Mam'zelle Nitouche (1931 Film)
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Mam'zelle Nitouche (1931 Film)
''Mam'zelle Nitouche'' is a vaudeville-opérette in three acts by Hervé. The libretto is by Henri Meilhac and Albert Millaud. This story of a respectable musician, transforming himself into a songwriter at night, is partly inspired by the life of the composer of the piece Hervé, who as Florimond Ronger, his real name, was the organist at the important church of Saint-Eustache, Paris by day and wrote the music for and starred in satirical, irreverent operettas under a stage name at night. Performance history It was first performed at the Théâtre des Variétés, Paris on 26 January 1883. The piece was a great success and the work remained in the repertoire of French theatres for many years. ''Mam'zelle Nitouche'' was presented by Palazzetto Bru Zane in a production by Olivier Py, who also appeared in the cast, on a nationwide tour of France from 2017 to 2019. Roles Synopsis Scene: Provincial France sometime in the 19th century. Act 1 ''Le couvent des Hirondelles (T ...
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Hervé (Florimond Ronger)
Hervé is a French masculine given name of Breton origin, from the name of the 6th-century Breton Saint Hervé. The common latinization of the name is Herveus (also ''Haerveus''), an early (8th-century) latinization was ''Charivius''. Anglicized forms are Harvey and Hervey. Its Old Breton form was ''Huiarnviu'' (cf. Old Welsh ''Haarnbiu'' ), composed of the elements ''hoiarn'' ("iron", modern Breton ''houarn'', c.f. Welsh ''haearn'') and ''viu'' ("bright", "blazing", modern Breton ''bev''). Its common Celtic form would have been ''*isarno-biuos'' or ''*-ue(s)uos''. Recorded Middle Breton forms of the name include ''Ehuarn, Ehouarn, Houarn''. The name of the 6th-century saint is recorded in numerous variants, including forms such as: ''Houarniault'', ''Houarneau''; as the name of a legendary Breton bard, the name occurs in varians such as ''Hyvarnion, Huaruoé, Hoarvian''.''Bulletin Archéologique de l'Association Bretonne '' t. 4 (1884)p. 206 People with the given name ; ...
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Louis Baron
Louis Baron (real name Louis Bouchêne or Bouchenez; September 1838 – 2 March 1920) was a French actor and bass singer. Biography Louis Baron was born in September 1838 at Alençon.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. His first stage appearances were at the Théâtre de la Tour-d'Auvergne, and subsequently in Limoges (1857–58) and Troyes (1858–59). After military service as a customs officer he then appeared in Toulouse (1863) and Rouen (1864–66). In July 1866 he made his debut at the Théâtre des Variétés in the comedy ''Le photographe'' by Meilhac and Ludovic Halévy, going on to create many other roles in plays by Labiche (''Les trente millions de gladiator'') and Meilhac and Halévy (including ''La cigale'', ''La petite marquise'', and ''Toto chez Tata''). In the field of operetta he created various roles in works by Offenbach including ''La Grande-Duchesse de Gérolstein'', ''Les brigands'', and ''La boul ...
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Marc Allégret
Marc Allégret (22 December 1900 – 3 November 1973) was a French screenwriter, photographer and film director. Biography Born in Basel, Basel-Stadt, Switzerland, he was the elder brother of Yves Allégret. Marc was educated to be a lawyer in Paris, but while accompanying his lover André Gide on a trip in 1927 to the Congo in Africa, he recorded the trip on film,Marc Allégret
Encyclopaedia Britannica
after which he chose to pursue a career in the industry. He is credited with helping develop the careers of ,

Eugenio Perego
Eugenio Perego (1876–1944) was an Italian film director of the silent era. During the 1920s he directed a number of comedy films starring Leda Gys.Abel p.292 Selected filmography * '' The Two Sergeants'' (1913) * ''The Railway Owner'' (1919) * ''A Woman's Story ''A Woman's Story'' or ''The Story of One Woman'' (Italian: ''La storia di una donna'') is a 1920 Italian silent drama film directed by Eugenio Perego and starring Pina Menichelli, Luigi Serventi and Livio Pavanelli. A single mother has to work ...'' (1920) * '' Chief Saetta'' (1924) * '' Naples is a Song'' (1927) References Bibliography * Abel, Richard. ''Encyclopedia of Early Cinema''. Taylor & Francis, 2005. External links * 1876 births 1944 deaths Italian film directors Film people from Milan {{Italy-film-bio-stub ...
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Mario Caserini
Mario Caserini (26 February 1874 – 17 November 1920) was an Italian film director, as well as an actor, screenwriter, and early pioneer of film making in the early portion of the 20th century. Caserini was born in Rome, Italy, and was married to early 20th-century Italian actress Maria Caserini. His 1906 film Otello is believed to be the earliest film adaptation of the William Shakespeare play ''Othello''. Filmography Director *''Il romanzo di un Pierrot'' (1906) *''Otello'' (1906) — (based on ''Othello'') *' (1907) *''Garibaldi'' (1907) — (film about Giuseppe Garibaldi) *' (1908) — (based on ''Hamlet'') *' (1908) — (film about Joan of Arc) *' (1908) — (based on ''Romeo and Juliet'') *''Beatrice Cenci'' (1909) — (film about Beatrice Cenci) *' (1909) — (film about Bianca Cappello) *' (1909) *''L'innominato'' (1909) *''Macbeth'' (1909) — (based on ''Macbeth'') *' (1909) *' (1909) — (film about Percival) *''La signora de Monserau'' (1909) — (based ...
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Nitouche2
Hypocrisy is the practice of engaging in the same behavior or activity for which one criticizes another or the practice of claiming to have moral standards or beliefs to which one's own behavior does not conform. In moral psychology, it is the failure to follow one's own expressed moral rules and principles. According to British political philosopher David Runciman, "Other kinds of hypocritical deception include claims to knowledge that one lacks, claims to a consistency that one cannot sustain, claims to a loyalty that one does not possess, claims to an identity that one does not hold". American political journalist Michael Gerson says that political hypocrisy is "the conscious use of a mask to fool the public and gain political benefit". Hypocrisy has been a subject of folk wisdom and wisdom literature from the beginnings of human history. Increasingly, since the 1980s, it has also become central to studies in behavioral economics, cognitive science, cultural psychology, de ...
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Lilla Helgonet, Djurgårdsteatern 1883
Lilla is a female given name, derived from Elizabeth. Given name * Lilla Barzó, a Hungarian tennis player * Lilla Bodor, a Hungarian painter * Lilla Brignone, an Italian film and theater actress * Lilla Cabot Perry, an American artist * Lilla Crawford, an American actress * Lilla Hansen, a Norwegian architect * Lilla Maldura, an Italian artist * Lilla Nagy, a Hungarian footballer * Lilla Sipos, a Hungarian footballer * Lilla Vincze, a Hungarian singer * Lilla Watson, an indigenous Australian artist * Lilla Zuckerman, an American television writer Surname * Mark Lilla, an American political scientist. Nickname * Iris Mary 'Lilla' Birtwistle, an English lyric poet and gallery owner See also * Lila (given name) Lila ( ar, ليلى) can be a variant of the Arabic and Hebrew words for "night". Other versions are Lyla (most common in Arabic) and Lilah. As a name it means night, beauty, or dark beauty. Lila is a common Indian female given name meaning "beauty ... References { ...
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Dragoon
Dragoons were originally a class of mounted infantry, who used horses for mobility, but dismounted to fight on foot. From the early 17th century onward, dragoons were increasingly also employed as conventional cavalry and trained for combat with swords and firearms from horseback. While their use goes back to the late 16th century, dragoon regiments were established in most European armies during the 17th and early 18th centuries; they provided greater mobility than regular infantry but were far less expensive than cavalry. The name reputedly derives from a type of firearm, called a ''dragon'', which was a handgun version of a blunderbuss, carried by dragoons of the French Army. The title has been retained in modern times by a number of armoured or ceremonial mounted regiments. Origins and name The establishment of dragoons evolved from the practice of sometimes transporting infantry by horse when speed of movement was needed. In 1552, Alexander Farnese, Duke of Parma ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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