of Australia, French Polynesia, Hawaii, Hawaii, New Caledonia, and New Zealand, which rank high in quality of life and Human Development Index, to the much least developed countries, less developed economies of Kiribati, Papua New Guinea, Tuvalu, Vanuatu, and Western New Guinea, while also including deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artefacts From Africa, Oceania And The Americas In The British Museum
Artifact, or artefact, may refer to: Science and technology *Artifact (error), misleading or confusing alteration in data or observation, commonly in experimental science, resulting from flaws in technique or equipment ** Compression artifact, a loss of clarity caused by the data compression of an image, audio, or video ** Digital artifact, any undesired alteration in data introduced during its digital processing ** Visual artifact, anomalies during visual representation of digital graphics and imagery * In the scrum software project management framework, documentation used for managing the project Archaeology * Artifact (archaeology), an object formed by humans, particularly one of interest to archaeologists * Cultural artifact, in the social sciences, anything created by humans which gives information about the culture of its creator and users * ''The Artefact'' (journal), published annually by the Archaeological and Anthropological Society of Victoria Computing * Artifact ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnographic Objects In The British Museum
Ethnography (from Greek ''ethnos'' "folk, people, nation" and ''grapho'' "I write") is a branch of anthropology and the systematic study of individual cultures. Ethnography explores cultural phenomena from the point of view of the subject of the study. Ethnography is also a type of social research that involves examining the behavior of the participants in a given social situation and understanding the group members' own interpretation of such behavior. Ethnography in simple terms is a type of qualitative research where a person puts themselves in a specific community or organization in attempt to learn about their cultures from a first person point-of-view. As a form of inquiry, ethnography relies heavily on participant observation—on the researcher participating in the setting or with the people being studied, at least in some marginal role, and seeking to document, in detail, patterns of social interaction and the perspectives of participants, and to understand these i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Sculptures
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Sculptures
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deity Figure From Rarotonga
The Deity Figure from Rarotonga is an important wooden sculpture of a male god that was made on the Pacific island of Rarotonga in the Cook Islands. The cult image was given to English missionaries in the early nineteenth century as the local population converted to Christianity. It was eventually bought by the British Museum in 1911. Provenance The wooden figure was made on the island of Rarotonga in the late eighteenth century or early nineteenth century. After Captain James Cook's first sighting of the archipelago in 1773, Europeans began to visit the Cook Islands in the early nineteenth century as part of the colonisation of territories in the Pacific. This went hand-in-hand with mass conversion of the population to Christianity. At that time British missionaries were very active in the area and this idol was probably given up to the London Missionary Society after 1827, when they set up a mission on Rarotonga. The LMS initially loaned their important collection of Polynesian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue Of A'a From Rurutu
The Statue of A'a from Rurutu is a wooden sculpture of the god A'a that was made on the Pacific island of Rurutu in the Austral archipelago. In the early nineteenth century, the sculpture was given by the islanders to the London Missionary Society to mark their conversion to Christianity. Following this, it was brought back to England to be displayed, first in the museum of the LMS and then in the British Museum. The figure of A'a is famous as one of the finest surviving pieces of Polynesian sculpture, and in the twenty-first century the sculpture is, according to Julie Adams, curator of the Oceania collection at the British Museum "an international celebrity". Description The statue of A'a is a wooden anthropomorphic figure, 117 cm high and 36 cm wide. It is, in the estimation of Alfred Gell, "arguably the finest extant piece of Polynesian sculpture". The figure is hollow, and has a removable back panel allowing access to the interior. The sculpture's arms are carve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoa Hakananai'a
Hoa Hakananai'a is a moai, a statue from Easter Island. It was taken from Orongo, Easter Island (Rapa Nui) in 1868 by the crew of a British ship and is now in the British Museum in London. It has been described as a "masterpiece" and among the finest examples of Easter Island sculpture. Though relatively small, it is considered to be typical of the island's statue form, but distinguished by carvings added to the back, associated with the island's birdman cult. Etymology The statue was identified as Hoa Hakananai'a by islanders at the time it was removed; the British crew first recorded the name in the form 'Hoa-haka-nana-ia' or 'Hoa-haka-nama-ia'. It has been variously translated from the Rapa Nui language to mean 'breaking wave', 'surfriding', 'surfing fellow', 'master wave-breaker', 'lost or stolen friend', 'stolen friend', 'hidden friend' or 'doing robberies/mockeries friend'. Provenance In 1868, Hoa Hakananai'a was standing erect, part buried inside a freestone c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
