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Man And Machine (U
Man-Machine or Man and Machine may refer to: Technology * Human–computer interaction, man-machine interaction (MMI) * MML (programming language), a man-machine language * Cyborg, a cybernetic organism which enhances its abilities by using technology * Transhumanism, the idea of human enhancement via technology Music * ''The Man-Machine'', a 1978 album by Kraftwerk * ''Man vs. Machine'', a 2002 album by rapper Xzibit * ''Man and Machine'' (album), a 2002 album by U.D.O. * ''Man Machine'', an early '90s techno/electro project, signed to Rhythm King Other * Machine Man, a 1977 character created by Jack Kirby for Marvel Comics * ''Mann & Machine'', a 1992 American science fiction police drama television series * '' Ghost in the Shell 2: Man-Machine Interface'', a 1997 manga by Masamune Shirow * Man a Machine, a 1748 work of materialist philosophy by French physician and philosopher Julien Offray de La Mettrie * Maschinenmensch ("machine-human"), a robot featured in the fi ...
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Human–computer Interaction
Human–computer interaction (HCI) is research in the design and the use of computer technology, which focuses on the interfaces between people (users) and computers. HCI researchers observe the ways humans interact with computers and design technologies that allow humans to interact with computers in novel ways. A device that allows interaction between human being and a computer is known as a "Human-computer Interface (HCI)". As a field of research, human–computer interaction is situated at the intersection of computer science, behavioral sciences, design, media studies, and several other fields of study. The term was popularized by Stuart K. Card, Allen Newell, and Thomas P. Moran in their 1983 book, ''The Psychology of Human–Computer Interaction.'' The first known use was in 1975 by Carlisle. The term is intended to convey that, unlike other tools with specific and limited uses, computers have many uses which often involve an open-ended dialogue between the user and t ...
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MML (programming Language)
A man–machine language (MML) is a specification language. MMLs are typically defined to standardize the interfaces for managing a telecommunications or network device from a console. ITU-T Z.300 series recommendations define an MML, that has been extended by Telcordia Technologies (formerly Bellcore) to form Transaction Language 1 Transaction Language 1 (TL1) is a widely used management protocol in telecommunications. It is a cross-vendor, cross-technology man-machine language, and is widely used to manage optical (SONET) and broadband access infrastructure in North America .... Further reading * Specification languages ITU-T recommendations {{prog-lang-stub ...
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Cyborg
A cyborg ()—a portmanteau of ''cybernetic'' and ''organism''—is a being with both organic and biomechatronic body parts. The term was coined in 1960 by Manfred Clynes and Nathan S. Kline.Cyborgs and Space
in ''Astronautics'' (September 1960), by Manfred E. Clynes and American scientist and researcher Nathan S. Kline.


Description and definition

"Cyborg" is not the same thing as bionics, , or ; it applies to an organism that has restored function ...
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Transhumanism
Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity and cognition. Transhumanist thinkers study the potential benefits and dangers of emerging technologies that could overcome fundamental human limitations as well as the ethics of using such technologies. Some transhumanists believe that human beings may eventually be able to transform themselves into beings with abilities so greatly expanded from the current condition as to merit the label of posthuman beings. Another topic of transhumanist research is how to protect humanity against existential risks, such as nuclear war or asteroid collision. Julian Huxley was a biologist who popularised the term transhumanism in an influential 1957 essay. The contemporary meaning of the term "transhumanism" was foreshadowed by one of the first professors of futurology, a ma ...
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The Man-Machine
''The Man-Machine'' (german: link=no, Die Mensch-Maschine) is the seventh studio album by German electronic music band Kraftwerk. It was released on May 1978 by Kling Klang in Germany and by Capitol Records elsewhere. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms. It includes the singles " The Model" and " The Robots". Although the album was initially unsuccessful on the UK Albums Chart, it reached a new peak position of number nine in February 1982, becoming the band's second highest-peaking album in the United Kingdom after ''Autobahn'' (1974). Artwork The artwork for the cover was produced by Karl Klefisch, based on the work of the Russian suprematist El Lissitzky – the words "Inspired by El Lissitzky" are noted on the cover. The back cover image is an adaptation of a graphic from Lissitzky's book for children ''About Two Squares: A Suprematist Tale of Two Squares in Six Constructions''. Release ''The Man-Mac ...
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Man Vs
A man is an adult male human. Prior to adulthood, a male human is referred to as a boy (a male child or adolescent). Like most other male mammals, a man's genome usually inherits an X chromosome from the mother and a Y chromosome from the father. Sex differentiation of the male fetus is governed by the SRY gene on the Y chromosome. During puberty, hormones which stimulate androgen production result in the development of secondary sexual characteristics, thus exhibiting greater differences between the sexes. These include greater muscle mass, the growth of facial hair and a lower body fat composition. Male anatomy is distinguished from female anatomy by the male reproductive system, which includes the penis, testicles, sperm duct, prostate gland and the epididymis, and by secondary sex characteristics, including a narrower pelvis, narrower hips, and smaller breasts without mammary glands. Throughout human history, traditional gender roles have often defined ...
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Man And Machine (album)
''Man and Machine'' is the eighth studio album by German heavy metal band U.D.O., released on 24 July 2002. A music video was made for "Dancing with an Angel" featuring a duet performance with Udo Dirkschneider and Warlock vocalist Doro Pesch. Track listing Personnel ;U.D.O. *Udo Dirkschneider – vocals, producer * Stefan Kaufmann – guitar, producer, engineer, mixing *Igor Gianola – guitar *Fitty Wienhold – bass *Lorenzo Milani – drums ;Additional musicians *Doro Pesch Dorothee Pesch (born 3 June 1964), known professionally as Doro Pesch or simply Doro, is a German heavy metal singer and the former frontwoman of heavy metal band Warlock. Dubbed the "Metal Queen", Doro's contributions to music and culture mad ... – additional vocals on "Dancing with an Angel" *Frank Knight – backing vocals on "Animal Instinct" and "The Dawn of the Gods" ;Production *Manfred Melchior – mastering *Jens Rosendahl – cover art, photography *Oliver Kämper – design Refer ...
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Rhythm King
Rhythm King Records Ltd was a British independent record label, founded in the mid-1980s by Martin Heath, Adele Nozedar, DJ Jay Strongman and James Horrocks. It was based in Chiswick, London. History Beginnings Starting out as an offshoot of Daniel Miller's critically acclaimed Mute Records, Rhythm King's initial focus was dance music - specifically house, acid house, acid jazz, sampling culture and hip hop/rap. Strongman's rap/funk offshoot, Flame Records, signed proto-gangsta rapper Schoolly D and Chuck Brown & the Soul Searchers amongst others. James Horrocks left the label at the end of 1987, and subsequently went on to form React Music Limited in 1990, which also had a focus upon dance music. This left Martin Heath in sole charge of the label; however by the beginning of 1988, Rhythm King was to enjoy a period of short term success, which went hand in hand with the partial dominance dance music had on the UK Singles Chart, from the late 1980s to the beginning of the 2000s ...
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Machine Man
Machine Man (also known as Aaron Stack, Mister Machine and serial number Z2P45-9-X-51 or X-51 for short) is an android superhero appearing in American comic books published by Marvel Comics. The character was created by Jack Kirby for '' 2001: A Space Odyssey'' #8 (July 1977), a comic written and drawn by Kirby featuring concepts based on the eponymous 1968 Stanley Kubrick feature film and Arthur C. Clarke's 1968 novel. Shortly thereafter, Machine Man spun off into his own Kirby-created series. He is a robot, the only survivor of a series, raised as a human son of scientist Abel Stack, who was killed removing his auto-destruct mechanism, and further evolved to sentience by a Monolith. Publication history Volume 1 Machine Man originally appeared in the pages of '' 2001: A Space Odyssey'' #8 (July 1977), which was written and drawn by Jack Kirby, where he was called Mister Machine. He went on to appear in his own self-titled series in 1978. This title featured Machine Man enter ...
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Mann & Machine
''Mann & Machine'' is an American science fiction/police drama television series that aired for nine episodes on NBC from April 5 to July 14, 1992. Synopsis Created by Dick Wolf and Robert De Laurentis, the series starred Yancy Butler as Sgt. Eve Edison, a beautiful police officer who is also a sophisticated gynoid capable of learning and emotion. She is partnered with Det. Bobby Mann ( David Andrews), a human officer who disdains robots. Rounding out the regular cast was S. Epatha Merkerson as Capt. Claghorn, Mann and Edison's superior officer. The series focused on Mann and Edison's criminal investigations in Los Angeles twenty years in the future. An ongoing subplot of the series focused on Eve's continuing education about what makes humans tick, and her ever-growing capacity for emotion, highlighted by the penultimate episode "Billion Dollar Baby" in which Eve is placed in charge of caring for an infant, activating unexpected maternal feelings. Although Butler received good ...
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Man-Machine Interface
In the industrial design field of human–computer interaction, a user interface (UI) is the space where interactions between humans and machines occur. The goal of this interaction is to allow effective operation and control of the machine from the human end, while the machine simultaneously feeds back information that aids the operators' decision-making process. Examples of this broad concept of user interfaces include the interactive aspects of computer operating systems, hand tools, heavy machinery operator controls and process controls. The design considerations applicable when creating user interfaces are related to, or involve such disciplines as, ergonomics and psychology. Generally, the goal of user interface design is to produce a user interface that makes it easy, efficient, and enjoyable (user-friendly) to operate a machine in the way which produces the desired result (i.e. maximum usability). This generally means that the operator needs to provide minimal input to ...
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