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Mambo Section
In Afro-Caribbean music, mambo is the section of an arrangement in Danzón and related styles, which features instrumental improvisation. History The beginning of the evolution of this section from montuno is attributed to Machito and his Afro-Cubans, who included material, new to Afro-Caribbean music, for brass and saxophones, borrowed from the big band style. Israel "Cachao" López added an open vamp to Danzón and called it " nuevo ritmo" ("new rhythm"), which was later called "Mambo section." and eventually evolved into Mambo music.Max Salazar"Orestes Lopez and the mambo" ''Latin Beat Magazine'', September 2002 See also * *{{C, Mambo, Mambo topics *Afro-Caribbean music Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their ... References Danzón Mambo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean Music
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures. Afro-Caribbean music has been influenced by historical and stylistic influences. Historically, afro-Caribbean music was influenced by the transatlantic slave trade and later, by the resistance and emancipation of slaves. Stylistically, afro-Caribbean music has been influenced by various African, European and Indigenous Latin American influences. African influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danzón
Danzón is the official musical genre and dance of Cuba.Urfé, Odilio 1965. ''El danzón''. La Habana. It is also an active musical form in Mexico and Puerto Rico. Written in time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or tÃpica ensemble. The danzón evolved from the Cuban contradanza, or habanera ('Havana-dance'). The contradanza, which had English and French roots in the country dance and contredanse, was probably introduced to Cuba by the Spanish, who ruled the island for almost four centuries (1511–1898), contributing many thousands of immigrants. It may also have been partially seeded during the short-lived British occupation of Havana in 1762, and Haitian refugees fleeing the island's revolution of 1791–1804 brought the French-Haitian kontradans, contributing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montuno
Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so ''son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Another possibility is that the word ''montuno'' comes from the word ''montura'', the Spanish word for "saddle", because the rhythm in son music is like riding a horse. Or it may mean the final section of a song-based composition; in this sense it is simply part of a piece of music. Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term ''montuno'' is also used for a piano ''guajeo'', the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement.Orovio, Helio 2004. ''Cuban music from A to Z''. Tumi, Bath. p141 References See also *Son montuno *Call and response (music) *Coro-pregà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito
Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with the singer Graciela, his foster sister. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cubans (band)
The Afro-Cubans were a Latin jazz band founded by Machito in 1940; often billed as Machito and his Afro-Cubans. Their musical director was Mario Bauzá, Machito's brother-in-law. The Afro-Cubans combined Cuban music with orchestrations derived from swing. As well, the Afro-Cubans played with and incorporated the music of many figures in jazz, including Charlie Parker, Dizzy Gillespie, Flip Phillips, and Buddy Rich; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York. After making some early 78s for Decca, the Afro-Cubans came to increased prominence towards the end of World War II, appearing with Stan Kenton's orchestra. (Machito played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauzá's urging, Machito's band featured American jazz soloists on its recordings from 1948 to 1960, including Howard McGhee, Harry "Sweets" Edison, Cannonball Adde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instruments
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel "Cachao" López
Israel López Valdés (September 14, 1918 – March 22, 2008), better known as Cachao ( ), was a Cuban double bassist and composer. Cachao is widely known as the co-creator of the mambo and a master of the descarga (improvised jam sessions). Throughout his career he also performed and recorded in a variety of music styles ranging from classical music to salsa. An exile in the United States since the 1960s, he only achieved international fame following a career revival in the 1990s. Born into a family of musicians in Havana, Cachao and his older brother Orestes were the driving force behind one of Cuba's most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo. In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. He emigrated to Spain in 1962, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vamp (music)
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuevo Ritmo
{{disambiguation ...
Nuevo is the Spanish word for "new". It may refer to: * Nuevo, California, a town in the state of California * Nuevo (band), featuring singer and musician Peter Godwin * Nuevo (Bayamón), a settlement in Puerto Rico * "Nuevo", Spanish-language version of "Novo" (song) by Laura Pausini (2018} * ''Nuevo (album)'', a 2002 album by the Kronos Quartet The Kronos Quartet is an American string quartet based in San Francisco. It has been in existence with a rotating membership of musicians for almost 50 years. The quartet covers a very broad range of musical genres, including contemporary classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
