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Man Khod An Sizdaham
''Man Khod An Sizdaham'' ( en, I Myself Am The Thirteen) is the sixth official studio album by Iranian singer Mohsen Chavoshi. Track listing See also * Rumi * Vahshi Bafqi Vahshi Bafghi ( fa, وحشی بافقی, Vahshi Bāfghi) was a Persian poet of the Safavid era, considered to be one of the greatest of his generation. Biography Vahshi was born in 1532 in Bafq, an agrarian town near the provincial capital of Ya ... * Shahriar References External links Mohsen Chavoshi Official Website {{Authority control 2013 albums Mohsen Chavoshi albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohsen Chavoshi
Mohsen Chavoshi Hosseini ( fa, محسن چاوشی, ku, موحسن چاوشی; born 30 July 1979) is an Iranian Kurdish musician, singer, record producer and songwriter, based in Tehran. He has released ten albums including a soundtrack to the 2007 film ''Santouri''. Early life Chavoshi was born in Khorramshahr, Iran to a Kurdish family from Kurdistan province. His family migrated to Mashhad, where he also completed his education. Career Chavoshi began his music career after he finished school and military service. His 2008 album ''Ye Shakhe Niloufar'' (a lotus sprout) received permission to be released legally. The CD later became the biggest legally sold CD within Iran by selling over one million legal non-bootleg copies. In ''Yek Shakheh Niloofar'', alongside his new producer, Chavoshi experimented with a new style that was more towards the rock music genre while including traditional Persian instruments. In 2010, Chavoshi made his new album ''Jakat'' (Jacket), which had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Pop Music
Iranian pop music or Persian pop music ( fa, موسیقی پاپ ایرانی) refers to pop music originated in Iran, with songs mainly in Persian and other regional Persian dialects of the country and region. History Early Iranian popular music Following the invention of radio in 1930, and after World War II, a form of popular music emerged and began to develop in Iran. 1950s–70s Iran's western-influenced pop music emerged by the 1950s. Prior to the 1950s, Iran's music industry was dominated by traditional singers. Viguen, known as the " Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. He was one of Iran's first musicians to perform with a guitar. Some of Iran's classical pop artists include Andy, Aref, Dariush, Ebi, Faramarz Aslani, Farhad, Fereydun Farrokhzad, Giti Pashaei, Googoosh, Hassan Shamaizadeh, Haydeh, Homeyra, Leila Forouhar, Mahasti, Nooshafarin, Parviz Maghsadi, Ramesh, Shahram Shabpareh, and Varoujan. File:HayedehRohani.jpg, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vahshi Bafqi
Vahshi Bafghi ( fa, وحشی بافقی, Vahshi Bāfghi) was a Persian poet of the Safavid era, considered to be one of the greatest of his generation. Biography Vahshi was born in 1532 in Bafq, an agrarian town near the provincial capital of Yazd in central Iran. In his hometown, Vahshi was taught poetry from his older brother Moradi and the prominent local writer Sharaf al-Din Ali. He pursued his studies in Yazd, and then eventually moved to Kashan, a leading hub of literature during the early Safavid era. There he worked as a school-teacher, and through his poems soon gained the interest of the regional governor. Vahshi appears to have been received well by various local poets, who were annoyed of the accolades bestowed on Mohtasham Kashani (died 1588). He soon became involved in the poetic flyting matches that were an important aspect of the literary scene of this period, trading insults with competitors like Fahmi of Kashan and Ghazanfar of Koranjar. It is most likely durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumi
Jalāl al-Dīn Muḥammad Rūmī ( fa, جلالالدین محمد رومی), also known as Jalāl al-Dīn Muḥammad Balkhī (), Mevlânâ/Mawlānā ( fa, مولانا, lit= our master) and Mevlevî/Mawlawī ( fa, مولوی, lit= my master), but more popularly known simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century PersianRitter, H.; Bausani, A. "ḎJ̲alāl al-Dīn Rūmī b. Bahāʾ al-Dīn Sulṭān al-ʿulamāʾ Walad b. Ḥusayn b. Aḥmad Ḵh̲aṭībī." Encyclopaedia of Islam. Edited by: P. Bearman, Th. Bianquis, C.E. Bosworth, E. van Donzel and W.P. Heinrichs. Brill, 2007. Brill Online. Excerpt: "known by the sobriquet Mewlānā, persian poet and founder of the Mewlewiyya order of dervishes" poet, Hanafi faqih, Islamic scholar, Maturidi theologian and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba Tahir
Baba Tahir or Baba Taher Oryan Hamadani ( fa, باباطاهر عریان همدانی) was an 11th-century Persian dervish poet from Hamadan, Iran who lived during the reign of Tugril of the Seljuk dynasty over Iran. This is almost all that is known of him as he lived a mysterious lifestyle. Although prefix "Baba" (roughly meaning 'The Wise' or 'The Respected') has been thought as part of his name in all known sources, his nickname "Oryan" ( meaning 'The Naked' ) did not appear until about 17th-century. The nickname was probably attributed to him because he seemed to lead a very spiritual and stoic lifestyle and thus was figuratively not clothed with worldly and material needs. His poetry is written in the Hamadani dialect of the Persian language. According to L. P. Elwell-Sutton he probably wrote in the Hamadani dialect, adding: "Most traditional sources call it loosely Luri, while the name commonly applied from an early date to verses of this kind, Fahlaviyat, presumably impli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad-Hossein Shahriar
Seyyed Mohammad Hossein Behjat Tabrizi ( fa, سید محمدحسین بهجت تبریزی, az, سید محمدحسین بهجت تبریزی) (January 2, 1906 – September 18, 1988), mainly known by his pen name, Shahriar ( fa, شهریار ), was a notable Iranian Azerbaijani poet who wrote in both Azerbaijani and Persian. His most important work, Heydar Babaya Salam is considered to be the pinnacle in Azerbaijani literature which gained great popularity in the Turkic world and was translated to more than 30 languages. Contrary to many other figures of his time, Shahriar barely involved himself with political problems and ideologies. He was, however, known for his avid nationalism; in his work, numerous metaphors commending Persepolis, Zoroaster and Ferdowsi are made. Biography Mohammad Hossein Shahriar was one of the first Azerbaijanis of Iran to write a significant collection of poetry in the Azerbaijani language. Born in 1906 in Tabriz, he received his elementary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hafez
Khwāje Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī ( fa, خواجه شمسالدین محمّد حافظ شیرازی), known by his pen name Hafez (, ''Ḥāfeẓ'', 'the memorizer; the (safe) keeper'; 1325–1390) and as "Hafiz", was a Persian lyric poet, whose collected works are regarded by many Iranians as a pinnacle of Persian literature. His works are often found in the homes of people in the Persian-speaking world, who learn his poems by heart and use them as everyday proverbs and sayings. His life and poems have become the subjects of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other Persian author. Hafez is best known for his Divan of Hafez, a collection of his surviving poems probably compiled after his death. His works can be described as "antinomian" and with the medieval use of the term "theosophical"; the term "theosophy" in the 13th and 14th centuries was used to indicate mystical work by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīsābūrī (18 May 1048 – 4 December 1131), commonly known as Omar Khayyam ( fa, عمر خیّام), was a polymath, known for his contributions to mathematics, astronomy, philosophy, and Persian poetry. He was born in Nishapur, the initial capital of the Seljuk Empire. As a scholar, he was contemporary with the rule of the Seljuk dynasty around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided geometric solutions by the intersection of conics. Khayyam also contributed to the understanding of the parallel axiom.Struik, D. (1958). "Omar Khayyam, mathematician". ''The Mathematics Teacher'', 51(4), 280–285. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar calendar with a very precise 33-year intercalation cycle''The Cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
